Thank you!
Your support is sustaining the future of local news in our communities.

Civic institutions essential for Egypt’s Revolution

Colman McCarthy, a former Washington Post writer and founder of the Center for Teaching Peace, must be very happy with the news from Egypt. For 25 years, McCarthy has been persuading high schools and colleges to adopt peace studies in their curriculum (for more information, contact him at cmccarthy@starpower.net). Now he has another example of a largely non-violent revolution — led by young people of all backgrounds — successfully ousting a dictatorial regime.

The moral power of non-violence against tyrants is ridiculed by the militaristic mind. Tell that to Ghandi and Mandela and to U.S. civil rights leaders. Those who say these are exceptions due to the relative lower brutality of what they were up against should read the history. Those entrenched regimes were plenty brutal over the years. But when non-violent protests became organized and disciplined enough to reach critical mass, brutality only strengthened and enlarged the uprisings.

Hosni Mubarak’s inadvertent gift to the Jan. 25 revolution was that he united the protestors beyond class, religious and ideological lines. His regular oppression over the years led to the April 6, 2008, youth movement, and organized labor strikes at textile mills. An auspicious spark came with the Tunisian upheaval of December.

u u u

The shaming jolt of immolations in Egypt to overcome widespread fear and reticence to join with others in those frightening early rallies in Cairo’s Tahrir Square can scarcely be exaggerated.

The 18 days that shook Egypt will make for fascinating study. The self-discipline and power of mutual self-respect with others locked arm in arm tested the regime and the protestors.

First came the security police with tear gas, rubber bullets, concussion grenades and water cannons. The resisters held. Then three days later, the police were pulled back and replaced by the respected and familiar army (Egypt has a draft). The soldiers mostly kept a kind of neutral order, but some soldiers showed their support for the demonstrators by allowing them to decorate the tanks with flowers and freedom signs.

Feb. 2 and 3 brought the ominous pro-Mubarak plain-clothesmen into the square. That drew new resolve among the crowds that vastly outnumbered what they saw as the government’s thugs. The protestors held. From then on, bolstered by demonstrations in Alexandria — Egypt’s second largest city — Suez and other Metropolitan centers, the momentum swung decisively in favor of the rebels whose ranks swelled with each day.

Certainly, Al-Jazeera television countered the state-run television to inform the people, almost by the minute, about what was transpiring in the streets. Certainly the Internet kept the protestors in touch with one another, though the government briefly shut it down along with the mobile phone networks.

But far from most cameras, residents organized Cairo’s vast neighborhoods to defend and supply themselves. They were the real glue, the real depth that convinced the regime that it was all over.

u u u

The fall of Mubarak led to the assumption of power by the Supreme Council of the Armed Forces, which suspended the disliked constitution, dissolved the rubber-stamp parliament, and announced “free and fair” elections with multi-party candidates in six months. They pledged to remove the despised “emergency law,” allowing arrests without charges or trial, and promised immunity for the protestors whom they described as “honest people who refused the corruption and demanded reforms.”

Now comes the hard part. Three “cultures” are presently the best organized — the military, commercial and religious groups. Least established is the civic culture that is now, in its revelry and formative stage, the toast of the nation.

But it is the civic — political culture at the urban neighborhood and village levels that will shape the future democratic processes and structures to avert falling back into a military-oligarchic concentration of power — one backed by the same old U.S. support for authoritarian stability over democracy.

“Much of the old regime remains” wrote author of Middle-East revolutionary movements, David Porter.

As New York Times columnist Nicholas D. Kristof wrote from Cairo, where he once was a university student, “We tie ourselves in knots when we act as if democracy is good for the United States and Israel but not for the Arab world. For far too long, we’ve treated the Arab world as just an oil field.”

The peril for the protestors in the critical next six months is how to keep the momentum of unity going behind a broad universal agenda that would lead to the election without opening up rending sectarian divisions.

u u u

In 1990 I was in Moscow as a guest of the Soviet Union’s U.S. and Canada Institute just before Boris Yeltsin replaced Mikhail Gorbachev. The audiences were overjoyed at the looming prospect of democracy replacing Soviet dictatorship.

I cautioned that there would be a large vacuum, should this occur, and joy and relief should not supplant the creation of civic institutions, independent judiciaries and prosecutors and the broadest possible civic participation by the people. Otherwise, the vacuum would be filled with forces not to their liking.

Sure enough, authoritarian practices and the corrupt give-away of Russia’s massive natural resources to a dozen oligarchs filled the vacuum.

The Egyptian resistance — politically savvy from dealing with years of repression — is anything but naïve. They know what they have to do and by when, taking nothing for granted. This wariness, they have made clear, includes not taking for granted Washington’s sudden praise of their unfolding quest for what President Obama called a “genuine democracy.”

Wouldn’t it be a surprising change were the Obama administration to stand resolutely with the workers and the peasants in this ancient land of 80 million?

 

Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School.

Latest News

At 95, Elyse Harney celebrated with Honorary Doctorate

Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.

Provided

On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.

The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.

Keep ReadingShow less

The Renaissance spirit of Pilar Proffitt

The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
Think logically and then break the mold with creativity.
— Pilar Proffitt

Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.

Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.

Keep ReadingShow less
Take a trip to WWII England with the Sharon Playhouse’s ‘Swingtime Canteen’

The set for “Swingtime Canteen” transports the audience to WWII London.

D.H. Callahan

Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.

That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A classical summer begins: eight Tanglewood picks

Aerial view of The Shed at Tanglewood.

Aram Boghosian

The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:

Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.

Keep ReadingShow less
Ken Musselman marks new chapter with farewell exhibition

Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.

L. Tomaino

Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.

Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.

Keep ReadingShow less
Bugs! crawl their way into Upstate Art Weekend

“Butterfly in the Stomach” by Hanna Washburn at “Bugs!” part of Upstate Art Weekend.

Provided

Artist and curator Charlotte Woolf thinks bugs get a bad rap. Her new multimedium show at Foxtrot Farm and Flowers in Stanfordville seeks to change how people see these creepy-crawly creatures.

This time of year, there’s no way to escape the onslaught on bugs closing in from the wild. The little flyers and crawlers somehow penetrate even the tightest window screens. If there’s a crack in a floor board, it might as well have a big neon “Enter” sign. Like zombies from “Night of the Living Dead,” they approach with dispassionate determination.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.