PINE PLAINS — Most people have tried square dancing at least once in their lives, usually during their elementary school years. However, square dancing is not just an activity for children. At the Seymour Smith Intermediate Learning Center on Academy Street in Pine Plains square dancing is a popular pastime for adults. The Tri-Mountain Western Square Dance Club has been gathering at the school for dances and classes longer than most members can remember. Every Tuesday night anyone can attend for square dancing classes, and then the first and third Friday of every month the club has dances where participants can test their skills. The dances are from 7:30 to 10 p.m., and all club members bring refreshments. One can either pay to become a member of the Tri-Mountain Western Square Dance club or they can pay a fee per dance, usually around $5, which pays the dance caller and for refreshments. “It’s the most inexpensive thing you can do,“ said Nancy Finkle, who has been square dancing with her husband, Gary Finkle, since 1976. The couple of 55 years is from Red Hook, and has square danced in Hawaii, Bermuda and aboard cruise ships in the past. “This is western style square dancing,” said Nancy. “The old-time dance, what they call the eastern style, you didn’t really have to go to lessons for because you started with one couple and then the next couple did the same thing, so by the time you got to the fourth couple you knew what you were doing. Here everyone kind of moves at the same time so you have to go to a year of classes [to learn the steps].”Nancy said the club usually has two or three squares at their dances. In square dancing there are eight people per square and each person has a partner. The caller is the person who announces the choreography and has a microphone to announce which moves to do in synch with the music. Internationally, square dance calling is always in English. During the dance dancers may switch partners and squares as they go along, however by the end of the dance one almost always ends up at their original square with their original partner. “The funny thing I’ve been finding out after all these years is that there are a lot of square dancers and callers that either are or were involved in teaching math,” said Sandy Corey, caller and teacher for the Tri-Mountain Western Square Dance Club. “They teach mostly high school math because of the symmetry of the square, which is what happens on one half of the square and then it happens on the other half. That’s what I wanted to do, I wanted to be a high school math teacher.”Corey is from Hopewell Junction and has been calling for square dances for 27 years; she started in 1985. “My parents started to square dance the year before I did. I went with my husband at the time as a thing to do to help our marriage,” said Corey. It didn’t help her relationship and she stopped taking lessons, but her parents continued, said Corey.“I went back the following year on my own and I loved it; I thought it was great,” said Corey. “About six years later callers in the area were getting older and many were moving south to the warm weather. Plus, there were not any new callers coming up since everyone was getting older. A local caller decided to have a class to teach some of us who were interested how to call.”From that group there is only one other caller who is still calling today, said Corey. It’s no secret to the members of Tri-Mountain Western Square dancers that the club is struggling to bring in new members.“It’s a dying thing. We used to have a good 15 squares years ago,” said Ethel Anderson from Hyde Park, who has been square dancing for 35 years.The majority of the club members are senior citizens who have been members for many years. None of them are from Pine Plains.Gary said he remembers when square dancing was extremely popular there would be 35 squares and the caller had to stand on an 8-foot ladder so he could see everyone and make sure they made it back to their original squares. “I hate to think it’s a dying thing,” said Corey. “What I think is the younger people are too busy. Either they are married; they are living up here and maybe working in the city; or they are just too tired. I think it’s also not really known that square dancing is out there. People think, ‘Well, I did that in high school.’ It has some of that negative connotation. But then there are some who liked it in high school and had so much fun and wish they could do that again. And then some people have never heard of it.”All of the club members said they look forward to their gatherings. “It’s a lot of fun, it’s good energy, good weight reduction and good exercise,” said Nancy.At the dances both the men and women dress up in costume. The women wear long skirts called prairie skirts and men usually try and match the color of their partner. Nancy says the club has tons of costumes from past members and she lays them out if people want to wear them at the dances. It’s a sight to see the members dressed up in their costumes, with bright smiles as they dance around the room, but joining in is even more fun. The Tri-Mountain Western Squares encourages anyone who stops by to try it out. “It’s just fun, it’s not hard and it gets easier as you go along,” said Nancy.
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Meg Sher, executive director of the David M. Hunt Library in Falls Village.
“I was a library kid. I walked to the library after school,” she said.
For Sher, the library is as much about the people as it about the books.
“Part of the job I love so much is that running the library is such a community,” she said.
She treasures the relationships she has built, whether recommending books, celebrating accomplishments or helping patrons through difficult times.
“I am thankful that our community is so supportive of the library, unlike what is happening in some other places where librarians are villainized,” Sher said.
Sher takes pride in the Hunt Library’s reputation for being “open and welcoming to everyone. People come in and see things and get pulled into things they weren’t expecting. Our library is seen as a positive force.”
Sher came to Falls Village after being awarded a fellowship at Adamah Farm, then a program of the Isabella Freedman Jewish Retreat Center. She worked at pickling, in the greenhouse and later in the development office. She also worked as a nanny.
At the same time, “I was in the library all the time,” she recalled. “I’m a voracious reader. The library is where I met a lot of my first friends in Falls Village.”
She became assistant librarian at Hunt and worked in that position for almost a decade before becoming the executive director four years ago.
Meg Sher, executive director of the David M. Hunt Library in Falls Village.L. Tomaino
Sher met her husband, Adam, while working at Adamah. They had their wedding there in 2012. He now emcees many events which she co-organizes with the Falls Village Recreation Commission.
Sher and her family live near the library.
“It’s an easy commute,” she said with a smile. “My kids run back and forth. I can go home to walk the dog if I need to.”
“My kids have grown up here.” Her oldest son, Eli, “loves volunteering. He helps with Augustfest and often helps set up chairs for ArtWall gatherings.” Her younger son, Noah, is often at events and was eager to taste cookies at last year’s holiday cookie swap.
When she is not at the library, Sher likes to hike with her family. Bella, their Portuguese water dog, often accompanies them.
Sher enjoys seeking out people to offer events at the library.
“I do a lot of different community programming. It is one of my favorite parts of the job.”
Augustfest, featuring food, music and an auction, is the library’s biggest fundraiser.
“This summer we had a record 152 attendees, which was pretty incredible.”
Yonah Sadeh, a filmmaker from Falls Village, inaugurated the VideoWall this year, Sher explained.
“I’ve known Yonah since he was two. It’s wonderful to work with him as an adult.”
The VideoWall complements the library’s ArtWall, which showcases a new artist each month. Sher praised the ArtWall committee for its work and highlighted December’s popular “12x12 Show,” featuring works by local artists, each measuring 12 by 12 inches and priced at $150.
Sher added that some of the artists who exhibit at the ArtWall offer workshops to students at Kellogg School, next door to the library. In September, artist Danielle Mailer worked with the children. Vincent Inconiglios taught a class last November.
Being next to the school, said Sher, is a great advantage.
“Kids are coming after school, to see friends, work on projects, find a great book. Kids that love the library end up using the library as grownups.”
This past year, in partnership with Adamah, the library and school created a garden, with excess produce made available at The Center on Main.
This year is Sher’s second year participating in the Troutbeck Symposium in Amenia with James King, director of the library at Salisbury School. The Troutbeck Symposium is “a gathering of a year of student historical inquiry across the region” in which students “uncover stories that have been overlooked, forgotten, or never recorded.”
Last year, Sher and King began a project with a group of students researching Irish immigrants in Falls Village, exploring ancestry and creating small magazines about their findings.
They continued this year, visiting St. Patrick’s Catholic Cemetery on Dublin Road, cleaning seven gravestones and even righting one with the help of stonemason and gravestone restoration expert Karl Munson. Paul Kozeazny, a representative of the Catholic archdiocese, helped secure access to the site.
A film documenting their activities will be shown at the symposium in spring 2027.
A full schedule of programs and events, ranging from tech help to ceramic mug-making, can be found on the library’s website.
Despite spending her days surrounded by books, and a busy schedule of programming, Sher still loves to settle in with a book at home.
For more information on library programs and events, visit huntlibrary.org
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Touré was born in northern Mali in 1981. His father, the renowned guitarist Ali Farka Touré, came from a family of soldiers and wanted his son to join the army. The younger Touré studied drums and the calabash and practiced guitar in secret. He earned his father’s blessing to pursue music shortly before Ali died in 2006, and they played two tracks together on Vieux’s debut album.
Touré is known for his deft, polyrhythmic playing, and his songs grow out of riffs that repeat and layer to hypnotic effect. He draws on rock, blues, Latin music and various African traditions. This distinctive blend builds on his father’s work adapting the sonic traditions of Mali’s arid north to the guitar.
Vieux’s album “Mon Pays” (“My Country,” 2013) honored Mali’s culture after Tuareg separatists and extremist groups seized the north in 2012. “Samba” (2017) was recorded before about 50 listeners in Woodstock, New York. In 2022 came “Les Racines” (“The Roots”), a return to his father’s desert blues, and “Ali,” on which he and the trio Khruangbin reworked eight of the elder Touré’s songs.
Touré leads the Ali Farka Touré Foundation, which focuses on cultural and educational work in Mali. Around the anniversary of Ali’s death, it holds a festival in Bamako, Mali’s capital. Bamako has been under blockade for much of the past year, besieged by JNIM, an al-Qaeda affiliate. Against this backdrop, Touré continues to carry the music of Mali to audiences abroad.
At the Nov. 5 concert, Touré’s desert blues will share the bill with Gnawa, the music LanGus plays, which developed in Morocco among West Africans who were brought north across the desert as enslaved people. Gnawa is religious music traditionally performed at all-night healing ceremonies called lila, intended to carry participants into trance.
Samir LanGusProvided
LanGus was born and raised outside Agadir, Morocco, and began learning Gnawa from its masters at age 8. He plays the sintir, a three-stringed bass lute made of wood and camel skin. The player strikes a low string with the thumb to create a deep, resonant pulse. Iron castanets clatter over the sintir’s bass line, and vocalists trade call-and-response refrains.
LanGus infuses the tradition with jazz and improvisation. In New York, he founded the ensemble Innov Gnawa. His first solo album, “Gnawa Love,” came out in February.
Touré and LanGus’s Nov. 5 concert is one of the last public events at Race Brook Lodge, which is for sale and ended full-service operations at the end of 2025. The lodge’s final scheduled event, on Nov. 6, is an evening of Rumi’s poetry with translator and vocalist Haleh Liza Gafori, cellist Isabel Castellvi and ceremonial bard James Bird.
For tickets, visit rblodge.com.
James FitzGerald is a student at Yale Law School, where he focuses on ecological restoration and international environmental cooperation. He splits his time between Lakeville and New Haven.
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