Climbing Music’s Mount Parnassus, Again (and Again)

Climbing Music’s Mount Parnassus, Again (and Again)
Yehuda Hanani will perform the Bach Suites for Unaccompanied Cello in an online performance for Close Encounters With Music on Feb. 28. Photo courtesy Yehuda Hanani​

Yehuda Hanani, cellist, educator and artistic director of Close Encounters With Music (CEWM), has returned countless times to the Bach Suites for Unaccompanied Cello — what he calls a musical “Mount Parnassus” (home of mythology’s Muses).

“I’ve been living with this music for over 50 years,” Hanani told me recently. “It’s forever new, forever fresh. You always discover something new” every time you play it. “This is the Bible for cellists,” he continued. “Every composer who writes for unaccompanied cello cannot escape its influence.”

We discussed how Bach, in his time, could not have been thinking that his works would live on in posterity. “In the 18th century, composers were like the bakers, barbers and candle-makers. If you think of his cantatas, he wrote a new one every Sunday. That was his job. It was expected. Last week’s cantata was old news.”

Yet here we are, with these six timeless cello suites, each one exploring a vast range and depth of feeling — of human experience. 

“It’s an incredible body of work,” Hanani said.

And starting on Feb. 28, Hanani will return to the cello suites in a live performance recorded on stage at the Mahaiwe theater in Great Barrington, Mass., to be shown online. It’s the first in CEWM’s winter/spring series, “From the Mahaiwe Stage to Your Screen.” The program will be free and available at the websites www.cewm.org and www.mahaiwe.org, as well as on YouTube.

As a performer and teacher, Hanani is making the best adjustment he can to the  pandemic. He misses the live interaction of playing before people. “It’s an eerie feeling. You sit on the stage, but instead of 750 people breathing and sharing with you, you have to assume they’re online in their homes, that you’re actually playing for someone.”

Ever erudite, Hanani quoted from the Argentine writer Jorge Luis Borges: “‘The taste of the apple lies in the contact of the fruit with the palate.’ Between us playing and someone out there reacting to it — this is what consummates the cycle. The audience is part of the act; it’s an active, not passive, experience.  

Giving lessons remotely has come somewhat easier. “We usually have 50 students from around the world at our High Peaks Summer Festival. This year we did it virtually for the first time. We had 50 students, and we managed to create a sense of community and togetherness.” To a real extent, it has made it easier for the many students he teaches in places like Japan and China. Still, he said, “I’d rather be in the same room with them.”

Returning to the subject of Bach, Hanani dropped a tasty morsel: “My last teacher was [Pablo] Casals,” the legendary Spanish cellist who made the suites famous and was the first to record them. “He approached them with reverence, and called them ‘miraculous.’”

Hanani is hoping for another miracle this summer — as are we all: a return to live, in-person music. CEWM has plans underway for two programs at The Mount, Edith Wharton’s historic home in Lenox, Mass., as well as two more “From the Mahaiwe Stage” online concerts this spring.

“Forever Bach—The Celestial Suites for Unaccompanied Cello,” with Yehuda Hanani on cello, will be available online on Sunday, Feb. 28, at 7:30 p.m. For more information, go to www.cewm.org or www.mahaiwe.org.

Latest News

Salisbury property assessments up about 30%; Tax rate likely to drop
Salisbury Town Hall
Alec Linden

SALISBURY — Salisbury’s outside contractor, eQuality, has completed the town’s required five-year revaluation of all properties.

Proposed assessments were mailed to property owners in mid-December and show a median increase of approximately 30% to 32% across the grand list.

Keep ReadingShow less
HVA awards spotlight ‘once-in-a-generation’ land conservation effort anchored in Salisbury

Grant Bogle, center, poses with his Louis and Elaine Hecht Follow the Forest Award with Julia Rogers, left, and Tim Abbott, during HVA’s 2025 Annual Meeting and Holiday Party.

Photo by Laura Beckius / HVA

SALISBURY — From the wooded heights of Tom’s Hill, overlooking East Twin Lake, the long view across Salisbury now includes a rare certainty: the nearly 300-acre landscape will remain forever wild — a milestone that reflects years of quiet local organizing, donor support and regional collaboration.

That assurance — and the broader conservation momentum it represents — was at the heart of the Housatonic Valley Association’s (HVA) 2025 environmental awards, presented in mid-December at the organization’s annual meeting and holiday party at The Silo in New Milford.

Keep ReadingShow less
Northwest Corner voters chose continuity in the 2025 municipal election cycle
Lots of lawn signs were seen around North Canaan leading up to the Nov. 4 election.
Christian Murray

Municipal elections across Northwest Connecticut in 2025 largely left the status quo intact, returning longtime local leaders to office and producing few changes at the top of town government.

With the exception of North Canaan, where a two-vote margin decided the first selectman race, incumbents and established officials dominated across the region.

Keep ReadingShow less
The hydrilla menace: 2025 marked a turning point

A boater prepares to launch from O’Hara’s Landing at East Twin Lake this past summer, near the area where hydrilla was first discovered in 2023.

By Debra Aleksinas

SALISBURY — After three years of mounting frustration, costly emergency responses and relentless community effort, 2025 closed with the first sustained signs that hydrilla — the aggressive, non-native aquatic plant that was discovered in East Twin Lake in the summer of 2023 — has been pushed back through a coordinated treatment program.

The Twin Lakes Association (TLA) and its coalition of local, state and federal scientific partners say a shift in strategy — including earlier, whole-bay treatments in 2025 paired with carefully calibrated, sustained herbicide applications — yielded results not seen since hydrilla was first identified in the lake.

Keep ReadingShow less