
Dan Lancaster, Comcast’s construction head for the Sharon project, at left, confers with Rich Phipps, owner of R&R Broadband, contractor for the work, on Thursday, Feb. 22.
Leila Hawken
Dan Lancaster, Comcast’s construction head for the Sharon project, at left, confers with Rich Phipps, owner of R&R Broadband, contractor for the work, on Thursday, Feb. 22.
SHARON — After years of community-wide surveys, expert planning, public meetings, and coordination of multitiered elements legal and logistical, the work of the SharonConnect Task Force, town officials and Comcast and construction crews is nearly completed.
The last big construction job needed for the project, now judged to be 80-90% completed, was happening on schedule when Dan Lancaster, Comcast’s construction head for the Sharon project, paused for an interview Thursday, Feb. 22. That was the day contractor crews were stringing cable line from West Cornwall Road through the forest to two homes along Route 7.
Rich Phipps, owner of R&R Broadband LLC, was on the job with his crew doing the contracted installation work, involving pulling the cable line through pole to pole down the steep forested incline from West Cornwall Road.
“We’re getting close; we’re almost there,” Lancaster said, noting that 27-30 miles of cable had been strung throughout the town on utility poles, with an additional 7-8 miles of underground buried cable. For Thursday’s job on Route 7, 2,400 feet of cable, just about an entire reel, was needed to cover the distance.
While the project’s initial approval came in February 2023, with the contract with Comcast signed March 2, Lancaster said that it was July before pole permissions were in place, so the underground installation began first.
Jointly providing additional information about the project’s history, SharonConnect Task Force co-chairs Jill Drew and Meghan Flanagan along with the town’s project coordinator, Nikki Blass, indicated that work began March 9 with the stringing of Caroline Drive that took three days to complete. In that one instance, pole permissions were already in place.
While a specific date for completion has not yet been determined, Drew said that the construction phase is winding down. She noted that at least one home received its installation on Super Bowl Sunday.
Looking ahead, Drew said that Comcast is planning to hold at least one community meeting, perhaps in April, at which company representatives will answer any questions, offer technical advice and show residents how to use the Comcast website.
In the spring, the task force is planning a celebration at the Town Beach on Mudge Pond to mark completion of the project, giving a special cheer because Comcast has agreed to install service at the site to enable Wi-Fi calling for the first time. Drew said that cell service at the beach has always been all but impossible, so the service will enhance safety and convenience.
Veterans’ Field has also been wired for internet and Wi-Fi as a part of the project, Drew noted.
There have been challenges to the project along the way, although Drew said that they were not unexpected.
“We do now better understand why universal access [making high-speed internet available to every single address in town] is so hard to achieve. The application process for licensing more than 700 individual utility poles took months,” she said, noting, however, that the issue was expected.
“The Comcast project managers have been great to work with and the people working in Sharon are terrific,” Drew said. Lancaster had returned the compliment, praising the diligent work of the SharonConnect Task Force members and the town as being crucial to the needs of the project. Lancaster brings a history of 37 years of experience with Comcast.
Problems have arisen, however, when residents have contacted the corporate offices, particularly when trying to subscribe for Xfinity mobile phone service in connection with their service packages. Drew cited complaints about interfacing with robots online and by phone bringing frustration to the new customers, who are also suffering delays and confusion when they are ready to sign up for service packages.
Drew suggested that residents needing help with service packages might call 800-934-6489 or go online to: www.xfinity.com/learn/deals/internet
Praising Lancaster as a “can-do” person, Drew went on to applaud the Comcast project team serving the Sharon project, specifically Matt Skane and Elizabeth Calabrese, for being “accessible and responsive.”
As the project winds down, the task force members continue videoconferencing with the Comcast project team every two weeks, identifying specific addresses where issues exist and seeing that those issues are resolved, keeping the homeowner informed along the way.
Reflecting the good relationship built between Comcast and the town, Drew said that Skane and Calabrese were successful in convincing Comcast to add addresses to the project at no additional cost to the town.
Comcast technicians who do the in-home installations, Dan Dodge and Steve Wabrek, have also earned praise from residents for their patience and clear explanation of the service.
‘Night and day’
Asked for comments about their satisfaction with the new high-speed internet, two residents termed it “night and day.”
Ellsworth resident Larry Rand wrote that several weeks ago, Comcast had installed a new modem in Rand’s home, replacing a wireless system.
“We immediately went from download speeds of 1-70mbps (upload 10mbps) with daily rebooting to a dependable download speed of 250-350mbps (upload 50-80mbps). It has been like going from night to day.”
“We are thankful Sharon decided to extend Comcast coverage to areas like ours,” Rand said.
“I felt like I took off a blindfold that I had not realized I was wearing in the first place” said John Brett of Drum Road. He said that his connectivity went from 2.03mbps for a download (upload .035mbps) to 356mbps (upload 11.6mbps).
“You get the idea, basically night and day,” Brett said.
Kate Stiassni, a Boland Road resident with a long driveway, is no less pleased. “I think this SharonConnect is a great story,” she said, crediting a group of “smart, dedicated Sharon residents” for their years of effort to solve the problem of poor internet service.
Stiassni’s service was connected during the summer. A builder by profession, she indicated that she can now send and receive heavy architectural files. As a textile artist, she can send high-resolution images of her works without cringing when she hits the “send” button. Her musician son said that he is no longer stressed by her internet service when he visits. She herself can now download a book in under five minutes rather than the previous rate of five hours.
“I am a pretty normal person with pretty normal everyday needs who can now live convincingly in the 21st century,” Stiassni said.
“We are thrilled to have access to the internet via Xfinity,” said resident Joan Lewis, who lives on Herb Road, noting that several providers had been tried in past years before the Comcast project, but ultimately her service had involved “pinging off a nearby cell tower.”
“Thanks to the SharonConnect task force, and Xfinity’s technician Steve Wabrek, we have finally joined the rest of Sharon enjoying all things high-speed internet has to offer,” Lewis said, noting that she had scheduled her recent activation in February for her birthday as a gift to herself.
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino