Thank you!
Your support is sustaining the future of local news in our communities.

Draft zoning law review nears completion


PINE PLAINS — The Zoning Commission recently completed a draft zoning law for Pine Plains — the only municipality in Dutchess County without zoning — and is currently conducting a review of the document.

After the commission is finished, the Town Board will take responsibility for the document and the State Environmental Quality Review Act (SEQRA) study will commence.

At its meeting April 11, the commission went through the draft line by line to fine-tune it before the board starts its review.

Commissioner Gary Keeler cited a passage that read "there shall be no accessory structure nearer than five feet from the lot line."

"This permits something like a garage," he said. "I think we want to put in a size limit ... put in a size or take it out altogether."

Town Planner Nan Stolzenberg altered the language to say "all accessory structures shall meet side and rear setbacks."

The commissioner also said he was wary of not limiting the heights of agriculture structures in the rural parts of town.

"That’s unreasonably restrictive," Stolzenberg said, adding that height or size restrictions for agriculture buildings probably wouldn’t be cleared by the Agriculture and Markets Law.

Keeler suggested that in many places, tasks set to be handled by the town code enforcement officer (known as the building inspector in many towns) should be addressed by the town Zoning Enforcement Officer (ZEO) or the town’s engineer.

The engineer would be better suited to handle issues like stormwater management practices, Keeler said.

The remainder of the commission agreed.

"With that, I think you’re covering all bases," the commissioner said.

The whole commission agreed that mobile homes should be referred to as manufactured homes throughout the document.

Only double-wide trailers will be permitted in the town of Pine Plains.

Another issue was the possibility of mining in town.

Members of the commission have long said that only small-scale mining should be permitted in Pine Plains.

"This document really outlaws mining in town," said Scott Chase, commissioner.

"It only says that anything above [the commission’s definition of a small mine] has to get a Department of Environmental Conservation mining permit," Stolzenberg said.

This might mean state regulations will trump local ones, Jon DePreter, board chairman, said.

"If you’re only allowing small mines, you need a definition for them," the planner continued.

The commission decided a small mine is defined as mining 1,000 tons or 750 cubic yards of material per year.

Chase noted that there are three to four mines in town that are more productive than those figures, yet they have DEC permits.

However, the commission decided 5-2 that only small mines should be permitted in Pine Plains.

It unanimously voted not to allow rock quarries, citing the disturbance that could come about from blasting.

The commission decided how building sizes for accessory structures in the hamlet center should be regulated. After considering using a percentage scale, members unanimously decided to set the threshold at 1,200 square feet.

According to DePreter, the commission’s review of the document should be complete in a few weeks.

"It’ll be done by the next couple of meetings at worst," he predicted.

 


 

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.