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Finding the right formula for sharing information

As journalists, we are committed above all else to the open exchange of information. We spend a great deal of time working within our community to ensure that Freedom of Information laws are respected and that town and state officials let the taxpayers know how their tax dollars are being spent, and how changes to laws will impact their lives.

As a community newspaper, The Lakeville Journal is committed to letting everyone in the community have a voice — even when that voice is at odds with views held by the paper or when those views are critical of the work we do.

But there are also times when we, as community journalists, feel a responsibility to help people tone down their messages or “edit� themselves before they say something in an interview, a letter or an e-mail that might be libelous or damaging to someone else, or even might be incriminating or have negative repercussions for himself or herself.

A recent example: Cornwall resident Ralph Dzenutis gave several newspaper interviews last month in the aftermath of an after-prom party held at his home that ended with the arrival of the state police, the arrest of Dzenutis and three young people taken to the emergency room at Sharon Hospital because they drank too much.

In the Dzenutis interviews, and in many online comments made by young people on newspaper blogs and other Internet “bulletin boards,� many tidbits of information were shared that could hurt Dzenutis’ case should the lawyers choose to use them in court.

Another case in point is a series of e-mails that have been sent to this newspaper by a group of commenters in reference to the Sharon education budget negotiations. If those e-mails were made public, they would likely have the opposite effect of what the writers intend. It is sometimes difficult to have perspective on a situation when one is in the middle of it. One concern raised in these e-mails is that the public doesn’t fully understand how the teacher contracts work.

This is probably accurate, and in large part due to the fact that when the Board of Education and the teachers’ union negotiate, the press and public are not allowed to sit in. In addition, the representatives of those groups are extremely parsimonious with details after the negotiations are over. However, it is during those contract negotiations that teachers and boards should be eager to share information with the public — not much later, in the middle of a contentious budget season.

Leadership requires many skills. One of those skills is being able to fully and confidently disclose all the details of what a group or committee or commission or board is doing, at the appropriate time. When those details are not shared at the appropriate time and in the appropriate manner, it opens the door for information to be released in a way that allows things to be blown out of proportion, misused or negatively interpreted, to the detriment of the process and all involved in it.

Like all civil liberties, freedom of speech and freedom of information are rights that come with responsibilities. Communication is a powerful tool that should be used with the precision of a surgeon’s knife, not swung around blindly in a wide arc as a cudgel.

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Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

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On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

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Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

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For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

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The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

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That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

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