David Jon Greenwood

MILLBROOK — David Jon Greenwood passed away Dec. 23, 2024 at home in Millbrook New York. He was born July 9, 1944 in Putnam County, New York, and grew up in Carmel, the youngest of three boys. On his father’s side, he was a descendant of Thomas Greenwood, who emigrated from England in 1665. He and his fiancée Nan returned to the ancestral home of the Greenwoods in Heptonstall, Yorkshire in 1974 to be married there, and returned several times, most recently this past summer with family to celebrate their 50th anniversary.
On his mother’s side, his ancestry was Native American, indigenous to the Mid-Hudson Valley. His grandmother’s mother was Wappinger, and he grew up hearing family recollections of the Wixon and Smalley families in Putnam County, including reminiscences of Native American traditions, hunting and trapping, long houses, relatives fighting in the Civil War, and the Blizzard of ‘88.
Mr. Greenwood pursued a lifelong interest in the visual and performing arts. His major field was art history with a specialization in American architecture and decorative arts. He earned his bachelor’s degree in art education at the State University of New York (SUNY) at Buffalo, which included a semester abroad studying art history in Siena, Italy. His master’s degree and supervisory accreditation were earned at SUNY New Paltz, which in 1982 named him an outstanding alumnus.
Mr. Greenwood combined his love of history and his love of art by becoming a teacher of art and advanced placement art history, joining the Carmel Central School District in Putnam County in 1967. In 1974 he was named district supervisor of art with responsibility for the entire arts program K-12, a position he held until retiring from Carmel in 2004. He then taught Art History and Aesthetics part time for another seven years at the Millbrook School. He specialized in pen and ink renderings and his work is included in several collections and books.
He was an officer of the Putnam County Arts Council and assisted in the selection, mounting and judging of numerous shows and exhibits. In addition to work with the Putnam and Dutchess County Arts Councils, he served on an arts review panel for the Metropolitan Transportation Authority’s Art in Public Places project.
Mr. Greenwood gave presentations throughout the region on a variety of topics, and was well known for his extensive work with local history, including re-enactments of important historic figures associated with the Abolitionist movement in the Hudson Valley.
David served on the boards of both Putnam and Dutchess counties’ landmarks preservation societies and for many years as an overseer of Old Sturbridge Village, a Massachusetts living history museum. He was the historian for the Village of Millbrook and Town of Washington and parish historian for St. Peter’s Episcopal Church in Lithgow, and served on the Dutchess County Historical Society. He was also an ex officio member of the Millbrook Historical Society and until recently chaired the Town of Washington’s Conservation Advisory Commission. Among his proudest achievements were contributing to the Museum in the Streets public history project in Millbrook, and coordinating an annual historic calendar project for 28 years, celebrating the people, places and events throughout the community’s history. It was in recognition of the calendar project that in 2022 the Association for Public Historians of New York State and the New York State Museum awarded him the Edmund J. Winslow Local Government Historian Award of Excellence.
David was also an active member of Millbrook Rotary and he and Nan served for 15 years as Inbound co-chairs on the Youth Exchange Committee for the 8-county Rotary District 7210 where they were responsible for selecting, placing and overseeing the experiences of international students who spent an academic year attending local high schools and living with local families.
Attending Rotary conventions took them around the world to Europe, Asia, Australia and South America, as well as the US, Canada and Mexico.
In Millbrook the Greenwoods lived in one of the oldest houses in the village, built originally by Philip Hart circa 1800. There David was surrounded by the antiques, art, books, and historic maps and memorabilia that meant so much to him.
In May 2024 at the Millbrook Historical Society’s monthly meeting, he was honored by the society and by the Village of Millbrook and Town of Washington for his decades of service as local historian, and was presented with a plaque and a proclamation that May 16, 2024 was designated David Greenwood Day in the Town of Washington.
David was predeceased by his parents and brothers. He is survived by his wife Nan and sons Calder and Wixon (Sibyl) and grandson Augustus, nephews Shawn and Harold and niece Lisle.
David was a staunch believer in supporting the local community; accordingly, gifts in his memory would be appreciated at the Millbrook Historical Society, Millbrook Community Partnership, Dutchess Land Conservancy, Cary Institute of Ecosystem Studies, Millbrook Rotary Foundation, ShelterBox or a charity of your choosing.
A memorial service will be scheduled at a future date.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.