
Kent Town Hall
Leila Hawken


Northwest Corner towns are officiated and represented by a varied group of commission members, staff and elected officials, positions that run the gamut from salaried to volunteer, appointed to elected, and with a range of term lengths.
This system of governance dates back to before the founding of the United States of America, and while the structure remains intact, certain components have changed over time and continue to change to this day. Some towns have shifted from electing Town Hall staff such as town clerk, tax collector and treasurer to appointing employees in these positions. Salisbury has an appointed town clerk. Cornwall will appoint a tax collector this November for the first time. North Canaan and Sharon still elect such officials, but have held public hearings earlier this year on the potential shift to appointments.
Understanding these positions can be a complex task, which is why a Lakeville Journal reporter relied on the help of town officials and municipal documents to compile a who’s who and what’s what of our towns’ governments. Find below a primer for the complicated world of Northwest Corner administration and authority, but bear in mind this list is not comprehensive, and many more vital roles keep things running at town hall and beyond.
Board of Selectmen
At the heart of Connecticut’s municipal governance schema is the quintessentially New England selectboard, composed of the first selectman who administers day-to-day governance in town, and is assisted by two other selectmen. The Board of Selectmen is responsible for appointing various positions and roles in town commissions and for hiring and firing staff, as well as initiating and instituting town ordinances via Connecticut’s municipal democratic format, the Town Meeting. All selectmen in the Northwest Corner are allocated salaries from the town budget.
In other parts of Connecticut, some towns have begun the shift to a more modern leadership system. Winchester, for example, has adopted a “Council-Manager” form of governance. In this system, a non-partisan town manager was appointed to serve as the Chief Executive Officer of the town, supervising department heads and town staff, and the Board of Selectmen acts as the legislative body.
Planning and Zoning and the Board of Finance
Beyond the selectmen, who are elected to two-year terms, the Planning and Zoning Commission and Board of Finance chairs play major roles in towns’ development. Both positions, which are volunteer, are appointed by a vote within the board or commission, whose members are elected by residents. The officer’s terms are limited by their total term time on the commission, which is either four or six years depending on the town.
The P&Z chair helms the commission that reviews projects that relate to the town’s zoning regulations and directs development to align with the town’s state-mandated Plan of Conservation and Development.
The BOF chair heads the commission that reviews and approves the annual municipal and education spending plans and sets the annual mill rate.
Town Clerk
The town clerk, which is appointed or elected depending on the town, is a crucial, paid staff position responsible for maintaining the public record as well as keeping important statistics and managing licensing.
Finance Director
The treasurer, or finance director, oversees town accounts, and is responsible for receiving, investing and maintaining records of municipal funds. The treasurer is a paid staff position that is appointed or elected in different towns.
Tax Assessor and Collector
The municipal government is exclusively responsible for the assessment of property taxes, and the tax assessor is the agent who ensures assessments are made properly, and that the grand list remains accurate. The tax collector’s duty is to oversee the proper collection of those taxes. Several of our towns employ the same assessor or collector.
Zoning Enforcement Officer and Land Use Administrator
The zoning enforcement officer is the municipal staff point person for all land use commissions, such as P&Z, Inland Wetlands and Watercourses, and in some cases a historic district or preservation commission. Also known in many towns as the Land Use Administrator, this paid position receives all applications and inquiries relating to land use, issues permits for to those applications, and investigates violations of zoning and IWWC regulations.
Salisbury
Salisbury’s first selectman is Curtis Rand, who is currently serving his tenth term in the role. The salary for the position is budgeted at $101, 835 for fiscal year ’26. The second and third selectmen, whose salaries are budgeted at $11,540, are Christian Williams and Katherine Kiefer. All selectmen’s terms expire with the municipal elections this fall, but they may run for re-election.
P&Z commissioners serve four-year terms, with current chair Michael Klemens’ term ending in 2027. The BOF chair, Pari Forood, holds a six-year term, set to expire in 2029.
The town clerk is a BOS-appointed, four-year term position in Salisbury, currently held by Kristine Simmons. The clerk’s salary is budgeted at $69,696.
Salisbury refers to its chief financial officer as its comptroller, a role responsible for all operations of the town’s finance department. The appointed position is budgeted at $99,650, and is held by Joseph Cleaveland as a four-year term.
The tax assessor position, held by Kayla Johnson who performs the role for many towns in the area, is appointed and budgeted for a $75,000 salary.
The tax collector is a four-year appointed position, held by Jean Bell. The position’s salary is budgeted at $62,550.
Abby Conroy is the town Director of Land Use, a hired staff position. The role has a budgeted salary of $99,685 for FY’26.
Sharon
Sharon’s first selectman is Casey Flanagan, currently serving his first term which is set to expire this year like all selectmen across our towns. The first selectman’s salary is budgeted at $84,821 for FY’26. The rest of the board is filled by Lynn Kearcher and John Brett. Kearcher was paid $6,221 for the role during the last financial year, while Brett declined payment.
P&Z’s chair is Laurance Rand III, serving a four-year term set to expire in 2029. The BOF is headed by Thomas Bartram, also serving a four-year term that ends in 2029.
Sharon’s town clerk is Linda Amerighi, who has served over 30 years in the role. Its salary is budgeted at $63,803 for FY’26, and runs four-year terms. The BOS is currently reviewing a draft ordinance that would transition the role from being publicly elected to BOS-appointed.
Tina Pitcher is the town treasurer, an elected position with a two-year term length. The treasurer’s salary is budgeted at $22,825.
The tax assessor is an appointed role with no defined term length, held by Jennifer Dubray who works in several towns in the region. The town has budgeted $53,799 for its salary.
The tax collector, an elected role serving two-year terms, is Donna Christensen. The position is budgeted for a $41,179 salary.
Sharon’s Land Use Administrator is a BOS-appointed role, served by Jamie Casey. The position’s payment is divided between its various commission affiliations: $44,640 for P&Z and $8,599 for the IWWC.
Kent
Marty Lindenmayer is currently serving his first term as Kent’s first selectman. The position is budgeted for a $83,647 salary, while the second and third selectmen are set to be paid $6,051 each. Lynn Mellis Worthington and Glenn Sanchez are currently sitting on the board, which is set to move around with Lindenmayer’s departure in November.
P&Z is led by Wes Wyrick, whose six-year term on the commission expires this year.
The BOF is currently led by Nancy O’Dea Wyrick, whose six-year term also ends this year.
Kent’s clerk is Darlene Brady, who is serving a four-year term in the elected role. The position’s salary is budgeted at $66,723.
The town treasurer is Barbara Herbst, who works for both Kent and Cornwall. The position is held in four-year terms, and is appointed by the first selectman. Its salary is budgeted at $52,569.
The tax assessor, currently Jennifer Dubray, is appointed by the BOS and has no stated term limit (TK confirm). The town has budgeted $51,069 for the position.
The tax collector is an elected role of two-year terms, currently held by Deborah Devaux. The position is budgeted $47,744.
Kent divides the salary of its Land Use Administrator, currently Tai Kern, between P&Z ($59,115) and the IWWC ($31,830). This is an appointed employee position.
Cornwall
Gordon Ridgway has been Cornwall’s first selectman since 1991, and is currently serving his 18th term. Rocco Botto and Jen Hulburt Markow fill the other two board positions. The first selectman’s salary is budgeted for $68,217 while the second and third selectmen are paid $4,961 each.
The P&Z chair in Cornwall is Anna Timell, who will serve until her term ends in 2029.
Joseph Pryor is the BOF chair, and his term will also run out in 2029.
The town clerk is Vera Dineen, who serves an elected two-year elected position, set to expire in 2026. The clerk’s salary is allocated $53,378 on the FY’26 budget.
The town’s finances are handled by both a chief finance officer, Barbara Herbst, who was appointed to her position and is budgeted for a $47,371 salary.
The tax assessor’s salary is $25,046, and is an appointed position with no term limit currently held by Kayla Johnson.
The tax collector position was recently changed from an elected role to an appointed one, and is held by Jean Bouteiller, whose term ends this year. The budgeted salary for the collector is $30,935.
The town’s zoning enforcement is handled by Land Use Administrator Spencer Musselman, who is paid hourly at a rate of $37.90. The town has budgeted approximately $28,500 in total land use wages for the fiscal year.
Falls Village
Dave Barger is currently serving his first term as Falls Village’s first selectman. The position has a budgeted salary of $40,540, while the other two selectmen are paid $5,335. Those roles are held by Chris Kinsella and Judy Jacobs.
P&Z is chaired by Greg Marlowe, who just began a new term this summer. His five year term expires in May 2030.
Ginger Betti is serving as the finance chair, with her six-year term on the commission set to end this fall.
The town clerk is an elected position with a four-year term, currently occupied by Johanna Mann. The role is budgeted a salary of $36,613.
Michelle Lynn Hansen is treasurer/bookkeeper, paid two separate salaries for each role for a budgeted total of $39,703. The position is appointed by the BOS and served in four-year terms.
Kayla Johnson is the town’s chief tax assessor, an appointed position, and is budgeted a salary of $25,403. The town also hires an assistant assessor, currently Theresa Graney, whose salary is marked at $13,484. Both positions are appointed with no term limit.
Collecting duties are handled by Rebecca Juchert-Derungs, whose salary is set at $22,374. The position is appointed and serves a four year term.
Falls Village is developing a new position in the ’26 fiscal year for a joint planning consultant and ZEO role, currently held by Janell Mullen and budgeted for a salary of $26,160. The role is appointed, with no term limit.
North Canaan
Brian Ohler is serving his first term as first selectman, joined by Craig Whiting and Jesse Bunce on the board. The first selectman’s salary is budgeted at $24,000, while the second and third selectmen are paid $6,500 each.
P&Z is led by chair Mike O’Connor, whose four-year term ends in 2027..
Doug Humes is chair of the BOF, and his term will conclude in 2029 after a six-year term.
The clerk’s office is currently unoccupied since the ongoing absence of Jean Jacquier beginning in February of this year. The position was allocated a salary of $38,000 for the fiscal year.
Emily Minacci is the town’s treasurer with a budgeted salary of $27,000.
The tax collector’s office was also also vacated earlier this year when Jennifer Jacquier left resigned. It has since been filled by Launa Goslee as a contractor until the November election. The position is budgeted a salary of $23,000.
The clerk, treasurer and tax collector are currently elected positions, though a vote to install ordinances that would switch each to an appointed office with a four-year term length will be on the November municipal election ballot. If voted through, any switch of a position to be appointed will only happen after this election cycle is completed.
Jennifer Dubray handles the tax assessor duties in town, which are budgeted $39,175 in compensation. It is an appointed position with no term length.
The town also appoints a ZEO, George Martin, with a salary of $15,100 laid out on the budget.
Natalia Zukerman
Sam Lardner and Barcelona will play a benefit for Vecinos Seguros 2 at Salisbury Congregational Church on Friday, July 24.
On Friday, July 24, musician and educator Sam Lardner and his band, Barcelona, will take the stage at Salisbury Congregational Church for a benefit concert supporting Vecinos Seguros 2, an all-volunteer organization that provides emergency assistance and rapid-response support to immigrant families in Northwest Connecticut affected by U.S. Immigration and Customs Enforcement activity.
Lardner, who attended and later taught at The Hotchkiss School in Lakeville before moving to Spain in 1997, still considers the Northwest Corner his home in the United States. “It’s such a special place,” he said.
After years as a touring singer-songwriter on the New England folk circuit, fronting a country band in Spain and releasing multiple albums, Lardner eventually stepped away from music as raising four children and paying for their college tuition became his priority. He returned to education full time but never abandoned music entirely, continuing to perform whenever he could.
Now, with his children grown, Lardner has returned to the stage with a renewed sense of purpose. Through his Varroomba! project, music has become more than entertainment. It is a fundraising engine, a way to build community and a vehicle for supporting organizations responding to urgent needs.
Instead of charging organizations to host concerts, Lardner raises money ahead of time through his community of fans. The proceeds cover recording costs, musician salaries and travel, allowing each concert to become a fundraiser for the host organization.
“I call the venues and say we’re coming, and we don’t cost any money,” he said.
There are three levels of Funding Fans: Wunderfans, who contribute $50 or more; Virtuosi, who give $1,000 or more; and Gamechangers, who donate $3,000 or more. Through this model, Lardner has raised $27,000.
This year’s six-piece ensemble spans three generations and includes Lardner’s son Jackson, along with veteran members of the band and two younger musicians from Spain.
Lardner said the concert in Salisbury will be joy-filled. After finding himself overwhelmed by headlines while living overseas, he shifted his focus from writing topical songs to performing music that offers hope.
Lardner said conversations with organizers have shaped the tone of the evening.
“We talk through the events with each organizer,” he said. “What do we want to do here? Are we raising awareness? Are we raising funds? Are we doing both? Are we celebrating community? This one is among the most mission-driven because the need is so immediate.
Vecinos Seguros 2 was launched earlier this year as federal immigration enforcement intensified across Connecticut. Building on the work of the original Vecinos Seguros network, the organization mobilizes volunteers to accompany immigrant families, provide emergency financial assistance, connect residents with legal resources and strengthen neighborhood support systems. Leaders say requests for help have grown sharply in recent months as fear of detention has increased.
Although the subject is serious, Lardner hopes the evening itself will be joyful.
“With music, the afterglow is much longer and more powerful,” he said. “It’s all about these groups and what they’re trying to do.”
If the inaugural Varroomba! tour succeeds, Lardner hopes to double its impact next year.
“We’re doing 15 causes this summer,” he said. “I’d like to do 30 next summer and just keep growing it.”
The concert begins at 7 p.m. Friday, July 24, at Salisbury Congregational Church. Proceeds benefit Vecinos Seguros 2. Tickets are available through Eventbrite at https://bit.ly/4vvfVYO. For more information on Varoomba!, visit varroomba.org
Lucia Iandolo
Karina Powers teaches traditional dances from Mexico in Millbrook.
This is an art and the arts unite nations.
—Karina Powers
Karina Powers began dancing at 4 years old. A professional dancer, singer, performer and Mexican folklore dance professor from Baja California, Mexico, she is the youngest of three sisters who were all involved in the arts. Powers now teaches traditional Mexican dances to adults through her company, Compañía De Danza Folklórica Regional Mexicana, in Millbrook. She said she has a strong passion for the history and art that exist within the dances she teaches, and she hopes to instill that passion in her students.
“Many of them have never danced this type of dance,” said Powers. “They’re from Mexico, but they came to the United States at a young age to work. They have that dream to learn, and now they have this opportunity.”
Powers received a master’s degree in Mexican folklore dance from Escuela de la Danza in Baja California, Mexico. Since moving to the United States, she has built a career in performance and teaching. She has not only served as a dance director and performed as a professional vernacular music singer in California, but she has also worked towards her Doctorate, which she will receive in October.
As the founder of her company, Powers works tirelessly to make sure her dancers have everything they need, including costumes, proper flooring, music and a space to practice. Her husband built wooden panels, called tarimas, for students to dance on with their folklórico shoes. Millbrook Mayor Peter F. Doro allows Powers and her group to practice in Millbrook Hall, where she brings the tarimas to every practice along with costumes and proper footwear.
Powers dreams of owning her own studio where she can practice with her group, offer more classes, store costumes and create a space for her dancers to do their hair and makeup before performances. She said she hopes people learn about her classes so her company can grow and she can teach dances from a wider range of Mexican states while having greater access to traditional dress.
As a single mother and professor, Powers’ mother, Carmen Méndez, put her children in dance classes and signed them up for track and field, always keeping them goal- and career-oriented. She helped Powers with her company by creating all of the costumes her dancers wear in their performances. After her mother’s death in 2021, Powers said she has dedicated herself to carrying forward the passion, work ethic and love of dance her mother instilled in her.
“I miss her terribly, and I’m here because of her,” Powers said. “That’s why I want to do this, because of her. She gave me a lot, with the costumes, with her support. I do it for my mom.”

Dancers in Powers’ group are dedicated to learning the art of dance from different states in Mexico on Tuesday and Friday nights at Millbrook Hall. They travel from many different places in New York to participate, with some dancers traveling more than an hour to make it to rehearsal each week.
“It’s a lot of work, but they learn it. I believe they love it, and it’s a way to come together, to do something good, to do something healthy, and to have people around you who appreciate this kind of art,“ Powers said.
Powers has studied with professor Eloy Jiménez Figueroa since childhood and said his mentorship inspired her to become the teacher she is today. She added that while she may not be the best teacher, she learned from the best.
While living in California, Powers taught elementary, high school and college students, as well as adults. She was recruited to teach traditional Mexican folkloric dance because of the region’s large Mexican community. Today, she encourages people of all backgrounds to explore the rich traditions of Mexican dance.
“This type of dance is not only for people from Mexico,” Powers said. “This is an art and the arts unite nations.”
Powers hopes to continue sharing that art in Millbrook and one day teach in the Millbrook Central School District. Powers and her group will perform at the Millbrook Library on Nov. 21, presenting traditional Mexican dances and inviting audience members to participate.
As a professor, dancer and singer, Powers stays grounded by believing in something greater than herself. She says that praying and putting herself in the hands of God has helped anchor her. She hopes to teach and dance for as long as her body allows.
“My mom, for me, is an angel. I put myself in her hands, and I have faith,” Powers said. “I have faith that God, or something good, is going to be there for the group and for myself.”
D.H. Callahan
Bucky Pizzarelli and Brandon Goldberg at the Litchfield Jazz Festival in 2017.
The Litchfield Jazz Festival opens its 2026 season on Friday, July 24, at the Frederick Gunn School in Washington, Connecticut. The evening will feature a gala and a concert led by saxophonist Don Braden featuring the Litchfield Jazz Fest Dectet.
The festival began in 1996 and has been going strong ever since. The list of past performers reads like a who’s who of modern jazz greats, including Christian McBride, Soulive, Joshua Redman, Dave Douglas, Brad Mehldau and John Scofield, all of whom helped revive the genre for a new generation of fans at the turn of the millennium. Vocalists like Diana Krall, Dionne Warwick and Dr. John have made appearances as well. And, of course, the festival has been graced by established masters like saxophonists Sonny Rollins and Wayne Shorter; guitarist Bucky Pizzarelli; bassist Rufus Reid; drummers Roy Haynes and Tito Puente; the Preservation Hall Jazz Band; and pianists Dave Brubeck and local legend Ahmad Jamal.
Jamal, who died in April 2023 at his home in Ashley Falls, Massachusetts at the age of 92, was a pioneering jazz pianist. His minimalist style inspired generations of jazz greats, including Miles Davis, who wrote in his autobiography that Jamal “knocked me out with his concept of space, his lightness of touch, his understatement, and the way he phrased notes, chords and passages,” and is widely cited as saying, “All my inspiration comes from Ahmad Jamal.”
Jamal’s performance came at the inaugural festival back in 1996, one year before the Litchfield Performing Arts nonprofit group undertook its next serious foray into the genre by opening the Litchfield Jazz Camp. Now celebrating its 30th anniversary, the camp has been an incubator for enthusiastic jazz musicians of all ages. Vita Muir, founder and executive/artistic director of Litchfield Performing Arts since its founding in 1981, said the youngest camper was 9 years old, while the oldest was in his 80s. Today, more than 300 students attend the camp as boarders or day campers during its four weeklong sessions. The goal is to make each camper become a better version of themselves through jazz, camaraderie, confidence-building and other intangible methods.
The jazz world used to have a strong built-in mentorship mentality. Younger players would get picked up by more experienced musicians to play with their bands. John Coltrane famously played with Miles Davis before striking out on his own. But today, with fewer and fewer jazz performance spaces, that pattern of mentorship has drastically subsided. The camp works in part to rebuild that tradition. “First the teachers hire the students, then the students hire the teachers,” stated Muir in a recent interview.
That relationship between the camp and the festival will be in the spotlight Friday night following the opening gala. Led by Don Braden, the Litchfield Jazz Fest Dectet features musicians who have deep connections to the camp as students, teachers or both, including drummer Anton Kot, a recipient of Juilliard’s Tito Puente Scholarship Award.
At its essence, of course, the festival is about great jazz. In that spirit, a dizzying lineup of contemporary greats will take the stage throughout the weekend, including the Steve Davis Sextet, the Paul Bollenback Quintet and the Curtis Brothers Trio on Saturday, as well as the Steve Kortyka Sextet on Sunday.
For a full schedule and tickets, visit litchfieldjazzfest.com

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Jack Sheedy
Danny Saed, assistant director of “Pinocchio”; his mother and co-founder of Grumbling Gryphons Leslie Elias; theater arts camper Joyce Sun; artist and counselor Natalie Resto; and Steven Sun, Joyce Sun’s father.
Leslie Elias wants you to understand something about the group she calls Grumbling Gryphons Traveling Children’s Theater: “I like to say that we try not to grumble.”
For 46 years, she has used the nonprofit to educate and entertain children in the performing arts. Summer after summer, young campers learn about acting, singing, mask-making, costume-making and scenery painting. This year, as in years past, a five-day theater arts camp will culminate in a live performance of one of Elias’ original plays, guaranteed, she hopes, to quell all grumbling.
Elias co-founded Grumbling Gryphons in 1980 with Vanessa Roe and Nicholas Jacobs. Mask-maker Robert Flanagan, known for his work with the Muppets and for designing props for the Broadway production of “Oz,” suggested the name Gryphons, a reference to mythological beasts that are part eagle and part lion. Jacobs liked the idea and added “Grumbling,” mainly for alliteration.
A gryphon, Elias said, is “not a negative thing. It’s the guardian of treasure. I like to think of it as guardian of a treasury of stories.”
Registrations are being accepted for children ages 6 to 14 for the theater arts camp that will begin July 27 and end with a July 31 performance of “The Adventures of Pinocchio,” Elias’ adaptation of the classic tale. Children will work with a team of professional actors, musicians and visual artists, Elias said. She will direct the performance, with assistance from her son, Daniel Saed.
Elias has been a storyteller all her life. “My mother was an important influence. She started a nursery school when I was a kid. I helped the younger kids. I would tell them stories, and we would act out plays. My parents were always taking me to theater and concerts, and so that had a profound influence on my life.”
Her many accolades include the Connecticut Office of the Arts’ 2018 Arts Hero Award and The Northwest Connecticut Arts Council’s 2018 CultureMAX Award for Arts Educator.
Millerton resident Jane Wood said that she joined the theater arts camp when she was 8 years old. Now 15, she is an assistant counselor, engaging with new and veteran campers. “If you’re an older camper, you might have a more advanced role with a bunch of lines, but in the ensemble, you’re doing a lot of singing and a lot of dancing,” she said. “Some people have like one or two individual lines throughout the performance.”
In past years, Wood has had featured roles in the camp performances, including the Queen of Hearts in “Alice in Wonderland.” This year her role is keeping younger kids entertained, she said.
Wood said she has learned a lot from Elias. “I learned how to organize a group of people. Sometimes it is not very pretty, but when it does get done, it is beautiful.”
On July 4, Natalie Resto marched with the Grumbling Gryphons in the parade in Cornwall Village. “One of my main jobs that I do for Leslie is helping with illustrations for logos and flyers, as well as helping assist in props and costumes,” Resto said. For “Pinocchio” she will help create props that can be tailored for indoor or outdoor use.
“I come up with different kinds of art activities that the children will get to participate in during the theater camp,” Resto said.
The five-day camp and performance will mark the start of a summer filled with dramatic productions by Grumbling Gryphons throughout New York and New England. “The Myth of Persephone,” one of Elias’ earliest and ever-popular plays, will be performed Aug. 8 at Stissing Center in Pine Plains. “Anansi-The Trickster Spider: A West African Folktale” will be performed Aug. 15 at the Harwinton Fairgrounds. Both performances will begin at 11 a.m., preceded by a pre-performance dramatic workshop at 10 a.m.
“I love working with children,” Elias said. “I love empowering children, giving them an opportunity to work as a team, make new friends, have fun and have input into our plays. It’s not just putting on the perfect play or the perfect show; it’s about co-creating and contributing to the whole.”
The public performance of “The Adventures of Pinocchio” will take place July 31 at Grumbling Gryphons headquarters at 29 Lake Road, West Cornwall. The rain location will be at Housatonic Valley Regional High School, 246 Warren Turnpike Road, Falls Village.
To register a child for the theater arts camp, or to learn more about this summer’s activities, visit www.grumblinggryphons.org, email Leslie Elias at grumblinggryphons@gmail.com or call 860-672-0286.
Bobby Graham & Matthew Marden
Sea bass and shrimp gumbo
Each month, Dugazon owners Bobby Graham and Matthew Marden share a recipe inspired by the traditions, stories and sense of welcome at the heart of their shop in Sharon, Connecticut. Visit Dugazon at 19 W. Main St. Wednesday-Sunday, 11 a.m. to 5 p.m. and online at dugazonshop.com.
This month we’re sharing one of our favorite comfort foods: sea bass and shrimp gumbo. While gumbo has a reputation for being a labor of love, this version skips the traditional roux, making it surprisingly approachable. The ingredient list may seem long, but once everything is prepped, it comes together quickly, rewarding you with a rich, flavorful bowl that’s perfect any time of year. Many of the pantry staples you’ll need for this recipe can be found right here at Dugazon.
For Bobby, gumbo brings back fond memories of annual visits to his grandparents in Louisiana, where every trip revolved around the kitchen and the table. His grandfather’s gumbo was always a highlight.
We hope this recipe brings a little Louisiana warmth to your table and becomes a favorite in your home, too.
Adapted from “Big Easy Seafood Okra Gumbo” in Emeril’s “New New Orleans Cooking.”
Ingredients
•2 tablespoons olive oil
•1/2 cup chopped onion
•1/4 cup chopped celery
•1/4 cup chopped green bell pepper
•1/4 cup chopped red bell pepper
•1/2 jalapeño, chopped
•1/2 tablespoon salt
•1/4 teaspoon freshly ground black pepper
•1/2 cup seeded and chopped Italian plum tomatoes
•2 tablespoons minced garlic
•1 tablespoon minced shallots
•2 quarts fish stock (store-bought or frozen)
•1/2 pound sea bass, cut into 1-inch cubes, skin removed
•1 teaspoon Worcestershire sauce
•1/2 teaspoon Crystal Hot Sauce (available at Dugazon)
•6 bay leaves, fresh or dried
•1 tablespoon minced fresh basil
•1 teaspoon minced fresh oregano
•1 teaspoon fresh thyme leaves
•12 fresh okra, sliced
•1 teaspoon cornstarch
•2 teaspoons Tony Chachere’s Cajun Seasoning (available at Dugazon)
•1/2 pound peeled medium shrimp (Guido’s fresh Gulf shrimp is a favorite)
•2 to 4 cups cooked white rice
•1 cup chopped green onions
Equipment
•Large soup or stock pot
•Wooden spoon
•Rice cooker or saucepan
•Soup or gumbo spoons
Preparation
The cooking times are important to the texture and flavor of the finished gumbo.
•Heat the olive oil in a large pot over high heat. Add the onion, celery, green and red peppers, and jalapeño. Sauté for 1 minute. Add the salt and pepper and cook for another minute. Stir in the tomatoes, garlic and shallots and cook, stirring occasionally, for 4 to 5 minutes.
•Add the fish stock, sea bass, Worcestershire sauce, Crystal Hot Sauce, bay leaves, basil, oregano and thyme. Bring to a boil and cook over high heat for about 8 minutes, stirring occasionally. Reduce the heat to medium.
•Stir in the okra and Tony Chachere’s Cajun Seasoning. Simmer for 15 minutes, skimming any foam from the surface as needed. Raise the heat to high and cook for 5 minutes. Add the shrimp, reduce the heat and simmer for 5 minutes. Stir the cornstarch into the gumbo and cook, stirring constantly, for 2 minutes to slightly thicken. Remove from the heat and taste before adjusting the seasoning.
•To serve, ladle about 1 1/2 cups of gumbo into each soup bowl and top with about 1/2 cup cooked rice. Garnish with 1 to 2 tablespoons chopped green onions. Serve with crusty French bread and butter.
Make-Ahead Tip
The gumbo can be made one day in advance, refrigerated and gently reheated before serving. Cook the rice the day you plan to serve it. Like many stews, the gumbo is even better the next day after the flavors have had time to meld.
Lucia Iandolo
Alt folk duo Sweet Petunia to perform a benefit at Random Harvest on Saturday, July 25.
On Saturday, July 25, Americana/Alt Folk duo Sweet Petunia will perform at Random Harvest in Craryville, a worker-owned market, café and community space that supports farmers and brings people together through locally sourced food. The concert comes just months after the fatal two-vehicle crash at the intersection of Route 23 and County Route 7 that devastated the hamlet, disrupted local businesses and left a lasting emotional impact on the community.
After the crash, Random Harvest remained open and committed to connecting people through food and community. Simpson said the duo looks forward to contributing to a healing experience through their music.
“We are honored to be there and to share our music,” Simpson said. “We’re happy to be part of a celebration and hopefully raise some funds and just have a good time.”
Sweet Petunia is made up of Mairead Guy and Maddy Simpson, who met while studying at Berklee College of Music. Throughout their college years, Guy and Simpson’s voices blended so beautifully that classmates often mistook them for siblings. After discovering their collaborative sound, they formed Sweet Petunia and began performing at music festivals while writing their debut album, “Foggy Mountain Mental Breakdown,” released earlier this year on Ani DiFranco’s label, Righteous Babe Records. The record explores themes rooted in Appalachian traditions while drawing inspiration from Boston’s DIY punk scene.
Sweet Petunia’s music combines deep, thought-provoking lyrics with intricate banjo playing to tell stories of self-discovery and life’s many complexities. The banjo seems to be having a resurgence in mainstream music, a trend the duo believes is driven by younger audiences seeking an escape from modern life and a return to something more tangible.
“I think kids are basically just so fed up with the internet and want to go back,” Simpson said. “So it would make sense to me that they would be interested in more traditional music.”
Through the years they have spent collaborating, both musicians have continued to grow, learning new instruments that have expanded their sound. Along with the evolution of their music, their onstage chemistry has also developed.
“We’ve gotten really good at banter,” Guy said. “People tell us that we’re really funny a lot, which is really meaningful.”
Simpson noted that when they first started playing together, neither of them knew how to play the instrument they are now best known for.
“Neither of us played the banjo, so that was something we learned and developed,” Simpson said. “We both literally learned how to play an entirely new instrument and how to write songs on it and how to incorporate that into the music that we make.”
Random Harvest is located at 1785 Route 23 in Craryville. The performance begins at 8 p.m. Tickets are available at events.humanitix.com/sweet-
petunia-concert.

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