Thank you!
Your support is sustaining the future of local news in our communities.

The boss who micromanages everything

Part one of a focus on coping with a difficult boss appeared in the Nov. 18 issue. This week’s column expands the list.

It is very frustrating to work for someone who tells you what to do … every step of the way. He or she manages at the detail level, allowing little latitude in how you do your job. Such bosses stifle creativity and initiative. While their behavior may reflect distrust in others’ judgment, it is often the case that they are well-intended, but hampered by perfectionism and a compelling need to avoid mistakes.

Coping strategy: Try telling your boss how his or her management style makes you feel. Convey in a calm and reasoned manner that managing closely makes you feel mistrusted in being able to do your job without close scrutiny. Importantly though, you need to demonstrate that you are competent enough to be empowered.

The taxing boss who creates unnecessary work

This type is related to the preceding from the standpoint of his or her perfectionism. Such a boss goes overboard in directing staff to examine every angle of a problem before making a decision. The result is a burdensome workload that often leads to unnecessary stress.

Coping strategy: Make a list of your deadlines and ask your boss to help you set priorities, emphasizing that the extra work will prevent you from meeting these deadlines. If possible, try reasoning with your boss, pointing out how further efforts are not apt to lead to an appreciable payoff.  

The ethically challenged boss

Not all unprincipled behavior is of the magnitude of some of the unethical business practices that have been in the news in recent years.With increased pressure to squeeze out as much profit as possible, some are inclined to reinterpret the definition of right and wrong.  So what do you do when your boss directs you to do something that is unethical, particularly when you perceive your job to be at stake?

Coping strategy: There is a fine line between being a victim of and participant in unethical behavior. Once you follow an unethical directive, you are a party to it. Experts recommend that you raise your concerns with your boss in a non-accusatory manner. Put in writing, your understanding of the discussion. If he or she does not back off, you are advised to go above your boss … to the board of directors as a last resort. In most cases, internal whistle-blowers are protected legally from retaliation.

The boss who solicits and ignores staff’s ideas

A common complaint that I hear is, “There’s no point in sharing my views, he just pays lip service.â€

A case in point: The president of a company hired a chief operating officer, although serious concerns were raised by senior staff who interviewed him (including myself who conducted a pre-hire assessment). In dismissing the concerns, the CEO indicated that, “I had a good feeling about Joe during an early morning jog.†Despite the male bonding, Joe was fired a year later after alienating almost everyone he worked with.

Coping strategy: Such a boss does not like being second-guessed, particularly when they feel strongly about something. The best approach is to make your case in a compelling manner, followed up in writing to protect yourself. In the end, your boss will be held accountable.

While working for a difficult boss can be challenging, it does not have to dominate your working life.

Some general guidelines to help you cope include:

• Calmly communicate your feelings and concerns, tempering strong emotions so that your boss listens rather than becoming defensive.

• Convey respect for your boss — but for yourself as well. Expect to be treated decently.

• Document problems/concerns in writing to protect your reputation.

• Recognize when to seek others’ help (e.g. senior management, human resources, legal counsel).

While you should not expect to change your boss, you can look out for your best interests and make the relationship more tolerable. In the end, you will have more positive energy to channel.

Danella Schiffer, Ph.D., is an industrial/organizational psychologist who resides in Salisbury and works nationally, with organizations and individuals. She can be reached at danella.schiffer@att.net.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.