CT’s FOI law turns 50 — let’s shoot for 100

CT’s FOI law turns 50 — let’s shoot for 100
CT.gov

It has been reported that the Mexican government plans to shut down that nation’s highly respected National Institute for Access to Information (INAI), the country’s Freedom of Information (FOI) agency. The responsibility for guaranteeing access to government information will then presumably fall to government departments subject to presidential control. In other words, a case of the proverbial fox guarding the henhouse.

INAI was modeled in significant part on the Connecticut’s FOI Commission. Mexico studied the Connecticut law and its commission and learned from our successes and failures.

Unfortunately what Mexico is now experiencing with the likely closing of INAI has been happening, to one degree or another, in many countries throughout the world – including supposedly democratic ones. The United States has not been immune to this threat. Nor has Connecticut.

For example, it often takes our federal government (which has no independent FOI enforcement agency) years to process even a simple request for information and in many cases government agencies deny requests with questionable claims of exemptions. The only option then for a disappointed requester is to go to the expense of filing a lawsuit, which in itself can take years to resolve. And in Connecticut, numerous unnecessary exemptions have been added to its FOI Act and there have been several notable attempts to curtail the FOI Commission’s independence and funding.

Connecticut’s FOI Act turns 50 in 2025. The law was enacted in 1975 during the post-Watergate reform era. Over time, it too has been weakened. But remarkably, it has largely endured thanks to the extraordinary efforts of the commission and its staff, supporting nonprofit organizations, such as the Connecticut Foundation for Open Government and the Connecticut Council on Freedom of Information, and, importantly, the many Connecticut citizens who rely on the commission to administer and enforce the FOI law.

That is why the commemoration of the 50th Anniversary of FOI in Connecticut is so significant: it has survived substantially intact for half a century where in many other places similar laws have not. The law still remains a vital – and sometimes the only – tool for citizens and the press to uncover government inefficiency, waste and corruption.

But laws and institutions that promote government transparency and accountability require constant vigilance. The Connecticut FOI experience over the past 50 years proves that such vigilance does indeed work.

We should be justifiably proud that Connecticut has for 50 years maintained an effective and credible FOI law that provides its citizens with meaningful government oversight and accountability. The fact that the law has survived to its golden anniversary is a tremendous achievement.

But we can only hope to move that record forward for another 50 years or more with continued vigilance. And by doing so, we can keep Connecticut as a beacon of open government for the entire world well into the future.


Pearlman was formerly the executive director of the Connecticut Freedom of Information Commission. He is currently a member of the Board of Directors of the Connecticut Foundation for Open Government and the Connecticut Council on Freedom of information.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.