Fire investigator shares insights on safety-first approach

Fire investigator Laura Billon gives an overview of her work to the Falls Village Volunteer Fire Department.
Patrick L. Sullivan
Fire investigator Laura Billon gives an overview of her work to the Falls Village Volunteer Fire Department.
FALLS VILLAGE — Laura Billon, a veteran fire investigator and educator from southern California, gave a detailed overview of fire investigation practices to an audience of firefighters and fire marshals at the Emergency Services Center in Falls Village on Saturday, April 20.
The event was part of the Falls Village Volunteer Fire Departments 100th anniversary celebration.
Billon started off by saying that the common thread in all fire investigations is “Safety First.”
“Be a risk evaluator, not a risk taker.”
The next item she hammered home at several points in the presentation.
“Absence of evidence is not evidence of its absence.”
Fires involve high temperatures and the release of gases. “Things disappear or are unrecognizable.”
That doesn’t mean the truth cannot be teased out of what remains.
It does mean that investigations must use the scientific method, proceed carefully and systematically, and document everything.
Billon said advances in forensic science mean that fire investigations are more carefully scrutinized than they were 40 or 50 years ago.
And if a case does get to court, investigators need to be able to refer to their case files and now immediately how they reached a conclusion.
This can happen weeks, months or even years after the event. Billon recalled receiving a subpoena eight years after a fire.
The systematic approach to a fire investigation looks like this:
Start with the exterior and move to the interior.
Move from the area of least damage to the area of most damage.
Make sure the fire scene documentation is consistent among investigators.
Use the same method every time, regardless of the size or type of fire.
“A dumpster fire or a large factory — the approach is the same.”
Investigators should always consider the following items:
The weather at the time of the fire.
Is the building vacant?
Have there been previous alarms at the location?
Are people and/or vehicles leaving the area?
Are there familiar faces among the onlookers?
And “Do you see something that’s aberrational?”
Other considerations include the color of the smoke and/or flames, how big or how fast the fire is moving, unusual odors such as gasoline or kerosene.
Sometimes fires occur in buildings that are zoned for one purpose and used for another.
Fire investigators are law enforcement officers, and sometimes other agencies need help.
Billon used the example of a building that housed a legitimate (if seedy) internet pornography operation.
Billon got a call from an FBI agent who asked if he and a colleague could tag along on a surprise fire inspection, posing as fire investigators.
While Billon did her inspection, the agents slipped away and planted small cameras in the facility.
Turned out the porno business was a front for a massive methamphetamine operation.
A big part of fire investigations doesn’t involve poking around in smoldering rubble.
Interviews (not interrogations, Billon was quick to add) are essential in finding the truth about a fire.
She cited the “80/20 Rule,” where 20% of the evidence at the scene is forensic and 80% is from interviews.
Billon emphasized that “arson” is a legal term. To charge a suspect with arson, prosecutors need to prove “willful, malicious or reckless intent.”
This is easier said than done. Billon said that about 25% of fires can be proven to be arson.
These cases typically break down like this:
Vandalism, attempts to conceal a crime, excitement or thrill-seeking, revenge, profit, and extremism/terrorism.
She gave an example of a fire set for profit.
Speaking as a budding arsonist: “Hello, insurance company? I need as much fire insurance as I can get, and I need it by Saturday.”
Speaking as herself: “That is what we call a clue.”
LAKEVILLE — Barbara Meyers DelPrete, 84, passed away Tuesday, Sept. 30, 2025, at her home. She was the beloved wife of George R. DelPrete for 62 years.
Mrs. DelPrete was born in Burlington, Iowa, on May 31, 1941, daughter of the late George and Judy Meyers. She lived in California for a time and had been a Lakeville resident for the past 55 years.
Survivors, in addition to her husband, George, include son, George R. DelPrete II, daughter, Jena DelPrete Allee, and son Stephen P. DelPrete. Grandchildren; Trey, Cassidy, and Meredith DelPrete, Jack, Will and Finn Allee, and Ali and Nicholas DelPrete.
A Funeral Mass was held at St. Mary’s Church, Lakeville, on Saturday, Oct. 4. May she Rest in Peace.
Ryan Funeral Home, 255 Main St., Lakeville, is in care of arrangements.
To offer an online condolence, please visit ryanfhct.com
SHARON — Shirley Anne Wilbur Perotti, daughter of George and Mabel (Johnson) Wilbur, the first girl born into the Wilbur family in 65 years, passed away on Oct. 5, 2025, at Noble Horizons.
Shirley was born on Aug. 19, 1948 at Sharon Hospital.
She was raised on her parents’ poultry farm (Odge’s Eggs, Inc.).
After graduating from Housatonic Valley Regional High School, she worked at Litchfield County National Bank and Colonial Bank.
She married the love of her life, John, on Aug. 16, 1969, and they lived on Sharon Mountain for more than 50 years.
Shirley enjoyed creating the annual family Christmas card, which was a coveted keepsake.She also enjoyed having lunch once a month with her best friends, Betty Kowalski, Kathy Ducillo, and Paula Weir.
In addition to John, she is survived by her three children and their families; Sarah Medeiros, her husband, Geoff, and their sons, Nick and Andrew, of Longmeadow, Massachusetts, Shelby Diorio, her husband, Mike, and their daughters, Addie, Lainey and Lyla, of East Canaan, Connecticut,Jeffrey Perotti, his wife, Melissa, and their daughters, Annie, Lucy and Winnie, of East Canaan. Shirley also leaves her two brothers, Edward Wilbur and his wife Joan, and David Wilbur; two nieces, three nephews, and several cousins.
At Shirley’s request, services will be private.
Donations in her memory may be made to the Sharon Woman’s Club Scholarship Fund, PO Box 283, Sharon, CT 06069.
The Kenny Funeral Home has care of arrangements.
MILLERTON — Veronica Lee “Ronnie” Silvernale, 78, a lifelong area resident died Tuesday, Oct. 7, 2025, at Sharon Hospital in Sharon, Connecticut. Mrs. Silvernale had a long career at Noble Horizons in Salisbury, where she served as a respected team leader in housekeeping and laundry services for over eighteen years. She retired in 2012.
Born Oct. 19, 1946, at Camp Lejeune, North Carolina, she was the daughter of the late Bradley C. and Sophie (Debrew) Hosier, Sr. Following her graduation from high school and attending college, she married Jack Gerard Silvernale on June 15, 1983 in Millerton, New York. Their marriage lasted thirty-five years until Jack’s passing on July 28, 2018.
Ronnie is survived by her daughter, Jaime Silvernale (Wm. MacDaniel, Sr.) of Millerton, her beloved grandson, Wm. MacDaniel, Jr.; two special nieces, Shannon and Rebecca and a special nephew Sean Hosier. In addition to her parents and husband, she was predeceased by her brother, Bradley C. Hosier, Jr. and her dear friend Ruth Fullerton of Millerton.
Visitation was private. A celebration of Ronnie’s life will be held in the future. Arrangements have been entrusted to the Scott D. Conklin Funeral Home, 37 Park Avenue, Millerton, NY 12546. To send an online condolence to the family or to plant a tree in Ronnie’s memory, please visit www.conklinfuneralhome.com
Christine Gevert, Crescendo’s artistic director, is delighted to announce the start of this musical organization’s 22nd year of operation. The group’s first concert of the season will feature Latin American early chamber music, performed Oct. 18 and 19, on indigenous Andean instruments as well as the virginal, flute, viola and percussion. Gevert will perform at the keyboard, joined by Chilean musicians Gonzalo Cortes and Carlos Boltes on wind and stringed instruments.
This concert, the first in a series of nine, will be held on Oct. 18 at Saint James Place in Great Barrington, and Oct. 19 at Trinity Church in Lakeville.
For those unfamiliar with Crescendo, the award-winning organization was founded in 2003 and brings lesser-known works from the Renaissance and Baroque periods — along with contemporary fusion pieces — to new life. Its performances often blend classical composition with nontraditional instrumentation for a refreshing new take on an established body of work.
Gevert, who is German, Chilean and American, is a conductor, keyboardist and musical scholar. As the multi-national, multi-lingual (German, Spanish and English) creative director, she is a veritable whirlwind of talent, professionalism and inspiration who conceives of new musical treats for her audiences. She also hires and nourishes local talent, sources internationally known vocal and instrumental professionals, and provides her audiences with well-researched program notes for each concert, packaged in lush, full-color programs that resemble illuminated manuscripts.
“It is the excitement about and dedication to the music, along with the prerequisite vocal and instrumental talent, that characterizes a Crescendo member,” said Gevert. “I don’t care about things like how old or young you are or where you’re from — it’s all about bringing these performers together to provide unforgettable musical experiences for its audiences.”
“Traditional audiences for classical music performances tend to skew older,” Gevert continued. “For that reason, I’ve embarked on an effort to reach younger listeners, and have done things like taken a Crescendo choral group to perform at Housatonic Regional High School. I’ve also launched an effort to recruit and train young singers in Baroque singing techniques so they can perform with our existing choral group.”
The upcoming 2025-26 season includes, among other performances, a solo recital and benefit concert on Nov. 22 by the international Baroque opera star and countertenor Nicholas Tamagna. The curated program will include works by Handel, Vivaldi, and Monteverdi.
Two dazzling Christmas concerts follow: on Dec. 6 and 7, Crescendo presents J.S. Bach’s “Sweet Comfort” cantata and Mass in G minor, featuring the full chorus and soloists with a period instrument orchestra. On Dec. 21, the annual Holiday Concert will be presented: “A Tapestry of Traditions: Unraveling the History of Christmas Carols,” with the entire Crescendo vocal ensemble and Gevert on organ.
For the full schedule, concerts details and ticket information, visit: www.crescendomusic.org