The Unexpected Warmth of the Getty Clan Makes for a Perfect Summer Read


It’s not surprising that the Tri-state region book launch for “Growing Up Getty: The Story of America’s Most Unconventional Dynasty” took place last month at Tent, the sumptuous home furnishings shop that opened in Amenia, N.Y., in late 2020.
Author James Reginato has been friends with the store’s owner, interior designer Darren Henault, for at least 20 years, and they share a luxe sensibility informed by appreciation for what are generally considered the finer things in life.
It’s also a nice coincidence that Aimee Bell, editorial director at Simon & Schuster’s Gallery Books, which published “Growing Up Getty,” is a long-time resident of nearby Lakeville, Conn. Married to writer David Kamp, she was previously deputy editor at Vanity Fair, where Reginato is a writer-at-large.
Born in Chicago but a New Yorker since graduating from Columbia, Reginato has famously interviewed everyone from the Aga Khan to the Prince of Wales, with whom he spent a week gallivanting by private plane on a royal 70th-birthday tour. His previous book, “Great Houses, Modern Aristocrats” (Rizzoli Books), offered “an intimate and lively look at some of Great Britain’s most historic and majestic houses” as well as the fabled families who dwell in them.
His interest in the kind of lifestyle that only great fortunes can buy stems to the 1990s, when he was features director at W magazine. “John Fairchild [the publisher] was fascinated by high society, so it became part of my beat,” he said at Tent, where copies of his new book sold out. “I specialized in getting hard-to-get people to open up.”
Over decades, he interviewed a number of Getty family members, but writing the book was more of a challenge than anticipated, he says. It took three years, including a full year of meticulous research, to untangle various plots and subplots involving the wives (five), girlfriends (numerous), children (five sons), grandchildren (19) and great-grandchildren (47) of J. Paul Getty, who died in 1976.
Luckily, Reginato had access to the Getty Center’s archives, which include Getty’s daily diaries, many from Sutton Place, the grand English manor where he spent the last 16 years of his life with a famously upper-crust butler and two pet lions.
Getty’s fortune began in 1903 with his father’s lease of a small but oil-rich Oklahoma lot; it pinnacled a few years after his own prescient 1949 lease of the former Neutral Zone in Saudi Arabia. By 1957, Forbes cited him as the richest American, and in 1966 the Guinness Book of World Records named him the richest man on earth. The key to his success, he explained, was easy: “Rise early, work hard — and strike oil.”
He was a serious collector of rare, historic furniture and art and today his public legacy is less about oil (the company he founded was dissolved in 2012) and more about the stunning Los Angeles museum that bears his name. It also includes a well-endowed third and fourth generation of Gettys who are artists, designers and musicians as well as business owners and quiet environmentalists.
Most surprising to Reginato, the image of J. Paul Getty as cruel and unfeeling (those of a certain age remember his much-publicized refusal to pay his 16-year-old grandson’s kidnappers, even after the boy’s ear was sent to the police), is patently false.
This was a man who married five times yet remained friendly with his exes. A man who remembered old lovers’ birthdays with red roses and gifts of money. A man whose journals kept a record of daily oil prices while fondly noting his grandchildren’s christenings and visits.
“J. Paul Getty is so often portrayed as this cold, monstrous character, but people who knew him really liked him,” Reginato says. His book is a “rapturous biography for casual readers,” says the Library Journal. And that makes it perfect summer reading.
Sally Haver
Lenore Mallett at The Colonial Theatre.
On any given day in Salisbury or Lakeville, you might spot Lenore Mallett picking up dinner at LaBonne’s supermarket or chatting with neighbors. What many may not realize is that this same neighbor helping people find plumbers, foster dogs — even future spouses — is also helping revive the historic Colonial Theatre in North Canaan and quietly shaping community life across the Litchfield Hills.
Mallett is one of the driving forces behind the restoration and reopening of the more than 100-year-old Colonial Theatre, which she and members of the Fiorillo family purchased, renovated and reopened in 2023 as a community cultural hub serving North Canaan and the surrounding region.
That Mallett is a creative, entrepreneurial, energetic and successful professional is indisputable. Today she holds two almost full-time jobs. The first is as a top-rated sales executive at William Pitt Sotheby’s International Realty, where she connects clients to the “homes of their dreams.” The second is managing the Colonial Theatre.
“We took on the acquisition and renovation of what was once the town’s popular movie hub decades ago and reconfigured it for the benefit of the town and its surrounding communities,” Mallett said. “It was our intention to remake it into a cultural hub, one that could house a wide diversity of events with broad public appeal.”
“We figured a good way to start was to rent out small spaces within the building,” she added. “We loved helping young entrepreneurs, acting as a launching pad for their small businesses, and we kept the rent affordable. Initially we had a housewares store, a hair salon, a baker in the basement and a photographer on the second floor. They all flourished, outgrew their spaces and successfully moved on. For us, it was like baby birds leaving the nest.”
Today the Colonial Theatre continues to support community programs, including its largest tenant, Canaan Kids Art Space. The organization hosts an after-school club for children ages 6 to 10 and a summer program with four one-week sessions, providing families with a safe and creative environment where children can learn about many forms of art and create their own work. Organizers also maintain a policy that no child is turned away for lack of funds, working with families to ensure participation.

The Colonial’s space — encompassing a second-floor ballroom, a 120-seat theater and several smaller rooms — is highly versatile and can be reconfigured to accommodate a wide variety of events and audiences. The venue has hosted movie screenings and festivals, graduation and awards ceremonies, large family reunions, birthday parties, cultural festivals, arts and crafts fairs, educational workshops and literary events including book readings and author talks.
“The space is open for the community to use as they see fit,” Mallett said.
Mallett’s generosity of spirit is also reflected in her volunteer activities. When her children were younger, she became a reading tutor at their elementary school, helping more challenged readers catch up with the rest of the class. She was also the co-founder of ReGroup, a Stamford-based nonprofit that helped women successfully return to the workplace after taking “gap years” to raise families.
More recently, Mallett and her husband became partners in Robbie’s Community Market in Great Barrington, the eatery founded by Sheffield native Robbie Robles that opened last summer.
Most recently, the Colonial hosted the Falls Village and North Canaan historical societies’ George Washington Ball celebrating the 250th anniversary of George Washington’s birth.
Coming up is a movie series featuring notable films from the 1980s and 1990s, to be shown once or twice a month. Planned titles include “Back to the Future,” “Top Gun,” “Jurassic Park,” “The Princess Bride” and “Ferris Bueller’s Day Off.” More events are in development, Mallett said. Community members can follow announcements on the Colonial Theatre’s website, canaancolonial.com, or watch the theater’s marquee for upcoming programs.
Graham Corrigan
Wolfgang Amadeus Mozart
For centuries, Wolfgang Amadeus Mozart has overshadowed nearly everyone in classical music, including the talented musicians in his own family: his father Leopold, his sister Maria Anna Mozart and his son Franz Xaver Wolfgang Mozart who were all prolific composers and musicians in their own right.
On March 15, Great Barrington’s Mahaiwe Theater will explore the legacy of Mozart with its “Meet the Mozarts” concert. It’s mostly Amadeus — a quartet will perform the maestro’s “Piano Trio in B-flat, KV 502” and “Quartet in G minor, KV 478” — but the evening will feature works from both the elder and younger Mozarts.
“The story of Mozart is forever an enigma,” said Close Encounters with Music’s artistic director Yehuda Hanani. “It’s really a mystery. How did a man who, as a child, dazzled the royals of Europe end up in an unmarked grave?”
Leopold Mozart is best known for writing a foundational textbook on playing the violin. His catalog included church music, opera dances and symphonies, though much of it has been lost over time. Amadeus was his seventh child, and he served as the boy’s primary music teacher after the toddler began imitating the piano lessons taken by his older sister.
“Mozart’s father really made him what he was,” Hanani said. “He was a devoted pedagogue. He drilled him, and he corrected his early pieces. And then, of course, he was a great promoter. He created the legend.”
Mozart’s son, Franz Xaver Wolfgang, was born just four months before his famous father’s death. His musical education included lessons connected to such figures as Joseph Haydn and Antonio Salieri, and he socialized with contemporaries such as Franz Schubert and Robert Schumann. He was a renowned composer in his own right, “and he probably would have been much more acknowledged and known if not for his misfortune of being the son of a great genius,” Hanani added. Wolfgang would often perform his father’s work alongside his own. As his tombstone notes, “May the name of his father be his epitaph, as his veneration for him was the essence of his life.”
The Mahaiwe’s concert will feature a fourth Mozart: AI Mozart. “We are living in a very revolutionary technological, artistic, cultural time with AI, and it’s creating some kind of cultural crisis,” Hanani said. “So, we’re doing something a little whimsical, a little naughty and a little serious at the same time.” The three-minute piece uses Mozart’s existing oeuvre to create a composite work.
Hanani has mixed feelings. “If you compare [AI Mozart] to Leopold and Wolfgang Mozart, it’s not so bad. But next to the real Mozart, it’s full of clichés and platitudes, and it’s really drawing on something that was already there… There’s no spark in it.”
For more information and tickets, visit Mahaiwe.org
Brian Gersten
With awards season upon us, it’s that familiar time of year when one might realize they have seen little to no buzzworthy films this past year. Perhaps you were too busy shoveling your driveway this February to catch “K-Pop Demon Hunter.” Or maybe, after realizing there are 469 known feature films featuring Frankenstein’s monster, you thought it untoward to see the latest iteration of “Frankenstein” by Guillermo del Toro before viewing the previous 468 installments.
Whatever the case may be, if you need some last-minute conversational guidance for your upcoming Oscar party, I am here to get you up to speed on some of the 2026 Academy Award nominees that are worth seeing — and worth skipping.
“One Battle After Another” — SEE IT
Arguably the best movie of the year and a film that reflects our contemporary American moment better than anything else. Watching “One Battle After Another” is like looking in a mirror — witnessing an oppressive white nationalist government (represented by a grotesque Sean Penn) attempting to thwart a coalition of resolute freedom fighters (led by Leonardo DiCaprio, Teyana Taylor, Chase Infiniti, Regina Hall and Benicio del Toro). It’s a 3½-hour revolutionary roller coaster with unexpected laugh-out-loud humor, capped off with one of the greatest chase scenes ever put on film. A must-see.
“F1”— SKIP IT
A 2½-hour formulaic car commercial with next to no redeeming qualities. I’d skip it faster than Brad Pitt driving a McLaren at 200 mph.
“Bugonia” — SEE IT (BUT EXPECT NIGHTMARES)
Emma Stone and Jesse Plemons are hauntingly terrific in this twisted kidnapping escapade. Plemons plays a gaunt conspiracy theorist who thinks our capitalist overlord (Stone) is an alien intent on destroying mankind and taking over the world. A brilliant take on the complexity of conspiracies, the film keeps you guessing until the very end about what’s true and what’s not.
“Hamnet” — SEE IT (BRING TISSUES)
A Shakespearean tale of love and loss. To call it a tearjerker would be an understatement. A powerful and instant classic.
“Sinners”— SEE IT (IF YOU LIKE HORROR FILMS)
The one film of the year where the buzz surrounding the project might outweigh its artistic ambitions. Racist white vampires terrorizing Black juke joint patrons in the Jim Crow South is as scary a horror premise as there is, and there’s loads of powerful symbolism at play. But at the end of the day, it felt like just another gory, gruesome horror movie. Loved the Buddy Guy cameo, though.
“Marty Supreme” — SEE IT
Whether you like Timothée Chalamet or not, his performance as the Trump-esque Marty Mauser — a professional pingpong player and hustler who will stop at nothing to achieve his goals — is an astute take on the affliction of American exceptionalism. With an anxiety-inducing pace and cadence we’ve come to expect from director Josh Safdie, the film is full of truly bizarre and memorable moments and characters.
“The Alabama Solution”— SEE IT
Pine Plains resident Andrew Jarecki takes viewers inside the Alabama state prison system in a documentary constructed almost entirely from cellphone footage covertly shot by prisoners. The conditions inside are utterly deplorable and completely shocking — resembling modern slavery more than rehabilitation. One struggles to make sense of the inhumanity and to come to terms with the fact that this is happening in America in 2026.
The 98th Oscars will take place Sunday, March 15, 2026, at 7 p.m. The ceremony will be hosted by Conan O’Brien and broadcast on ABC, with streaming available on Hulu.

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Mike Cobb
Students at Berkshire Waldorf High School rehearse for the performances of “Little Women” March 13-15 at The Unicorn Theater in Stockbridge.
The Berkshire Waldorf High School presents “Little Women” by Kate Hamill, adapted from the novel by Louisa May Alcott, at The Unicorn Theater in Stockbridge, Massachusetts.
Director Kendell Shaffer has taught screenwriting for the Writers Guild Foundation High School Screenwriting Workshops. About the choice of play, Shaffer said,
“The idea of ‘Little Women’ came from our senior girls who wanted a play with a heavy female cast after doing ‘The Outsiders’ last year. Kate Hamill’s adaptation is spunky, funny, with a contemporary feminist slant that transcends Louisa May Alcott’s ideas to today’s audience.”

Actor Noelle Bodenstab said, “My role is Hannah. She’s very sassy and a very big contrast from the role I played in ‘The Outsiders’ last year. I feel as though it’s exercising my acting abilities, and I’m really excited to see how it turns out in the play.”
Actor Leo Martinez said, “I am playing Laurie, who is a friend of the Marches and this lonely, rich, sentimental guy who doesn’t really like the traditional idea of a man. His character revolves around his love for Jo, who doesn’t fit into the role of a girl very well, and them growing up together.”
The production features contemporary and original songs performed by the Berkshire Waldorf High School rock band.

“Having been a TV producer in L.A. before relocating to the Berkshires, I like to add live music to plays I direct, similar to underscoring a film or TV episode,” said Shaffer. “The music helps guide the emotion and elevates the experience for both the audience and actors. Using contemporary music performed by our school’s rock band updates this classic play.”
“We are fortunate to have so many talented students at the Berkshire Waldorf High School and professional mentors working with the students as costume designer, choreographer, musical director, and vocal coach. The Berkshires are alive with artists, and it’s a gift to work with its seasoned and emerging talent,” Shaffer added.
Performances start at 7 p.m. Friday, March 13; 7 p.m. Saturday, March 14; and 2 p.m. Sunday, March 15.
For more information, visit berkshiretheatregroup.org.
Lakeville Journal
On Friday, March 13, The Cary Institute of Ecosystem Studies in Millbrook will host a reception and lecture with Robin Wall Kimmerer, bestselling author of “Braiding Sweetgrass.” A plant ecologist and member of the Citizen Potawatomi Nation, Kimmerer blends Indigenous knowledge and Western science to explore how plants and ecosystems can teach us about reciprocity, resilience and our relationship to the natural world. The in-person event is sold out. To register for the online event, visit caryinstitute.org
Lakeville Journal
Deborah Simon’s “Ecological Streams of Consciousness: Sika Deer (2025).”
This Must Be the Place, the winter exhibition at Wassaic Project, will have its closing reception on Saturday, March 14. The exhibition showcased the work of 11 artists throughout the seven floors of Maxon Mills, exploring personal and cultural history, material transformation, the sacred and speculative and immersive encounters. There will beartist talks beginning at 2 p.m. followed by open studios of the March artists-in-residence program.

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