CT laws taking effect July 1: School lessons, e-books, budget

The House of Representatives in session on February 24, 2025, at the state Capitol in Hartford.
Credit: Shahrzad Rasekh / CT Mirror
The House of Representatives in session on February 24, 2025, at the state Capitol in Hartford.
Over six dozen Connecticut laws, including the state’s next budget and bond package, will wholly or partially take effect on July 1.
Here’s a look at some of the dozens of laws that will be implemented next month.
New biennial budget
Now with Gov. Ned Lamont’s signature, Connecticut’s next biennial state budget will take effect at the beginning of the state’s next fiscal year, which is July 1.
The budget prioritizes children, would boost funds for nonprofit social service agencies two years from now, and would increase taxes on corporations. It also dramatically scales back a pledged boost to health care providers who treat the poor and relies on accounting maneuvers to comply with the state’s constitutional spending cap.
$9.7B bond package
A $9.7B bond package to finance school construction, transportation upgrades and other capital projects for the next two fiscal years will take effect on July 1.
The borrowing plan would expand non-education aid for cities and towns, increase affordable housing and combat homelessness, bolster security at places of worship and support construction and renovation of child care facilities.
It recommends new capital investments in higher education — including $5 million to advance the planned renovation of Gampel Pavilion at the University of Connecticut — and a new $60 million program to help K-12 school districts fund small-scale renovation projects.
Education requirements in public schools
Beginning in the 2025-26 school year, Connecticut public schools will be required to add two units to their social studies curriculum: Asian American and Pacific Islander history and civics and media literacy.
The AAPI studies provision, part of a bill that lawmakers passed in 2022, requires schools to teach the history of Asian American and Pacific Islanders in the state, region and country, including the contributions of AAPI individuals and communities to the United States’ arts, sciences, government, economy and civil rights advancements.
A separate law that passed in 2023 requires the civics and media literacy lessons. Civics is defined in the bill as “the study of the rights and obligations of citizens” and media literacy will cover the role of all forms of media in society and how to use, evaluate and analyze the media that a person consumes or creates.
Absentee ballot drop box recordings
As of July 1, municipalities are required to have implemented video recording technology, complete with date and time evidence, at each of their absentee ballot drop boxes. They will be required to start recording the boxes on the first day absentee ballots are issued for an election or primary and continue recording until the town clerk retrieves the last ballots.
The law also requires that the recordings be made available to the public as soon as possible — and no later than five days after the town clerk’s last ballot retrieval — and that they keep the recordings for at least a year.
Legislators approved that requirement in the wake of an absentee ballot abuse scandal in Bridgeport, where a court ordered a re-do of the city’s 2023 Democratic primary after a video surfaced of Democratic Town Committee vice chairwoman Wanda Geter-Pataky appearing to place multiple absentee ballots into a Bridgeport absentee ballot drop box.
Five people, including Geter-Pataky and three Bridgeport council members, have been charged with election-related crimes as part of a sprawling investigation into that primary.
Limits on library e-book contracts
This year, lawmakers gave full passage to a bill designed to address the high costs libraries incur when buying electronic and audiobooks by banning them from entering into contracts with e-book publishers that contain terms that some lawmakers call restrictive.
E-book contracts for libraries often come with terms that mean the library has to re-purchase the book after it’s been borrowed 26 times or every couple of years, whichever comes first. The law prohibits libraries from contracting with publishers that place simultaneous restrictions on the loan period of an e-book and the number of times people can borrow it.
Though the law takes effect on July 1, it will only be implemented if one or more states with a total or combined population of 7 million enact similar laws, and mandates that the state librarian check quarterly whether any other states have passed a similar law.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.