Thank you!
Your support is sustaining the future of local news in our communities.

Electric power to the people

Get my power

Out of plugs,

For which I pay

Those well-dressed thugs.

In case you’ve been spelunking for the past five years, you may not realize that our nation has a couple of serious problems with electricity. The first is that making it tends to heat up the planet. This in turn melts ancient ice caps, which raises the level of the ocean, one day bringing tidewater to somewhere between Davenport and St. Paul. In the process Florida, Holland and Bangladesh will go the way of Atlantis.

The other problem is who should actually make the electricity and sell it. The Enron debacle hinted that our present system might be flawed. Likewise, when our state Legislature even raises the issue, the Capitol is suddenly so flooded with dark-suited lawyers and lobbyists that it looks like a Brooks Brothers outlet.

This sartorial onslaught is always a sure sign that money is on the table. Lots of money. Oil, gas, coal and uranium companies spend profusely whenever their God-given right to wallow in the subsidized electricity market is called into question. Similarly, power generators and distributors pour forth like hornets when anyone stirs their nests by suggesting that government itself might be a reasonable substitute for their comfortable cartel.

    u    u    u

In Connecticut, with the highest electric rates of all, Larry Cafero, the House Republican leader, has been moved to term any dabbling in public ownership of electricity as “socialism.� This is a concept to which he evidently does not subscribe. Heaven forfend.

Meanwhile, socialist hotbeds like Cleveland, Jacksonville, Los Angeles, Sacramento and other people’s republics have been blithely making their own juice for many decades and selling it more cheaply to their citizens than do the corporations.

Such public owners are also more hospitable to schemes for small-scale local generation and incentives to reward renewable energy producers. Corporations understandably are not thrilled at this kind of grassroots competition.

Nonetheless, it’s coming. A heartwarming story by the Associated Press reported on the hot battle between two neighboring giant Texas ranches over whether one of them may install a humongous wind farm. Texas, ever versatile, already produces more kilowatts from wind than any other state. One day, though, it probably will be upstaged by the Dakotas, known as the Persian Gulf of wind power. Maybe that explains why so many folks move away — lots of bad hair days.

    u    u    u

But electricity remains a rotten business. The biggest federal subsidies go to nuclear, with coal, oil and gas following along. Renewables get peanuts. Regulatory authorities also are keyed to corporate welfare. As are state legislatures. Issues like whether, where and with what fuel power plants are built are typically not publicly debated decisions. They’re private profit decisions, with sainted nonprofit agencies trying valiantly to fight off the worst ones.

Public policy formation, being critical to our lives, ought to be in public hands. So many of our power decisions now lie in the hands of the generating cartel and Wall Street hedge funds, that we have good reason for deep concern.

And since wind and sun don’t require an endless stream of expensive fuel, it comes as no surprise that those big domestic investors are sticking with fossil fuels. That’s where the money is. Indeed, the biggest investor in subversive wind power in this country comes not from America at all, but from Spain.

As citizens, unless we generate our own juice, we’re simply corks bobbing on the fickle ocean of corporate whim. The General Assembly met this year with orders to “do something� about this, but basically, it failed. In many states like ours, it’s the same.

The deregulation genie is out of the bottle and it’s nearly impossible even for lawmakers to put it back. The only permanent cure is local, homegrown bootstraps power. Luckily, that’s the best angle on controlling global warming as well.

Columnist William A. Collins is a former state representative and a former mayor of Norwalk, Conn.

Latest News

Plans to revitalize Norfolk’s Infinity Hall unveiled

Infinity Hall, built in 1883.

Jennifer Almquist

Nearly 200 people packed the wooden seats of Norfolk’s historic Infinity Hall on Thursday, May 14, as David Rosenfeld, owner and founder of Goodworks Entertainment Group, a live entertainment and venue management company, unveiled ambitious plans to restore the restaurant and bar, expand programming and reestablish the venue as a central gathering place for the community.

Since the Norfolk Pub closed on Jan. 31, 2026, the need for a restaurant and evening gathering place has become paramount, and for years residents have wanted Infinity Hall to be more engaged with the community.

Keep ReadingShow less

May Castleberry’s next chapter

May Castleberry’s next chapter

May Castleberry at home in Lakeville.

Natalia Zukerman
Castleberry’s idea of happiness is “looking at a great painting.”

May Castleberry is a ball of sunshine and passion, though she grew up an introverted child, moving with her family from Alberta to Colorado to Texas, finding comfort in mountains, books and wide-open skies. Today, the former art book editor and museum curator has found a new home in Lakeville, where the natural beauty of the Northwest Corner continues to captivate her. Whether walking with friends, painting, reading or visiting beloved local libraries in Salisbury, Norfolk and Cornwall, Castleberry has embraced the region since making her move permanent in 2022, bringing with her a remarkable career shaped by a lifelong love of books and art.

Castleberry grew up in the world of books, and especially art books, and she credits her artist mother, an avid art book collector, with igniting her passions. Castleberry’s high school art teacher in Dallas understood how to teach students to channel their imaginations into books and art.

Keep ReadingShow less
Hoarding 
With Style: Sarah Blodgett’s art of collecting

Sarah Blodgett has turned her passion for collecting into “something larger.”

Photo by Sarah Blodgett

There is something wonderfully disarming about walking into a space where nothing feels overly polished, overly planned or pulled from a catalog — a place where history lingers in the corners, where color is fearless, where the objects on the shelves have stories to tell and where, if you are lucky, a cat named Cinnamon may be supervising the entire operation.

That is the world of Sarah Blodgett.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Dr. Paul J. Fasano

Dr. Paul J. Fasano

SHARON — Dr. Paul J. Fasano DDS, of Brewster, Massachusetts, passed away peacefully after a long illness on May 10, 2026, in Boston.

Born in Boston to Philip and Laura (Stolarsky) Fasano on Dec. 13, 1946, he grew up in Dorchester with his two brothers Philip and William.Paul attended the Boston Latin School and graduated from Boston College in 1968.He later completed Dental School at New York University in 1972.

Keep ReadingShow less

David Niles Parker

David Niles Parker

KENT — David Niles Parker, 88, of Middletown, Connecticut, passed away at home on May 6, 2026.

Born January 20, 1938, in Wellesley, Massachusetts, the first child to Franklin and Katharine Niles Parker, David graduated from Wellesley High School, received his undergraduate degree from Wesleyan University, studied at the University of Chicago Divinity School, and earned his master’s in education from Harvard.

Keep ReadingShow less
Janet Andre Block is ‘Catching Light’

Artist Janet Andre Block in her studio in Salisbury.

L. Tomaino

What do Johann Sebastian Bach’s Goldberg Variations, Richard Wagner’s Ring Cycle, Wolfgang Amadeus Mozart’s piano concertos and a quiet room have to do with Janet Andre Block’s work? They are among the many elements that shape how she paints, helping guide her into the layered, luminous worlds she creates on canvas.

Block makes layered oil paintings in rich, deep, misty colors. She developed her technique as an undergraduate at the School of the Museum of Fine Arts at Tufts University and then at New York University, and also time spent in Venice earning a master’s degree in studio art.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.