Thank you!
Your support is sustaining the future of local news in our communities.

Remembering the rich legacy of Ed Kirby

FALLS VILLAGE — On Saturday, June 4, a large crowd of people  gathered at Housatonic Valley Regional High School to honor the late Ed Kirby, a true polymath who started geology classes with poetry and told future World Series champs if they didn’t stop cussing they’d be kicked off the baseball team.

The HVRHS Alumni Association organized the event. Kirby, a lifelong resident of Sharon, was a student, teacher, coach and administrator at HVRHS and Region One.  He died last year.

Richard Gustafson (HVRHS Class of 1959) opened the ceremonies by noting the alumni group had raised a hefty $152,860 for the refurbishing of the baseball field (which is named for Kirby).

HVRHS Principal Ian Strever said Kirby was known for his leadership when he was employed by Region One and for being willing to help out when needed in retirement.

Steve Blass (Class of 1960),  the self-described “wise guy” from Falls Village who went on to win two games for the Pittsburgh Pirates in the 1971 World Series, said he was initially scared of the man who became his mentor and friend.

Blass said as a freshman at HVRHS, he was practicing swear words with his pals one day and did not notice that Kirby was right behind them.

“He said ‘If I ever hear that coming out of your mouth again you will never play baseball at Housatonic.’

“Imagine my life without baseball,” said the recently retired Pirates broadcaster.

Blass said the biggest life lesson he learned from Kirby was “Don’t make any excuses.”

“That’s carried me through my career.”

Dick Paddock of Salisbury knew Kirby as a fellow historian. The two met when they were both involved with the Friends of the Beckley Furnace.

After a couple of meetings, “I figured the trick here is going to be listening to Ed, which I did for the next 20 years.”

Paddock said local people had little knowledge of the history of the iron industry in the Northwest Corner.

“Ed thought we needed to change that.”

Geologist Wendy Gerstel (Class of 1976) recalled signing up for geology class in 1975, taught by Kirby and the late David Lindsay.

She said Kirby began the course by reading the Robert W. Service poem “The Cremation of Sam McGee.”

This puzzled her, as she couldn’t make the connection with geology. But later on she got it.

“He taught us how to learn.”

She credited Kirby with instilling in students “a sense of place by studying natural history. It’s not just about the rocks.”

Kirby’s daughter Anne Kirby (Class of 1971) said when her father died she was “unprepared for the outpouring of support.”

She described her father as “rich in imagination and creativity,” and recalled someone as saying Kirby “always spoke in footnotes.”

“He was never bored.”

Kirby’s wife Mary, who was not on the program, thanked everyone for attending and noted the exceptionally clement weather.

“He’s up there, pulling strings, because it’s a beautiful day.”

Gustafson finished the program by getting everyone to rise and sing the school song.

Prior to the ceremony, several men took batting practice on the gleaming baseball field.

A celebration of life for teacher David Lindsay, who died in 2020, will be held on Friday, July 22 from 1 p.m. to 4 at HVRHS.

Anne Kirby described her father Ed as “rich in imagination and creativity.” Photo by Hunter O. Lyle

Steve Blass, who became a star pitcher for the Pittsburgh Pirates, recalled his early encounters with Ed Kirby. Photo by Hunter O. Lyle

Anne Kirby described her father Ed as “rich in imagination and creativity.” Photo by Hunter O. Lyle

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.