It’s Nice — Also Comic, Violent and Funny

This is Los Angeles in the 1970s: a city sprawled under a choking blanket of brown smog. Even the opening shot in Shane Black’s “The Nice Guys” is from behind a Hollywood sign in tatters. This is the world of private detectives like Jackson Healy (Russell Crowe, now all flabby flesh, the size of an Army Humvee and just as dangerous) and Holland March (Ryan Gosling, deadbeat in a shiny suit) who scavenge for business.

A rundown world of AMC Pacers and wood-paneled station wagons is just right as the setting for this comedy-action-mystery bromance. Writer-director Black (“Lethal Weapon,” “Iron Man 3,” and the marvelous “Kiss Kiss Bang Bang”) keeps the movie hurtling along between peaks of comedy and troughs of violence. Crowe and Gosling display a real feel for comedy, especially Gosling, who delivers  hilarious lines in a matter-of-fact, mindless manner.

At first Healy and March are not friends. They meet while working the case of a missing woman named Amelia (Margaret Qualley). Healy shows how he deals with competition by breaking Holland’s arm. But after a porn star, Misty Mountains (Murielle Telio), is murdered, they find themselves working together.

It seems that everyone who appeared in Misty’s most recent film is turning up dead. Who’s responsible? What does it have to do with the auto industry and the upcoming auto show, or with creepy John Boy (Matt Bomer: “Magic Mike,” “The Normal Heart” on TV), who, like his namesake from the 1970s hit TV show “The Waltons,” has a huge mole on his handsome face?

Healy and March get help from March’s 13-year-old daughter, Holly (Angourie Rice, another Australian headed for a big career), the moral center of the movie. “Am I a bad guy?” her father asks. “Yes,” she answers with authority and assurance. She is a better detective than they.

None of what happens in the convoluted plot matters, of course. Black has fashioned a laconic (think Raymond Chandler), often funny, frequently bloody, laid-back buddy movie with a great soundtrack: Al Green, Earth, Wind and Fire, America. It’s a genre mash-up that channels the great film noirs of the 1940s and ’50s, appealingly acted by Crowe, Gosling and Rice. 

Even if it is a bit too long,  on the whole it is surprising fun.

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