PINE PLAINS — Most people have tried square dancing at least once in their lives, usually during their elementary school years. However, square dancing is not just an activity for children. At the Seymour Smith Intermediate Learning Center on Academy Street in Pine Plains square dancing is a popular pastime for adults. The Tri-Mountain Western Square Dance Club has been gathering at the school for dances and classes longer than most members can remember. Every Tuesday night anyone can attend for square dancing classes, and then the first and third Friday of every month the club has dances where participants can test their skills. The dances are from 7:30 to 10 p.m., and all club members bring refreshments. One can either pay to become a member of the Tri-Mountain Western Square Dance club or they can pay a fee per dance, usually around $5, which pays the dance caller and for refreshments. “It’s the most inexpensive thing you can do,“ said Nancy Finkle, who has been square dancing with her husband, Gary Finkle, since 1976. The couple of 55 years is from Red Hook, and has square danced in Hawaii, Bermuda and aboard cruise ships in the past. “This is western style square dancing,” said Nancy. “The old-time dance, what they call the eastern style, you didn’t really have to go to lessons for because you started with one couple and then the next couple did the same thing, so by the time you got to the fourth couple you knew what you were doing. Here everyone kind of moves at the same time so you have to go to a year of classes [to learn the steps].”Nancy said the club usually has two or three squares at their dances. In square dancing there are eight people per square and each person has a partner. The caller is the person who announces the choreography and has a microphone to announce which moves to do in synch with the music. Internationally, square dance calling is always in English. During the dance dancers may switch partners and squares as they go along, however by the end of the dance one almost always ends up at their original square with their original partner. “The funny thing I’ve been finding out after all these years is that there are a lot of square dancers and callers that either are or were involved in teaching math,” said Sandy Corey, caller and teacher for the Tri-Mountain Western Square Dance Club. “They teach mostly high school math because of the symmetry of the square, which is what happens on one half of the square and then it happens on the other half. That’s what I wanted to do, I wanted to be a high school math teacher.”Corey is from Hopewell Junction and has been calling for square dances for 27 years; she started in 1985. “My parents started to square dance the year before I did. I went with my husband at the time as a thing to do to help our marriage,” said Corey. It didn’t help her relationship and she stopped taking lessons, but her parents continued, said Corey.“I went back the following year on my own and I loved it; I thought it was great,” said Corey. “About six years later callers in the area were getting older and many were moving south to the warm weather. Plus, there were not any new callers coming up since everyone was getting older. A local caller decided to have a class to teach some of us who were interested how to call.”From that group there is only one other caller who is still calling today, said Corey. It’s no secret to the members of Tri-Mountain Western Square dancers that the club is struggling to bring in new members.“It’s a dying thing. We used to have a good 15 squares years ago,” said Ethel Anderson from Hyde Park, who has been square dancing for 35 years.The majority of the club members are senior citizens who have been members for many years. None of them are from Pine Plains.Gary said he remembers when square dancing was extremely popular there would be 35 squares and the caller had to stand on an 8-foot ladder so he could see everyone and make sure they made it back to their original squares. “I hate to think it’s a dying thing,” said Corey. “What I think is the younger people are too busy. Either they are married; they are living up here and maybe working in the city; or they are just too tired. I think it’s also not really known that square dancing is out there. People think, ‘Well, I did that in high school.’ It has some of that negative connotation. But then there are some who liked it in high school and had so much fun and wish they could do that again. And then some people have never heard of it.”All of the club members said they look forward to their gatherings. “It’s a lot of fun, it’s good energy, good weight reduction and good exercise,” said Nancy.At the dances both the men and women dress up in costume. The women wear long skirts called prairie skirts and men usually try and match the color of their partner. Nancy says the club has tons of costumes from past members and she lays them out if people want to wear them at the dances. It’s a sight to see the members dressed up in their costumes, with bright smiles as they dance around the room, but joining in is even more fun. The Tri-Mountain Western Squares encourages anyone who stops by to try it out. “It’s just fun, it’s not hard and it gets easier as you go along,” said Nancy.
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Cusack recently moved his painting practice from Torrington into the former church at 58 Main Street. The move came about somewhat unexpectedly, after a change in ownership made his previous studio untenable.
“At first I thought it was just gonna be too much,” Cusack said. When he first saw it, the building still looked unmistakably like a church, with its vaulted ceiling, stained glass and architectural details intact. It had served as a place of worship for generations before closing roughly 12 years ago.
But the space began to make sense.
“I’m very philosophical, very spiritual, very humanistic,” said Cusack. “And so for me to be in a church sort of fits.”
Cusack still lives in West Cornwall, where he has a garden he describes as mature and beautiful, along with a saltwater pool. The church is strictly a working studio, though he hopes to bring students in and occasionally invite other artists to exhibit alongside him.
“From Ground to Gravity,” 2026, Oil on Canvas, 77 x 65 inchesProvided
As with every studio, Cusack says, there is a particular direction and position that feels right for painting. In the church, he gravitated toward a spot where the geometry of the building creates a distinct rhythm, near where the pews once ended, before the altar.
“I can already see the arc of the dome involved in my work,” he said.
The first painting he made in the new space, “Prophets and Proverbs,” grew out of three forms he encountered during his morning meditation at home. After drawing and reflecting on them, he came to understand them as expressions of different aspects of maturity: “ego, strategy, agency.”
The exhibition’s title comes from “Nature Eternal,” a painting of a young nude figure in a pink field that evokes, for Cusack, the Garden of Eden and an idea of bliss and perfection. “The Narcissist,” by contrast, considers what happens after that innocence is lost: the arrival of consciousness, self-awareness and the search for identity.
Two paintings of swimmers explore another dimension of that relationship. In “I Will Love You Completely,” Cusack sees a figure reaching outward from the canvas almost like an angel. “It’s a message from the divine,” he said. In another painting, the swimmer appears to be held by the water, suggesting the possibility of being held by something larger than ourselves.
Having grown up in New York, Cusack says his relationship with the natural world has deepened since moving to northwest Connecticut. He thinks about the glacier that passed through this region, leaving stones behind that have remained through countless chapters of human history. In a painting of stones, Cusack considers the wisdom of the landscape and the extraordinary passage of time. “To me, that’s an eternal wisdom.”
Cusack regularly visits the Metropolitan Museum of Art, where he sits in the sculpture galleries, contemplating and drawing the figures.
“Drawing is just a way of looking and continuing to look,” he said. “It just helps me ground myself and be very present.”
“Nature Eternal,” 2026, Oil on Canvas, 77 x 47 inches.Provided
That practice of extended observation can be seen in the paintings. At first glance, Cusack’s color palettes can appear remarkably simple, sometimes almost monochromatic. But the longer one spends with them, the more they open up. Subtle shifts in tone and color begin to emerge, deepening and expanding the visual experience. What initially seems restrained becomes increasingly expansive as the viewer gives the work time and attention.
Before turning fully to painting, Cusack spent 12 years as a commercial artist represented by Morgan Gaynin Inc., where his work became known for its emotive storytelling. His paintings have appeared in Architectural Digest, Veranda, New England Home and Litchfield Magazine, among other publications, and are held in the collections of the United States Air Force, the New York Transit Museum and the Society of Illustrators. His training included an MA at Syracuse University and a year of classical study in France’s Loire Valley with a master painter who was also a former Zen monk.
The church, meanwhile, has its own layers of history. During the many repairs required after Cusack moved in, a plumber mentioned that he had been married there. His wife had since died, and Cusack asked whether he was sure he wanted to return to the building. He was.
It is a small story, but one that seems to resonate with Cusack’s interest in the passage of time and the histories held by places and objects. Although he says he doesn’t feel a particular presence in the church, he is conscious of its history and of the community for whom it was once a gathering place.
For now, he is looking forward to welcoming people into his new studio and seeing how they respond to the paintings. “Interacting with the work” is important, he said. “It always feels good to have people in your studio space.”
“Eternal: New, Recent and Near Distant Paintings” will be on view Nov. 13–15, from 1 to 5 p.m., at 58 Main Street (the Stone Church) in North Canaan. An opening reception will take place Saturday, Nov. 14, from 4 to 7 p.m.
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