Money May Talk, But Dark Money Hides Its Secrets

In his new book, “Spooked,” journalist Barry Meier talks about the new depths that politicians have resorted to in digging for “dirt.” Photo from Blackwell
Two of the nation’s top investigative journalists teamed up for a book talk that effectively untangled some of the mystery surrounding opposition research and the role of dark money in undermining democratic principles.
In a talk sponsored by the Hotchkiss Library of Sharon, Conn., award-winning investigative journalist Brian Ross engaged with Pulitzer Prize winning journalist Barry Meier, both well-suited for this conversation. The program was offered on Zoom because of inclement weather on Thursday, June 3.
Ross moderated the program, speaking with Meier about his new book, “Spooked: The Trump Dossier, Black Cube and the Rise of Private Spies.” The book shines light on a dark industry set on influencing the minds of the unsuspecting, shaping opinions, garnering votes.
“Private spying” means that operatives can be hired. And hired they are by large corporations, political parties and powerful individuals to “dig up dirt” on their adversaries or competitors. The aim is to influence and dominate and win. The source of the money is deep in the shadows and not traceable.
According to Meier, there has been an explosion of private intelligence agencies whose operatives gather all sorts of intelligence data, including using the services of hackers to gain telephone or computer data. Often these agencies provide intelligence in cases of litigation to smear opposition witnesses or principals.
Ross asked about the Trump dossier from the 2016 election, the idea of planting plausible, shocking stories in the print and broadcast media.
“Political opposition research is as old as the hills,” Meier explained. Candidates for office would sling mud as a matter of course.
But during the lead-up to the 2016 campaign, the concept took a giant leap forward with Fusion GPS and the Republicans who contracted with them to oppose the early candidacy of Donald Trump.
Fusion founder Glenn Simpson, whose career is detailed in Meier’s book, offered research on the one hand and, because of his experience as a journalist, touted his ability to flow the opposition research directly into the media.
Ross asked why people are swayed by it, why they bite. Meier replied that there had been evidence of Russian intent to interfere. Simpson invited reporters to meet operative Christopher Steele, a reputable-appearing former MI6 agent, a member of the British Intelligence Service. The press was clearly misled.
It was BuzzFeed who rushed to be the first to post Steele’s dossier on Trump. “It was now out there,” Meier said. The major news outlets were in a “footrace” to promote the dossier.
The media’s defense to the largely unsubstantiated material was, “Well, it hasn’t yet been disproven.”
“This is anathema to how we operate and should operate as journalists,” Meier said. In an era of extreme media polarization, Meier added, “many media fall prey.”
To Ross’ question about how good Steele’s information was, Meier said, “Very little was true. The more salacious items were proven to be untrue.” But it was the salacious things that gave the dossier life, Meier said.
“My motivation is not to elevate Donald Trump,” Meier explained to Ross. “My concern is for my/our profession.”
Meier said that Trump used the dossier as a cudgel against journalists, as he is capable of using anything as a politically purposeful weapon.
“The real firepower of the media was diverted by the Trump dossier sideshow,” Meier said.
Feeling that cable news is too politically charged to be a good source, Meier said that he reads three major newspapers daily: the New York Times, Washington Post and Wall Street Journal.
“We have to choose where our information is coming from,” he advised.
Meier sees no basis for Fusion GPS to be protected by whistleblower status, a matter currently being pursued.
“There is a lot of stuff that goes on behind the curtains that no one ever knows about,” he added.
Aradev LLC’s plans to redevelop Wake Robin Inn include four 2,000-square-foot cabins, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool. If approved, guest room numbers would increase from 38 to 57.
LAKEVILLE — The public hearing for the redevelopment of Wake Robin Inn is over. Salisbury Planning and Zoning Commission now has two months to make a decision.
The hearing closed on Tuesday, Sept. 9, after its seventh session.
Michael Klemens, chair of P&Z, had warned at the opening of the proceedings that “this might be a long night” due to a last-minute influx of material from experts hired by Wells Hill Road residents William and Angela Cruger to oppose the project, but this turned out not to be the case.
These 11th hour submissions set a sour tone to the start of the meeting, with commissioner Robert Riva stating that it was “not very professional to pull this stunt on this Commission.” Riva said he had diligently reviewed the already substantial documentation provided by both the applicant and the opposing experts, and was surprised to find a “dump” of additional information submitted just hours before the meeting’s start time at 6 p.m.
Tensions were quickly eased, however, when William Cruger offered his concise summation of his platform’s opposition to the expansion, which is the second iteration of the project after an earlier version was withdrawn late last year.
“It’s important for you all to hear from me that there was never any disrespect intended to the Commission, the commissioners, and to the process,” Cruger said. He defended the last-minute submissions as an effort on the part of the experts to be thorough in their analysis: “Our intention… has been and remains to do our best to get whatever we think will be helpful in your deliberations into the record.”
The Crugers formally entered the hearing process as intervenors for the first application from Aradev LLC, the applicant, in the fall of 2024, meaning they and their hired consultants had full party status in the hearing proceedings. During this cycle, however, they chose not to petition for intervenor status, yet during this round of hearings their role has been similar. Klemens described them as having “almost intervenor status — not quite.”
William Cruger summarized the consultant’s findings for Aradev’s revised application, noting they found it to be “virtually identical in scale to the previous proposal.”
“Our position is that the proposed expansion would absolutely negatively impact the usefulness, enjoyment and value of the surrounding properties,” he said.
Aradev’s attorney Joshua Mackey countered by saying that the special permit conditions would elevate the currently non-conforming hotel in the zone, describing it as a “community asset that is improved, regulated, and safeguarded for generations to come.” He characterized Aradev as “the next steward of this storied property.”
After Mackey and Aradev co-founder Steven Cohen concluded their remarks, Klemens closed the hearing with no public comment, which he had stated would be the case at last week’s hearing session on Thursday, Sept. 4. Klemens said that P&Z will begin deliberating the proposal in early October after the commissioners have had the chance to review the information in the record.
A total of 45 letters, including the Crugers’ experts’ testimony, were submitted since the Sept. 4 meeting alone, alongside hundreds of pages of application materials and additional testimony.
As the Commission deliberates and reviews, all of this information is available for public viewing on the “Meeting Documents” subpage under P&Z’s section on the town website, www.salisburyct.us.
The Commission must issue a decision on the application by Nov. 13, the end of the statutorily defined deliberation window.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.