The Lakeville Journal and The Millerton News presented the 2025 Estabrook Community Leadership Award to Bunny Williams on Nov. 22 at the Town Grove in Lakeville.
The award, named for longtime Lakeville Journal and Millerton News owners Robert and Mary Lou Estabrook, honors individuals who exemplify community spirit and leadership. This year’s presentation took place during the newspapers’ second annual Jubilee.
Addressing more than 100 attendees, Brian Ross, Vice Chair of the Board of Directors, underscored why Williams was chosen. “Bunny has always believed, as we do at our newspapers, that community matters, and that local matters,” he said.
Williams has spent decades bolstering local organizations. She helped launch Trade Secrets 25 years ago, turning it into a major fundraiser for Project Sage, the region’s domestic violence agency. She has hosted events for local libraries, supported the Falls Village Daycare Center and Music Mountain, and founded The Great County Mutt Show to benefit The Little Guild.
Board Chair Dan Dwyer urged attendees to follow Williams’ example. “Get informed, stay informed and get involved in your community to make it a little better than it was – that’s what Bunny has done,” he said.
In her tribute, Betsy Smith — a close friend of Williams and chair of the Jubilee — called the honoree honest, energetic and warm. “She’s the essence of being civic minded,” Smith said. “I could not be prouder to be in her orbit of friendship, warmth, commitment, and making our community a better place.”
Michael Trapp, left, and Hillary Cooper
Dwyer presented Williams with the award, which she immediately dedicated back to the community.
“What I learned is that the best part of this community – as beautiful as it is – is the people. I may have an idea, but it’s just an idea,” Williams said. “It is the effort and the commitment and the generosity of people who step up to the plate to make these events happen and I’ve never seen anything like it.”
James Clark, CEO/Publisher of The Lakeville Journal and The Millerton News
Publisher James Clark congratulated Williams before highlighting the vital role of local journalism. “When you read The Lakeville Journal and The Millerton News, you become more informed about what’s happening in your communities – and more connected to your community,” he said, adding his thanks to the attendees whose support helps the newspapers thrive.
John Coston, center, recently retired executive editor of The Lakeville Journal and The Millerton News
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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