Thank you!
Your support is sustaining the future of local news in our communities.

Gladwell Dives into History Of Targeted Military Bombing

Gladwell Dives into History  Of Targeted Military Bombing

Is aerial bombing a strategic weapon or an instrument of terror? Malcolm Gladwell’s new book, “The Bomber Mafia,” tells the story of how American military aviation thinking transformed from aiming to dismantle enemy industrial capability to delivering wholesale slaughter of civilians … and how the pendulum now has swung back. 

Master storyteller that he is, Gladwell brings alive charismatic historical figures who played key roles in the transition, especially Gen. Curtis E. LeMay, who in later years earned opprobrium for suggesting that North Vietnam could be bombed “into the Stone Age.” 

LeMay’s personal courage and pragmatism, as well as his dedication to excellence among the pilots and crews he led, somewhat redeem his reputation in Gladwell’s retelling. 

Also depicted in depth is the more sympathetic character of Gen. Haywood Hansell, from whom LeMay took over command of bombing of Japan and who saw his more ethical strategy of targeting only military sites replaced by LeMay’s approach of mass destruction, culminating in atomic warfare. 

The book does particularly well in limning the interpersonal dynamics of the mostly young, ambitious and competitive officers who formed the group to which the book’s title refers.

Gladwell makes a compelling case that LeMay was right and that proponents of precision bombing were wrong, at least in terms of bringing the war to an end. 

The accuracy in proving-ground tests of the legendary Norden bombsight had led a cabal of American Army aviation leaders — there was no Air Force then — to believe that precision bombing could cripple the manufacture of strategically crucial ball bearings and synthetic fuels. Such bombing required daylight missions, exposing fliers and crews to accurate enemy artillery and fighter planes. 

Many lives and aircraft later, it became apparent that, under combat conditions, very few bombs were actually hitting their targets, and the damage done was minimal compared to the human cost. 

Night-time incendiary raids aimed at homes of factory workers (and their families), however, could halt production of materiel effectively. 

Gladwell describes how cities such as Dresden in Germany and Tokyo in Japan were turned to furnaces and cinders as pilots and crews watched in dismay. 

Gladwell also takes readers to today’s world, where lasers and computers make the precision attacks strategists once dreamed of a practical reality, even as nations retain vast arsenals of weapons of mass destruction.

As with all Gladwell’s books, I found “The Bomber Mafia” a compelling and vivid read, though not on a par with “The Tipping Point” or “David and Goliath.” 

Partly to blame is that those books yielded surprising revelations, often counter-intuitive, where this story is much more straightforward and unremarkable. 

But I also felt that Gladwell skimmed over much that could have enriched the book. Nowhere does he mention how German, Japanese, Italian and Russian bombing strategists rationalized their own decisions to intentionally strike civilian targets. 

And Gladwell occasionally gets basic facts wrong: for example, he refers to a lack of a tailwind to help a heavily laden bomber take off, when a headwind is what aerodynamics demands.  

There’s also a looseness, an informality at times, to his descriptions, as if he’s chatting with the reader, that can be jarring at times. 

Overall, though, like the bombers he writes vividly about, Gladwell delivers the goods.

Latest News

Lelah M. Somers

Lelah M. Somers

DOVER PLAINS — Lelah M. Somers, 97, a longtime Dover Plains, New York, resident, passed away peacefully on Saturday, Oct. 10, 2026, at Ferncliff Nursing Home in Rhinebeck, New York. Lelah was born on July 3, 1929, in Pawling, New York, to the late Byron and Lelah (Watts) Brill. Lelah grew up in Pawling and on Nov. 22, 1946, in Pleasant Valley, New York, she married James F. Somers, Sr. Mr. Somers passed away on Sept. 3, 1970. Lelah worked for New York State as a therapy aide for thirty-years and as a senior companion for New York State for thirty-two-years, with specific care provided to the mentally disabled.

She enjoyed taking care of the mentally disabled, was a wonderful mother to her four children, always putting her family first. She is survived by her son, James F. Somers, Jr. and his wife Donna of Dover Plains; two daughters, Doreen Monica of Wingdale, and Frances “Fran” Horton of Dover Plains, who was also her caregiver for many years; seven grandchildren, Debbie, Margie, Leah, Stephanie, Deirdra, Benji and Jimmy and several great grandchildren and great-great grandchildren, and many nieces and nephews, and her step-son, Kenny Elliott. In addition to her parents and husband, Lelah was predeceased by her daughter and son-in-law, Carol “DeeDee” Maile and Gil Maile, her son-in-law, Stephen Monica, and her son-in-law, Benny Horton as well as her companion of over forty-years, Andrew “Mac” McAlravey and her siblings, Ferris Brill, Eleanor Barryann, Richard Brill, William Brill and Barney Brill.

Keep ReadingShow less

The art of getting into art school

The art of getting into art school

Hudson Valley Regional Portfolio Day returns to Poughkeepsie.

Provided

For a young artist considering college, the question isn’t simply whether the work is good enough. It’s which work to show, which school might be the right fit and even whether a creative life can lead to a sustainable career.

On Friday, Oct. 16, hundreds of aspiring artists will have the opportunity to explore those questions at Hudson Valley Regional Portfolio Day, presented by The Art Effect at the MJN Convention Center in Poughkeepsie.

Keep ReadingShow less
A colorful life together at Atelier Valla

Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.

L. Tomaino
I lost the ability to paint after the accident. I struggled to paint again.
— Justine Valla

Husband and wife Victor and Justine Valla share a lavender and pink studio, Atelier Valla, across the driveway from their pink house, nestled into a hillside in Salisbury. The colors, said Justine, “were inspired by Monet’s house at Giverny.”

Creating art has been a lifelong pursuit for both.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

David Ruchman’s “Acquired Taste”

Filmmaker David Ruchman

Bleacher and Everard Photography

In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.

In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.

Keep ReadingShow less
Follow the Clay Way for ceramic delights

Jane Herold’s beautifully simple dinnerware.

Provided

As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.

The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.

Keep ReadingShow less
A new home for the unexpected at Kent Fine Art

CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.

Provided

Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.

Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.