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The Hydrilla Menace: Twin Lakes group buoyed by DEEP’s assault on invasive hydrilla in 2025
A detail of a whorl of hydrilla pulled from the shallow waters at O’Hara’s Landing Marina in fall of 2024.
SALISBURY — The Twin Lakes Association is taking an earlier and more aggressive approach to fighting the spread of invasive hydrilla in East Twin Lake by dosing the whole northeast bay, from May through October, with low-level herbicide treatments instead of spot treatments.
The goal, said Russ Conklin, the TLA’s vice president of lake management, is to sustain herbicide concentration over the 2025 growing season.
That plan of attack will continue over a period of 60 to 90 days beginning May 21, Conklin explained during the association’s April 30 membership meeting via Zoom which drew 60 attendees.
TLA officials were encouraged by the chance to stop the spread and hopefully destroy the thick mats of the unyielding invasive plant hydrilla verticillata, referred to as the Connecticut River variant, after two years of chasing new growth around the lake’s north bay.
Dense patches were first discovered in the summer of 2023 in shallow waters around O’Hara’s Landing Marina and the nearby state boat launch and the plant has since migrated further into East Twin, following a pattern of boat traffic.
Past treatment efforts were hampered by delayed permits from the state Department of Energy and Environmental Protection to treat the hydrilla with herbicides in an area where a rare plant had been identified.
This year, the TLA was granted an exception by DEEP, said Conklin, as any protected plant species in the path of hydrilla would likely not survive anyway.
“It is not dead now, but it is going to be if we don’t do something about the hydrilla.”
“This is a big year for us,” Conklin said. “Hydrilla is a real threat to the lake, and we did treat it this past year, but the permits only applied to the plant, so we spot treated it … and were always chasing it.”
The course of action this year, he said, is to treat the entire northeast bay with the herbicide Sonar in both liquid and crystal form at a very low levels so that the herbicide’s contact time with hydrilla will be extended for a longer period over 60 to 90 days.
“We know from past experience that it is much easier to kill the plant when it’s small,” Conklin explained. The goal, he said, is to attack the stringy, green weed before August when it crowns and splits into numerous growing points that are capable of growing at the rate of an inch a day.
During the hour-long meeting, discussion also focused on a pilot program for enhanced cyanobacteria monitoring at Twin Lakes to be headed by TLA director Jessica Swartz, a resident of West Twin Lake and biotech executive with Pfizer.
“It’s very visibly challenging to identify cyanobacteria blooms,” Swartz explained, as it can easily be confused with pollen on the surface of the water, dead vegetation or different types of algae.
Cyanobacteria, also known as blue-green algae, are natural, important phytoplankton in lake ecosystems. Dense blooms, which release toxins, occur when there is an abundance of sunlight, elevated phosphorus levels and warm temperatures.
Given the current escalation in overly-nutrient rich waterbodies and rising temperatures due to global climate change, the frequency of cyanobacteria blooms is increasing, said Swartz, and Twin Lakes has occasionally experienced localized blooms.
As a result, the association will be implementing a pilot testing program with greater frequency and at more locations than currently conducted by the TLA’s limnologist, George Knoecklein. The goal of the pilot program is to work out the process of collecting reliable data over time that helps inform whether cyanobacteria blooms are occurring, where they are most frequently found, and assess the level of risk.
Sample test kits have been ordered for five or six testing sites across East and West Twin, including at the private Salisbury School.
TLA president Gant Bogle invited Swartz to give an update at the association’s upcoming June 14 membership meeting at Camp Isola Bella.
Despite rising lake management costs projected at $500,000 this year, Bogle reported that the TLA is in strong shape financially heading into the 2025 season, as it received another $75,000 grant from DEEP and $25,000 from the Bates Foundation to support the Watershed Study.
Also, the town of Salisbury has earmarked $75,000 for Twin Lakes this season, said Bogle, and the TLA membership has “responded generously” contributing more than $300,000 since August 2024 when the group started its 2025 fundraising campaign.
Bogle also encouraged members to attend the May 12 public meeting of the Salisbury Inland Wetlands & Watercourses Commission, which is expected to address proposed changes to the Upland Review Area encompassing the town’s lakes.
Belden House & Mews is an elegant gem of a hotel set within the newly restored 1888 Victorian mansion of Dr. Charles O. Belden. With its turrets, demilune windows, stained glass, parquet floors, crystal chandeliers, carved wood bas-reliefs, pocket doors with original brass pulls, and inviting window seats, the transformation of this historic home into a modern retreat is nothing short of inspiring.
Belden House & Mews officially opens on May 1. It is the latest delight from Dutchfield, the team that owns Troutbeck in Amenia. Principal designer Courtney Brannan of Champalimaud Design used local craftsmen and artisans to create the serene and comfortable interior. Owners Anthony and Charlie Champalimaud live in Litchfield with their young family. When asked to explain the philosophy behind this project, Anthony explained, “Reviving this once derelict estate with its gracious, subtly ornate and expansive physical attributes established a narrative conducive to the approach to hospitality we first established at Troutbeck.” Champalimaud continued, “Belden has its own voice, of course, one which spans early American and modernist architecture. Its situation, as the bridging property between the estates of historic North Street and the town green, dovetails with our bias to invite guests into a residential-feeling environment. More of an invitation to come and live with us, than to live like us.”
Dining roomJennifer Almquist
The year-long renovation uncovered proud signatures from 19th century builders and craftsmen on the plaster behind the woodwork. Extraordinary attention to detail includes bespoke wallpaper from twenty2 grasscloth, a woman-led business in Naugatuck, Connecticut printed with the historical signatures and floral traceries unearthed from old wallcoverings, now trailing down guestroom walls. The sage green, paneled front door still opens to a warming hearth beneath the original carved granite lintel deeply incised with lines from Shakespeare’s Macbeth: “Come what come may, Time and the hour runs through the roughest day.”
The design aesthetic of Alexandra Champalimaud, Litchfield resident and Anthony’s mother, is evident behind every detail of the Belden House & Mews. Founding principal of Champalimaud Design, interior designer of such luxe hotels as Raffles in Singapore, the Plaza, and Bellagio, and a member of the Interior Design Hall of Fame, Alexandra mused, “We embraced the locale throughout our design, collaborating with local makers and craftsmen to create a color journey full of warmth and curiosity. We highlighted the contrast between Belden House’s traditional spirit and the modernism of the 1950’s-era Mews building, where furniture silhouettes inspired by midcentury art and architecture bring splashes of color to tonal room envelopes. The project is a journey in which guests feel welcomed and at home as sunlight streams in through the windows.”
Exterior roof turretJennifer Almquist
Tarajia Morrell, communications director of Dutchfield, pointed out details during a tour of Belden House & Mews — an original newel post finial on a stack of art books in the library, the vivid emerald green bar complete with cheetah lamps and featuring Litchfield Distillery spirits, 21 four-poster beds made in West Cornwall at Ian Ingersoll furniture, a weathered, leather table in the penthouse made from a Parisian wrestling mat, and lighting crafted by Litchfield’s Dumais Made. PBDW architects and historical preservationist John Kinnear provided their expertise. Handmade tiles from Bantam Tileworks, White Flower Farm florals and bouquets, landscape architect Reed Hilderbrand, White Dog Woodworking from Torrington, and Lakeville Interiors all contributed their skills as well.
Connecticut native chef Tyler Heckman prepares a seasonal menu, sourced from nearby farms and the New England coast, and served in the Belden House dining room. Breakfast, lunch and dinner will be offered by reservation only beginning May 1. Belden House also provides a butler service for its 10 guestrooms, including a third-floor penthouse with three bedrooms, three baths, and a rooftop terrace.
StaircaseJennifer Almquist
The Mews features 21 guestrooms, some with private terrace gardens shaded by mid-century striped awnings. Within the Mews, guests will find Bathhouse, a wellness spa reserved exclusively for Belden guests, featuring Wildsmith skincare products from the UK. There is a fifty-foot heated pool, a folly bathhouse, and a lawn club for croquet. The iconic 1891 Litchfield Firehouse will complete the Belden House complex in mid-2025, re-purposed as a meeting house for guests and community special events.
Anthony Champalimaud mused, “We felt acutely - again, as we do at Troutbeck - a responsibility to get it right. To occupy a role within our wider community which over time becomes essential. That here we had the chance to insert within the heart of a National Historic Landmark town, a new and missing element, is both an enormous privilege, exceptional opportunity, and profound responsibility. That said, it ought to be fun, and we very much hope it will bring much joy to both our guests and our neighbors.”
For reservations, visit beldenhouse.com or call (860)337-2099
ArtEast May studio tour
Nexus by Bob Madden (marble)
The ArtEast May studio tour, happening Saturday and Sunday, May 3 and 4, from 11 a.m. to 5 p.m, offers a rare look into the working studios of painters, sculptors, mixed media artists, photographers, and more. This isn’t a polished gallery stroll — it’s the clatter of tools, the smell of stone dust and oil paint, the buzz of artists caught mid-idea.
“It might be dirty, noisy, and chaotic, but it will not be dull,” said one of the organizers, Bob Madden.
Now in its 18th year, ArtEast has expanded beyond its signature October event to include this springtime tour focused on process over polish. “The May tour gives voice to practitioners of artforms that are inherently messy,” said Madden, a Poughquag-based stone artist and longtime ArtEast participant. “I love having people visit my studio and ask questions. ‘How?’ is a common question because the material — stone — is difficult for some to imagine how to work it,but that’s a question for a technician. ‘Why?’ is the question I always hope for because it’s asking the artist if the viewer is clearly understanding the message I created.”
Madden will be opening Rock and A Soft Place Studios in Poughquag alongside his wife, Karen Madden, a fiber and metal artist who co-chairs the event. “Each medium challenges my creativity,” said Karen, “as I learn to work with different materials.”
Vintage Sampler by Donna Castelluccio(fiber/mixed media)Courtesy Donna Castelluccio
Other featured artists include Donna Castelluccio, a mixed media artist who reworks vintage materials into one-of-a-kind pieces. “When people come to my studio they will see many projects in different stages that I’m working on,” said Castellucio. Bill Prickett, a photographer, producer, and creative chameleon “makes it a point to be a rookie at something all the time,” as his website states. Brian Wohrman works out of Lagrangeville and is a self-taught sculptor whose welded tribute to his late father started him on a path of transformation through art.
David Tumblety is a sculptor trained in anatomy and classical technique whose accolades include the Lucchesi Grant and Stewardson Prize. Of the open studios, he said, “A few years ago, I converted the small, dilapidated barn behind our house in Millbrook into a studio. I spend most of my time working alone there so, it’s a welcome break from my solitude to have visitors to the space.”
ArtEast brings together over a dozen artists across Dutchess county, inviting viewers to experience the creative process firsthand — from initial spark to final piece.
For more info or to plan your route, visit: arteastdutchess.com
American Caste by David Tumblety (cast bronze)Courtesy David Tumblety