A dish best served cold

Lee Marvin, Angie Dickinson, Carroll O'Connor and a cigar.
MGM Studios

Lee Marvin, Angie Dickinson, Carroll O'Connor and a cigar.
I was feeling surly recently, so I dialed up “revenge movies” on the streaming gizmo.
There are a lot of revenge movies.
I skipped obvious titles that I’ve seen multiple times, like the “Death Wish” flicks starring Charles Bronson.
But I didn’t skip John Boorman’s oddball entry from 1967, “Point Blank,” in which Walker (Lee Marvin, wearing a very sturdy pair of wingtips) wreaks all kinds of havoc in order to recover the $93,000 that was his share of a previous caper.
This was the 1960s, so the film’s story is “non-linear,” meaning the viewer wonders what the heck is going on.
But who cares when you’ve got Angie Dickinson wearing as little as the producers thought they could get away with, and bad guys like Carroll O’Connor and John Vernon.
William Lustig’s 1982 “Vigilante” is a coherent film that stars Robert Forster as Eddie, a regular guy pushed to extremes by indifferent policing and general societal breakdown.
Here we get into what is critical in a revenge movie: The hero has to pretty much kill everybody and break everything.
This one gets bonus points for giant land yachts and overall greasiness.
Brian Helgeland’s 1999 “Payback,”, based on a novel by Donald Westlake (as is “Point Blank”), has Mel Gibson rampaging around the nameless city that just happens to look a lot like New York in order to get back at the creep who double-crossed him on a heist and left him for dead.
This one has kinky sex, always a plus when you’re in a bad mood, and like “Point Blank,” the hero has a similar obsession with recovering the exact amount of money — no more, no less.
He also kills everybody and blows up what he doesn’t break.
Moving into a contemporary mode, there are three more or less current franchise films that explore the revenge angle.
The “Taken” series, starring Liam Neeson as retired CIA guy Bryan Mills, starts with Mills’ daughter getting kidnapped in Paris by Albanian sex-trafficking thugs. Mills hops on a plane and kills everybody in creative ways and breaks everything. Oh, and gets his daughter back.
But one of the Albanian thugs has a grieving father who’s got the same general idea as Mills when it comes to killing everybody, etc.
This forms the basis for the imaginatively titled “Taken 2.”
In the third installment, Mills is framed for the death of his ex. There’s some unnecessary plot involved, but Mills gets to waterboard his deceased ex’s smarmy second husband and eventually wipes out the sinister Russian mobster.
What’s fun about these flicks is Mills’ ability to MacGyver, or to find simple solutions to knotty problems.
MacGyver used a Swiss Army knife a lot. Mills, when trying to prevent the private plane from taking off, simply crashes the stolen Porsche into the plane’s landing gear.
Would an ordinary Toyota or Subaru have done the trick? Sure, but viewers can crash their own regular cars. How often do you get the chance to destroy a Porsche?

The soaking wet Keanu Reeves stars in the four “John Wick” movies, which are darn near interchangeable. John Wick is a retired assassin but this idiot son of a Russian gangster steals his restored Mustang and kills his puppy, which is good for about 12 hours total of mayhem and destruction in several parts of the world.
These locations have one thing in common — it is almost always night, and it has just rained.
And if there is any chance for John Wick to get drenched, he does.
The momentum lags by the time you get to the fourth flick, which spends at least 40 minutes in kung fu exercises in neon-lit rooms featuring lots of easily broken glass stuff.
Denzel Washington is the star of the “Equalizer” series, as another one of these retired CIA hitmen, Robert McCall.
He works in hardware stores and as a rideshare driver, but darn it all, he keeps running into injustice, which requires killing everybody and breaking everything.
This knight-errantry requires a more subtle touch from director Antoine Fuqua, who spends more time showing McCall drinking tea than seems absolutely necessary.
There are three of these movies, and darned if I didn’t feel just about revenged out by the time the credits rolled on the third.
The revenge movie exercise took about two weeks, and there were numerous flicks that did not make the cut. As a general rule, I avoided anything that has been mocked by the guys at Rifftrax, and I did not go back to the black and white era, when you couldn’t throw a brick without hitting someone en route to a showing of a revenge movie.
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.