Thank you!
Your support is sustaining the future of local news in our communities.

Fire investigator shares insights on safety-first approach

Fire investigator shares insights on safety-first approach

Fire investigator Laura Billon gives an overview of her work to the Falls Village Volunteer Fire Department.

Patrick L. Sullivan

FALLS VILLAGE — Laura Billon, a veteran fire investigator and educator from southern California, gave a detailed overview of fire investigation practices to an audience of firefighters and fire marshals at the Emergency Services Center in Falls Village on Saturday, April 20.

The event was part of the Falls Village Volunteer Fire Departments 100th anniversary celebration.

Billon started off by saying that the common thread in all fire investigations is “Safety First.”

“Be a risk evaluator, not a risk taker.”

The next item she hammered home at several points in the presentation.

“Absence of evidence is not evidence of its absence.”

Fires involve high temperatures and the release of gases. “Things disappear or are unrecognizable.”

That doesn’t mean the truth cannot be teased out of what remains.

It does mean that investigations must use the scientific method, proceed carefully and systematically, and document everything.

Billon said advances in forensic science mean that fire investigations are more carefully scrutinized than they were 40 or 50 years ago.

And if a case does get to court, investigators need to be able to refer to their case files and now immediately how they reached a conclusion.

This can happen weeks, months or even years after the event. Billon recalled receiving a subpoena eight years after a fire.

The systematic approach to a fire investigation looks like this:

Start with the exterior and move to the interior.

Move from the area of least damage to the area of most damage.

Make sure the fire scene documentation is consistent among investigators.

Use the same method every time, regardless of the size or type of fire.

“A dumpster fire or a large factory — the approach is the same.”

Investigators should always consider the following items:

The weather at the time of the fire.

Is the building vacant?

Have there been previous alarms at the location?

Are people and/or vehicles leaving the area?

Are there familiar faces among the onlookers?

And “Do you see something that’s aberrational?”

Other considerations include the color of the smoke and/or flames, how big or how fast the fire is moving, unusual odors such as gasoline or kerosene.

Sometimes fires occur in buildings that are zoned for one purpose and used for another.

Fire investigators are law enforcement officers, and sometimes other agencies need help.

Billon used the example of a building that housed a legitimate (if seedy) internet pornography operation.

Billon got a call from an FBI agent who asked if he and a colleague could tag along on a surprise fire inspection, posing as fire investigators.

While Billon did her inspection, the agents slipped away and planted small cameras in the facility.

Turned out the porno business was a front for a massive methamphetamine operation.

A big part of fire investigations doesn’t involve poking around in smoldering rubble.

Interviews (not interrogations, Billon was quick to add) are essential in finding the truth about a fire.

She cited the “80/20 Rule,” where 20% of the evidence at the scene is forensic and 80% is from interviews.

Billon emphasized that “arson” is a legal term. To charge a suspect with arson, prosecutors need to prove “willful, malicious or reckless intent.”

This is easier said than done. Billon said that about 25% of fires can be proven to be arson.

These cases typically break down like this:

Vandalism, attempts to conceal a crime, excitement or thrill-seeking, revenge, profit, and extremism/terrorism.

She gave an example of a fire set for profit.

Speaking as a budding arsonist: “Hello, insurance company? I need as much fire insurance as I can get, and I need it by Saturday.”

Speaking as herself: “That is what we call a clue.”

Latest News

Lelah M. Somers

Lelah M. Somers

DOVER PLAINS — Lelah M. Somers, 97, a longtime Dover Plains, New York, resident, passed away peacefully on Saturday, Oct. 10, 2026, at Ferncliff Nursing Home in Rhinebeck, New York. Lelah was born on July 3, 1929, in Pawling, New York, to the late Byron and Lelah (Watts) Brill. Lelah grew up in Pawling and on Nov. 22, 1946, in Pleasant Valley, New York, she married James F. Somers, Sr. Mr. Somers passed away on Sept. 3, 1970. Lelah worked for New York State as a therapy aide for thirty-years and as a senior companion for New York State for thirty-two-years, with specific care provided to the mentally disabled.

She enjoyed taking care of the mentally disabled, was a wonderful mother to her four children, always putting her family first. She is survived by her son, James F. Somers, Jr. and his wife Donna of Dover Plains; two daughters, Doreen Monica of Wingdale, and Frances “Fran” Horton of Dover Plains, who was also her caregiver for many years; seven grandchildren, Debbie, Margie, Leah, Stephanie, Deirdra, Benji and Jimmy and several great grandchildren and great-great grandchildren, and many nieces and nephews, and her step-son, Kenny Elliott. In addition to her parents and husband, Lelah was predeceased by her daughter and son-in-law, Carol “DeeDee” Maile and Gil Maile, her son-in-law, Stephen Monica, and her son-in-law, Benny Horton as well as her companion of over forty-years, Andrew “Mac” McAlravey and her siblings, Ferris Brill, Eleanor Barryann, Richard Brill, William Brill and Barney Brill.

Keep ReadingShow less

The art of getting into art school

The art of getting into art school

Hudson Valley Regional Portfolio Day returns to Poughkeepsie.

Provided

For a young artist considering college, the question isn’t simply whether the work is good enough. It’s which work to show, which school might be the right fit and even whether a creative life can lead to a sustainable career.

On Friday, Oct. 16, hundreds of aspiring artists will have the opportunity to explore those questions at Hudson Valley Regional Portfolio Day, presented by The Art Effect at the MJN Convention Center in Poughkeepsie.

Keep ReadingShow less
A colorful life together at Atelier Valla

Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.

L. Tomaino
I lost the ability to paint after the accident. I struggled to paint again.
— Justine Valla

Husband and wife Victor and Justine Valla share a lavender and pink studio, Atelier Valla, across the driveway from their pink house, nestled into a hillside in Salisbury. The colors, said Justine, “were inspired by Monet’s house at Giverny.”

Creating art has been a lifelong pursuit for both.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

David Ruchman’s “Acquired Taste”

Filmmaker David Ruchman

Bleacher and Everard Photography

In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.

In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.

Keep ReadingShow less
Follow the Clay Way for ceramic delights

Jane Herold’s beautifully simple dinnerware.

Provided

As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.

The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.

Keep ReadingShow less
A new home for the unexpected at Kent Fine Art

CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.

Provided

Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.

Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.