Thank you!
Your support is sustaining the future of local news in our communities.

Change, change, change

I know people who have lived in the same house all their lives. I’ve heard of people who have standing dates and have for decades. “Oh, yes,†they say, “we have lunch every Tuesday,†or “Sunday night dinner is a tradition — the whole family comes.†Golf dates, bowling dates and church services all require very regular commitment.

I’m in awe, but also befuddled by others’ ability and willingness to do the same thing day in and day out, week after week, month after month. In five decades I’ve lived in at least 14 different places and held 10 different jobs (I’m sure I’m overlooking some). Clearly, I’m not rooted and I don’t have a career. But I do have experience.

Yet, I greatly admire people who can stick to schedules of their own making. I don’t mean people who get up and go to work at the same time every day. I mean those who in their free time commit to an activity or pursuit. (By the way, they benefit from doing something regularly: They get better at it.)

One of my editors swims three times a week, pretty much always. Most successful novelists speak of a routine; they produce because they commit to the same time or amount every day.

I’m reading a wonderful and inspiring book by Haruki Murakami, “What I Talk About When I Talk About Running.†In the book, he explains his commitment to running. He runs nearly every day — and this is busy guy. As a novelist he’s written 12 books; as a runner he’s completed more than 23 marathons.

u      u      u

I don’t play golf or bowl, but I do lots of other activities that require practice and commitment; yoga and horseback riding are two of them. Yet I have a terrible time carving out the time to do the things I want. It’s not because I can’t make plans. I’m a big planner, actually. Love lists. I have multiple calendars. Schedules are my thing. I believe in them. I also believe in pencils. Because if I wrote everything in ink, I would need bottles of white-out to keep everything legible.

A friend of mine doesn’t have this problem. When someone asks her to do something at a time when she already has something scheduled, she says no. In the nicest possible way. That’s what I really like. She doesn’t turn herself into a pretzel trying to make everyone happy. She just says, “No. I’m busy then. When else could we do it?†What a concept.

u      u      u

At a yoga retreat last summer, which was dedicated to hard-core yogis (many of whom were instructors), I took part in a discussion about the difficulty of carving out the time to do this thing we all love so much. The easy part, it seemed, was taking a week off from regularly scheduled life and immersing oneself in yoga. The truly difficult part was trying to find some minutes in our everyday lives to do the same thing.

Is it time management? Or is it clearing the mind long enough to listen and respond? There were suggestions galore: Just do five minutes; make every action (picking up the kids’ sneakers off the dining room floor, opening the refrigerator) a yoga pose; do it first thing in the day; do it last thing in the day. Lots of ideas, no sure-fire solutions. Clearly, I am not alone.

The reality is, every time I make plans, they are likely to change multiple times before they happen. The goal is always reached, but the path to the goal morphs one way and then another, as different factors come into play. Is this a bad thing? Does it make me unreliable or too flexible?

u      u      u

Recently, I had a real wake-up moment, suggesting we can learn to change our ways. I’d made a date with a friend to walk our dogs, on a day that I knew was going to be very busy. But I figured I could squeeze it in. Even as I was committing I had misgivings, but my assumption was my friend was going for a walk either way and it would be great if I could join her, and if it didn’t work out that way in the end — no big deal; she would still take her dog for a walk.

It never occurred to me (honestly!) that my company might be a factor in her day. That if I had said I wasn’t available she might have found someone else with whom to share her time. I was just focused on the act of the walk.

When I called to cancel only an hour before the meeting time and got her voice mail, I decided to meet her, make my apologies and leave. She was understanding and forgiving, but as I blathered on, she said, “Well, just don’t do it again. OK?†Calm, quiet, sincere. And suddenly I saw the situation completely differently.

So, I have a new resolve: commit, commit, commit.

Tara Kelly, copy editor at The Lakeville Journal, is an avid follower of social trends. She may be reached by e-mail at tarak@lakevillejournal.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.