The bully as winner: R.I.P. "The Boss"

To quote football coach Vince Lombardi, “Winning isn’t everything, it’s the only thing.� Another coach, George Allen, expressed the idea a bit differently: “Every time you lose, you die a little.� Together, these quips characterize the ethic embraced by and embodied by “The Boss,� as George Steinbrenner was labeled by the media.

The amount of praise heaped on the late Yankee owner has been, in my view, inordinate, and raises questions about Americans’ love for winning at all costs, love for bullies, and love for those who make a lot of money.

In the name of winning, Steinbrenner bullied everyone around him — managers, coaches, players, family; in the name of winning he committed crimes (and was convicted for committing some of them); in the name of winning he just about stole $1.5 billion from the public coffers to build a stadium that benefited only his privately owned team. When you next read a news report about how New York state schoolchildren have to do without a textbook or a music class because of budget shortfalls, place some of the blame at the foot of Steinbrenner and the owners of other New York-based professional sports teams who wrung money from public entities, tax and bond receipts that could have been put to much better public uses.

America loves winners and forgives them their trespasses.  Because George Steinbrenner’s team won championships during his time of ownership, he was celebrated instead of vilified.  He accepted this praise-for-winning as his due; and — true to form — when his team lost, he would inform audiences that it was not his fault but the fault of others, and pledge to fire people until things turned around.  If they didn’t immediately turn around, he’d do even worse things.

Nothing so aptly characterized Steinbrenner as his pursuit of star player Dave Winfield, one of the first players to start his own foundation. When Steinbrenner berated Winfield publicly, Winfield fought back, and — for a short time— the baseball writers loved it. Outraged, Steinbrenner hired a shady operator to find dirt on Winfield’s foundation that could discredit him. None could be found, and the shady operator told the world about that. Steinbrenner’s attempt to hurt Winfield in this way led to his second suspension by the commissioner of baseball.

The problem is beyond Steinbrenner, of course: it is that the winning-is-everything ethic of professional sports has seeped into the rest of American life, has spread throughout the rest of society, infecting areas where it was not found 50 years ago, and has reformed society in its own image. We adore winners — that is a natural thing — but we now overly denigrate losers in amateur sports, in elections, in retailers of cars, soaps, and education, and in the race to capture the myriad manufactured goods of the capitalist system. A while ago we used to admire lost causes, but we don’t do that anymore, because we find nothing to be “nobleâ€� or “valorousâ€� or “dignifiedâ€� if it is associated with a losing proposition, team, candidate, or individual.  We demonize the poor because they are losers.

We love millionaires because they are winners – even if some of them are quite despicable.   That is a consequence of being a capitalist society, I suppose; but one can admire a millionaire’s ability to make money without having to admire his or her ethics, morals, or tactics.  Steinbrenner was praised for his behind-the-scenes charitable endeavors; actually, those contributions were meager, amounting to only a small fraction of his fortune.  

Does embracing winning-is-everything mandate our love of bullies? I’m not sure, but the public certainly did forgive Steinbrenner for bullying so long as he was winning. 

Bullying is an absolute wrong; as every parent knows, we who are powerful in relation to others can enforce that power without humiliating the other person, if we care enough (about them) to do so. Bullies are sadists and, for the most part, cowards. You don’t find stories of Medal of Honor winners who habitually bullied their subordinates.  To celebrate a bully is to encourage him to episodes of greater sadism.

In the past, we as a society disliked bullies; our Westerns were full of men who fought bullies and won, to the audience’s applause. Now we prefer bullies.   “Reality televisionâ€� is full of bullies and humiliation, and — Nielsen reports reveal — we like humiliation as entertainment.   

No wonder, then, that there is so much public mourning for Steinbrenner.

 Tom Shachtman has written books on a wide range of topics. He lives in Salisbury.

Latest News

‘Vulnerable Earth’ opens at the Tremaine Gallery

Tremaine Gallery exhibit ‘Vulnerable Earth’ explores climate change in the High Arctic.

Photo by Greg Lock

“Vulnerable Earth,” on view through June 14 at the Tremaine Gallery at Hotchkiss, brings together artists who have traveled to one of the most remote regions on Earth and returned with work shaped by first-hand experience of a fragile, rapidly shifting planet, inviting viewers to sit with the tension between awe and loss, beauty and vulnerability.

Curated by Greg Lock, director of the Photography, Film and Related Media program at The Hotchkiss School, the exhibition centers on participants in The Arctic Circle, an expeditionary residency that sends artists and scientists into the High Arctic aboard a research vessel twice a year. The result is a show documenting their lived experience and what it means to stand in a place where climate change is not theoretical but visible, immediate and accelerating.

Keep ReadingShow less
Beyond Hammertown: Joan Osofsky designs what comes next

Joan Osofsky and Sharon Marston

Provided

Joan Osofsky is closing the doors on Hammertown, one of the region’s most beloved home furnishings and lifestyle destinations, after 40 years, but she is not calling it an ending.

“I put my baby to bed,” she said, describing the decision with clarity and calm. “It felt like the right time.”

Keep ReadingShow less
A celebratory season of American classics and new works at Barrington Stage Company
Playwright Keelay Gipson’s “Estate Sale” will have its world premier this summer at Barrington Stage Company.
Provided

Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.

“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Hotchkiss Film Festival celebrates 15th year of emerging filmmakers

Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.

Brian Gersten

The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.

This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.

Keep ReadingShow less
Artist Maira Kalman curates ‘Shaker Outpost’ in Chatham

The Laundry Room, a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.

Photo by Maira Kalman; Courtesy of the artist and Mary Ryan Gallery, New York

With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.

Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.

Keep ReadingShow less

Ticking Tent spring market returns

Ticking Tent spring market returns

The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.

Jennifer Almquist

The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.

Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.