It comes as something of a surprise to read pronouncements by some conservative gurus in the pages of mainstream newspapers such as the New York Times that “Obamacare is the principal cause of the economic recession and the U.S. debt crisis.” That’s curious. Didn’t the debt problem begin under President George W. Bush in 2001-2008? Didn’t the economic recession begin in late 2007, and didn’t President Obama take office afterward in January 2009?Or try this: “U.S. debts will continue to grow primarily because the new law doesn’t reduce federal spending on health care, especially Medicare.” How dreadful! Should we abolish Medicare to save the nation? Here in fact-free America, we all know that “truth has a well-known liberal bias.” But, I ask you, from where do these pundits and columnists get their facts?Let’s make a quick check of the actual documented facts instead of the guru-imagined facts. What in actual fact are the biggest, the most extreme, contributors to the nearly $9 trillion increase in U.S. debt over the last 10 years from $5.8 trillion in 2001 to more than $14.5 trillion in 2011? There were several contenders for most extreme, but it wasn’t Medicare.Number one, the hands-down winner, is the tax cuts under President George W. Bush coming in at an alarming, staggering $1.6 trillion. Number two is the increase in interest costs due to borrowing from the Chinese and others at a whopping $1.4 trillion. (We borrowed our way into Iraq and Afghanistan.) Oh yes, and then there’s number three, the direct costs of the wars in Iraq and Afghanistan, coming in at $1.3 trillion. Those are the big ones, the most extreme, costing in the trillions.Now let’s shift gears and look at the medium-sized stuff, the ones costing only billions, not trillions. Number four is the Obama economic stimulus package, way down at $800 billion. Then there’s number five, still more tax breaks under Obama, amounting to $400 billion. (Together, tax breaks of $1.6 trillion plus $400 billion equal $2.0 trillion, tilted mainly to favor the super-wealthy in America.)And now at last, way, way down the list, comes number six, the notorious Medicare, notably the Medicare prescription drug plan, at a measly $300 billion. (That’s less than one-sixth the size of the overall tax holiday of $2.0 trillion.) Medicare is down there with number seven, the financial industry bailout at $200 billion. Thus, if there’s one thing that isn’t the principal contributor to the recession and the U.S. debt crisis, it’s Medicare.If cost overruns in Medicare had really been the principal cause of the debt crisis, we’d have to ask ourselves why, after all the hot air, didn’t Congress, in its wisdom, concentrate on the various means, some of them obvious, for reducing the costs of insurance, medical services and pharmaceuticals? Well, let’s not go there right now. Let’s take a more promising, larger, pragmatic approach. Let’s address first what is in fact the single most prominent cause of the economic meltdown and the U.S. debt crisis.The principal culprit, the ultimate cause, of current and future economic recessions and debt crises is the failure of certain Americans, mainly the already super-wealthy, to pay trillions of dollars in fair tax revenues due to questionable tax avoidance practices, unlawful tax evasion, unreported and untaxed securities and dubious financial paper transactions, and the maintenance of fake offices and fat accounts in tax havens abroad for the sole purpose of criminal tax evasion. Each of these issues can be solved directly by firm legislation and executive enforcement action, even before taking up the more arduous, longer-term task of rewriting the entire U.S. Tax Code.You would think that Congress, the media and the American people would look first at the principal problems and their obvious solutions before debating cuts to programs that benefit the citizens and the economy of our nation. They would start by addressing the revenue side of the economic equation. Recognizing that the primary answer to economic recession and national debt is honest, fair and balanced tax policy, they would focus their debates on what that policy should be and how to ensure that all Americans pay their fair share of the tax bill. Instead, Congress has established a Super Committee of 12 to recommend ways to make at least $1.5 trillion in cuts over 10 years. Nothing in the birth announcement requires the Super Committee to even consider revenues or reductions in tax breaks. This is a defect. Six of the appointed members appear ready to consider all options. But the other six are appointed precisely because they are ideologically and flatly opposed to any upward tax reform, even before the committee assumes its work. They will only discuss ways of further reducing tax revenue, not restoring fair and balanced tax revenues.This presages a failure. In November, we’ll be back at square one, addressing the same issues and blocked from dealing with the principal cause of the economic recession and the debt crisis. We’ll be forced to relive the same old sad story. Wouldn’t we avoid a lot of pain and suffering if we just addressed the revenue side of the problem first?First things first. Let’s place America first. Sharon resident Anthony Piel is a former director and general legal counsel of the World Health Organization.
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At Peggy Mercury, prep meets punk in ‘Imaginary Concerts’
D.H. Callahan
Sep 02, 2026
Greg Fricke and James Boehmer, co-owners of Peggy Mercury in Kent, recently launched their first fashion line, “Imaginary Concerts.”
Provided
Last month, James Boehmer and Greg Fricke of Peggy Mercury launched their first fashion line, “Imaginary Concerts,” wearable art sold exclusively at their store in the Kent Barns section of Kent, Connecticut.
The two fashion industry veterans opened Peggy Mercury more than two years ago, and a quick visit will tell you that people are finding what they’re looking for at the beauty and lifestyle store. But what they’re looking for is never standard.
Fricke and Boehmer are not there to stock their shelves with the same products customers find at standard makeup retailers. They’re there to help customers find what works for them. That usually means asking customers about themselves and learning about their beauty habits, skin, style and the way they like to present themselves. Fricke and Boehmer believe it’s their job to help customers bring out the qualities that suit them and determine what works best for their look.
So much of the Peggy Mercury world is about emboldening people to become more creative, and possibly bolder, versions of themselves. Some of this comes through the store’s creative collaborations with artists, designers and stylists.
It’s part of an ethos that encourages them and their friends to use the shop as a kind of laboratory, trying out new creative experiments without knowing how they might turn out. Whether in fashion, painting, fiber arts or photography, the projects almost always turn out marvelously.
A line of sterling silver charms they sell started as a small project by their friend Nolan Percival. In the beginning, the pieces were for close friends and loved ones. But Boehmer and Fricke encouraged Percival to get a little more serious about the project and create a whole line for the store. Today, it’s one of their top-selling collections.

“Imaginary Concerts” has the duo taking their own advice.
The project started as a way for Boehmer to connect with his mother, who had been diagnosed with Alzheimer’s disease. Taking old concert shirts from his own collection, Boehmer and his mother began cutting out the graphics with the idea that they would make a quilt together. Unfortunately, she died before they could complete the project in 2025. The pieces, which were ready for production, were put on the back burner as Boehmer and Fricke dealt with their loss and the whirlwind of projects that never seemed to cease at Peggy Mercury.
But the harsh winter of 2026 presented an opportunity to take some time and focus on themselves. Part of that meant revisiting and redefining the concert T-shirt project. This time, instead of looking to the warmth and comfort of a quilt, they turned to another passion — fashion.
Taking a page from their own book, they wanted to create something that felt comfortable to them. They took two disparate loves — one rooted in simple preppy style, with clean lines and classic silhouettes, and the other in the nitty gritty worlds of punk rock and pop — and blended them together to create something entirely new. Pulling from the staples of vintage Brooks Brothers and Charvet collections, they applied the graphic elements with bold stitching reminiscent of punk jackets of the ‘70s and ‘80s, but with a much more sophisticated air.
But the remixing isn’t just the pairing of prep and punk. The pieces are not canon. They take liberties with the realities of concert tours, combining one band’s dates with another band’s logos, mixing them all up until the reality is lost and imagination is the only truth.

Adding to the mix is an element of perpetual creativity. Art can be messy, both figuratively and literally, and many of Fricke and Boehmer’s artist friends carry evidence of their work on them at all times. As a nod to these tireless creatives, the duo added haphazard splashes of bright color, giving the line an even more distinctive feel.
For them, “Imaginary Concerts” passes the “Peggy Test.” The mythical Peggy Mercury is a fictional figurehead for the company, a character who thrives on creativity and change. The name, much like the clothing line, is a mixture of interests: Mercury is a planet, a deity and an elusive, transformative element, while Peggy is the wonderfully stylish and boundary-pushing Peggy Guggenheim.
Everything Fricke and Boehmer put in their store has to pass this test: Would Peggy Mercury approve? For their first collection, the answer is a resounding yes.
Peggy Mercury is at 9 Maple St., Unit 2, Kent.
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“Girlbomb” at 20
Natalia Zukerman
Sep 02, 2026
Photo by Jessica YurkoMillerton author Janice Erlbaum will celebrate the 20th anniversary of her memoir “Girlbomb” at Black Rabbit Dispensary on Sept. 5.
Photo by Jessica YurkoMillerton author Janice Erlbaum will celebrate the 20th anniversary of her memoir “Girlbomb” at Black Rabbit Dispensary on Sept. 5.
With memoir...the character only knows what the character knows.
—Janice Erlbaum
In “Girlbomb: A Halfway Homeless Memoir,” published in 2006, author Janice Erlbaum wrote about the years after she left her family’s Brooklyn apartment at 15, moving through shelters, group homes, squats, clubs and the streets of 1980s New York while somehow continuing to attend high school. The book has sold more than 75,000 copies, stayed in print for two decades and continues to find new readers.
Now Erlbaum, 57, lives in Millerton and on Saturday, Sept. 5, at 7:30 p.m., she will celebrate the 20th anniversary of “Girlbomb” with a reading at Black Rabbit Dispensary. The event is open to the public and will be livestreamed on Instagram.
There is another reason for the celebration. Erlbaum has collaborated with her longtime friend Douglas Broughton of Black Rabbit Farms on a cannabis strain named Girlbomb.
“I was an early adopter of cannabis,” Erlbaum said. “I’m smoking weed throughout the entire book, so it made sense to collaborate with my longtime friend and come up with a special Girlbomb strain.”
Erlbaum said Broughton was the first person she knew when she began contemplating a life outside New York City.
“I wanted to move near somebody who knew what the hell they were doing already,” she said with a laugh. A “true New Yorker,” Erlbaum still doesn’t even drive a car. “I was like, ‘I’m not just gonna move to a farm.’”
Now well settled in Millerton, having moved to the village in 2021, the city girl has discovered something she never expected.
“I have discovered such joy in nature,” she said. “I look at a flower and I’m like, ‘I know what flower that is.’”
She laughed.
“And it’s also great for a writer. You get a lot of peace and a lot of quiet.”
The girl who walked away
“Girlbomb” begins with a girl making a decision.
Looking back four decades later, Erlbaum describes the moment she left home not as a grand plan but as something purely instinctive.
“It was really the first time that my true survival instinct kicked in,” she said. “There was all of a sudden a clarity of like, ‘Oh, I’m leaving.’”
She was 15.
All along, Erlbaum kept journals and calendars. She saved notes passed between friends. Those scraps of the past became part of the architecture of the book — and now, 20 years later, part of its afterlife.
Erlbaum has been publishing excerpts from those old journals on her website as “the girl bomb diaries,” calling them an “unofficial sequel” to the memoir. Her site is also marking the anniversary with photographs and stories.
She was, she said, a writer almost before she knew what that meant.
Not knowing it would become integral to her survival, her parents gave her a typewriter when she was 9.
“I read and I wrote. That’s what I did,” she said. “So that part wasn’t ever really in question for me.”
But writing “Girlbomb” was not easy. Erlbaum began and abandoned versions of the story in her 20s before finally completing the memoir in her 30s. She had been writing autobiographically, performing slam poetry and comedy, going to therapy and trying to make sense of the life she had survived.
The actual writing, she said, was painful.
“It was rending,” she said. “Kind of like method acting, you have to do method writing. You have to put yourself in the mind space that you were in.”
Sometimes she had to close the laptop and walk away.
“And then I would nap,” she said. “I took a lot of naps.”
Twenty years later
Erlbaum now sees parts of “Girlbomb” differently. She is candid about the privilege and blind spots of the woman who wrote the book in her 30s.
“I’ve grown over the past 20 years,” she says. “I see now a kind of insensitivity.”
But she also refuses to rewrite the consciousness of the girl she was.
“It’s difficult with memoir because the character only knows what the character knows,” she said. “And if you butt in and you’re like, ‘Little did I know,’ then that’s just intrusive.”
That honesty is part of what has allowed the book to endure.
And if the 15-year-old Janice could meet the 57-year-old Janice now?
After a long pause, Erlbaum said, “I think she would think I was a fraud.”
The teenager, she imagined, would look at this woman who is comfortable in the world and think it impossible.
“I would have thought that it was impossible to get to a point of not being miserable all the time.”
But she did.
Not without regret. Not without grief. And not without looking directly at the harm she caused herself and others.
When Erlbaum visits high schools to talk about writing, domestic violence or homelessness, she said students often ask whether she has any regrets.
“They want me to say no,” she said. “And I say, ‘Yeah, I regret the harm that I did to myself, and I regret the harm that I did to others. And if I could do it again, I would do things differently.’”
Twenty years later, “Girlbomb” is still a book about survival but with the hindsight and wisdom of years, it’s also a book about what comes after.
“Looking back, I know that today I would do things differently. And that’s how I’m able to forgive myself.”
For more information and to order a copy of “Girlbomb,” visit JaniceErlbaum.com
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Spencertown’s 21st Festival Of Books
D.H. Callahan
Sep 02, 2026
Joshua Jelly-Schapiro, author of “Daylight Come: Harry Belafonte and the World He Made” is one of thefeatured authors at the Spencertown Academy Festival of Books on Saturday, Sept. 5.
Mirissa Neff
On Saturday, Sept. 5, the Spencertown Academy Arts Center in Spencertown, New York, will host its 21st annual Book Festival.
With over 20,000 gently used books, CDs, DVDs and vinyl donated by the community, it took volunteers 45 days — and an estimated 750 hours —to set the whole thing up. Most of that time was spent sorting through the vast troves of donations and organizing them by category.
The event is a fundraiser for the Spencertown Academy Society, which was founded in 1972 after the Academy Building was shut down as a working school. Since 1847, when the Rev. Timothy Woodbridge, a blind pastor from a local church, opened a teaching college, the building had been used for education. Today, it serves Chatham residents as a gallery and performing arts space.
The Festival started in 2005 as a way to raise money for the Society, and help support the upkeep of the building. Over the years, the Society has added appearances by featured authors. This year’s lineup is particularly robust, with a focus on nonfiction, along with several fiction writers and even one cookbook author.
In the nonfiction category, the festival will feature James Baldwin biographer Nicholas Boggs, whose book “Baldwin: A Love Story” is a New York Times bestseller and winner of the National Book Critics Circle John Leonard Prize as well as the PEN/Jacqueline Bograd Weld Award for biography.
Historian and author James M. Bradley, known for editing “The Encyclopedia of New York City,” and the Papers of Martin Van Buren project, will discuss his new book, “Martin Van Buren: America’s First Politician.”
Featured author Joshua Jelly-Schapiro was a member of Yale University’s first Ethnicity, Race and Migration program and earned his Ph.D. in geography from the University of California, Berkeley. His award-winning doctoral thesis explored the global impact of Caribbean culture. His new book, “Daylight Come: Harry Belafonte and the World He Made” was released in August.
“Lincoln’s Lady Spymaster” by Gerri Willis was a New York Times bestseller when it was released last summer. Willis, known for her financial reporting on CNN and Fox Business,tells the story of a Southern Belle inspired to help the Union during the Civil War.
Willis isn’t the only author who wrote about women spies in wartime. Michelle Young, an award-winning journalist, author and adjunct professor of architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation, is best known as the founder of online magazine “Untapped New York.” She’ll be in Spencertown to discuss her 2025 book, “The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland.”
Pivoting to fiction, “Hazel Says No” is the first novel by author and Vassar graduate Jessica Berger Gross. The novel shifts perspective and voice from one family member to another. Her first book, “Estranged: Leaving Family and Finding Home,” was an intimate memoir about leaving her close-knit family in search of a healthier, more independent life.
Fulbright Scholar Casey Scieszka will discuss her novel, “The Fountain,” which was named one of the most anticipated books of the year by publications including The Boston Globe, Literary Hub, Book Riot, Goodreads and Town & Country before its release in March. Scieszka runs the Spruceton Inn: A Catskill Bed & Bar, known in part for its artist residency, which hosts painters and award-winning authors.
But one local hotelier isn’t enough for Spencertown. Cook, food stylist, photographer and bed-and-breakfast owner Melina Hammer will discuss her cookbook, “A Year at the Catbird Cottage: Recipes for a Nourished Life,” which draws on her work with local, natural ingredients prepared for guests at her Hudson Valley home.
Rounding out the appearances will be children’s book favorite Pete the Cat. The Pete the Cat series was created by Eric Litwin and James Dean (not that one) nearly 20 years ago and has spawned an animated series with holiday specials. Notable voices in the series include Elvis Costello, Diana Krall, Dave Matthews and Jason Mraz. For this appearance, though, expect one big, groovy cat.
To learn more about the Book Festival and become a member, with early access to the sale, visit spencertownacademy.org.
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Paul Newman racing doc to screen in North Canaan on Sunday
D.H. Callahan
Sep 02, 2026
“Winning: The Racing Life of Paul Newman,”will be screened Sunday, Sept. 6, at the Colonial Theatre in North Canaan.
Provided
On Sunday, Sept. 6, Lime Rock Park will host a screening of the documentary “Winning: The Racing Life of Paul Newman” at the Colonial Theatre in North Canaan at 7 p.m.
Newman was one of the most celebrated actors of the 20th century, known for films including “Cat on a Hot Tin Roof,” “Hud” and “Cool Hand Luke.” His 1969 film “Butch Cassidy and the Sundance Kid” also began a decades-long friendship with co-star Robert Redford.
That same year, Newman starred alongside Robert Wagner as a race car driver in “Winning.” Director James Goldstone wanted the actors to drive real race cars, so they were trained for the role. Wagner didn’t much care for the experience. Newman, however, fell in love.
While he didn’t start out as a particularly good or fast driver, he couldn’t stop. Soon, he was jumping at every opportunity to get behind the wheel. Since he lived in Connecticut, there was one place with the challenges he needed to practice: Lime Rock Park.
Newman started racing in his mid-40s, an age when most drivers have already retired. But his patient, studied approach saw him improve with every turn. Soon, he was winning races against drivers half his age, who didn’t have all the Hollywood hubbub to distract them.
Exploring the highs and lows of Newman’s lesser-known career as a race car driver and team owner, “Winning: The Racing Life of Paul Newman” features original interviews with Redford, Jay Leno and racing legend Mario Andretti.
Another of Newman’s passions was philanthropy. Known for his Newman’s Own line of snacks, sauces and salad dressings, the company gives 100% of its profits to charity, supporting nutrition education and school food programs, Indigenous food justice and the Hole in the Wall Gang Camp in Ashford, Connecticut.
The camp, named after Butch Cassidy’s Hole in the Wall Gang, was founded by Newman in 1988 as a place where children with serious illnesses could simply be kids.
The documentary screening is part of the 44th Lime Rock Historic Festival, and half of the proceeds from ticket sales will go to benefit the Hole in the Wall Gang Camp.
Tickets are available at canaancolonial.com.
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Community to take center stage at Dive Barn
D.H. Callahan
Sep 02, 2026
A scene from last year’s Dance Barn.
Steven Tayler
On Sunday, Sept. 6, PS21 in Chatham, New York, will host a celebration of community through dance at its second annual Dive Barn performance at the organization’s Dance Barn.
Dive Barn is the brainchild of dancer, teacher and choreographer Sayer Mansfield, who has dedicated her life to contemporary and experimental dance. She studied in the Department of Dance at NYU Tisch School of the Arts and at the Salzburg Experimental Academy of Dance. She’s performed with companies including Pilobolus, Compagnie Marie Chouinardand Mark Morris Dance Group. Her work has been featured in films including “Little Women,” “Maestro” and “Sproutland.” She has served on the faculties of Jacob’s Pillow, Phillips Academy Andover, as well as Harvard and Yale Universities.
Recently, though, Mansfield’s been focusing on her community in Columbia County, New York. As has been a theme since the COVID-19 pandemic, a groundswell of creative people have pulled up their city roots to plant itself in the fertile soil of the countryside.
For the past year, Mansfield has been teaching these recent transplants and lifelong residents alike to dance at her Tuesday Night Dance group, or TND, as it’s known at PS21.
The group became so popular that she had to add a second night, so now TND can mean either Tuesday or Thursday Night Dance. Each group has a rotating enrollment of 30 to 60 locals, fueled by fervent word of mouth, but the classes can get even bigger. They meet at the Dance Barn at PS21, Mansfield’s new home away from home. There, she teaches actors, painters, musicians, desk workers and farmers how to get comfortable moving their bodies.
Dive Barn will feature two unique performances, both choreographed by Mansfield, with music by local musicians Raena Jade and Elori Saxl. One dance will be a more intimate performance by Mansfield and her collaborator, actor and dancer Ashley Hill. The other will feature a large group of her class regulars, most of whom have never performed dance onstage. This is a chance for many non-dancers to show what they’ve learned through the TND group classes and celebrate the diverse mix of bodies that Mansfield’s been molding over the past several months.
Dive Barn is part of a bigger multiday event at PS21 called Commonground. PS21 describes it as a “free festival of large-scale live performance and spectacle” taking place Friday, Sept. 4, through Monday, Sept. 7. Alongside Dive Barn will be world premiere performances of “FIELD” by director, writer and electronics artist Andrew Schneider, which was commissioned by PS21, as well as “SUPERDRUM X.”
SUPERDRUM has been an ongoing project by Dutch musical arts collective Touki Delphone. For this iteration, the collective collaborated with theater company Veenfabriek to build 100 self-playing drum machines that use found twigs from forests and sidewalks as drumsticks. The drums are connected to a system that can control them all together or individually. Each night, a human drummer will collaborate with the piece.
As if all of this weren’t enough, PS21 will open its expansive campus to the community before the performances, offering apple picking, lawn games, West African food from Chez Diarra and free ice cream. “FIELD” will be presented Friday, Saturday and Sunday. “SUPERDRUM X” will take place every day of the Commonground Festival.
To learn more about Dive Barn, PS21 and to get tickets to Commonground, visit ps21chatham.org.
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Laurie Lane-Zucker’s pioneering path to the regenerative economy
Richard Feiner And Annette Stover
Sep 02, 2026
Laurie Lane-Zucker is founder and CEO of Impact Entrepreneur, PBC, a company dedicated to fostering the Impact Economy.
Provided
One of the things that I am happiest about is that my grandchild, if I am lucky enough to have one, or anyone, will know what I did with my work. —Laurie Lane-Zucker
Longtime Northwest Corner resident Laurie Lane-Zucker sees hope everywhere for positive economic and social change. For the past 15 years, he has been building Impact Entrepreneur, a global online media and community platform from his base in Sheffield, Massachusetts. Today, Impact Entrepreneur reaches more than 70,000 changemakers across the globe. The platform publishes Impact Entrepreneur Magazine, produces a live webinar series and convenes field-building conferences focused on the impact economy.
His new book, “The Impact Entrepreneur Breakthrough: A Field Manual for the Regenerative Economy,” was just published by Berrett-Koehler on Sept. 1 and is distributed by Penguin Random House. The book serves as a manual for shifting to a system in which business, capital and culture create lasting value for people, communities and the planet. It maps the full architecture for the transformation to a regenerative economy and is the culmination of Lane-Zucker’s 35-year commitment to sustainable and responsible development and his love for the Berkshire-Taconic region.
“I love being here. Some years ago, I realized that I spent most of my life along Route 7. I grew up in Fairfield County, not far from Route 7. I went to Salisbury School. I went to Middlebury College, also right on Route 7. It’s this region’s geography — the whole Taconic range — that just has a hold on me, and I love it.”
Early in his career, Lane-Zucker worked in Manhattan with Orion Magazine. When the magazine outgrew its office space, he advocated for its relocation to Great Barrington, Massachusetts. He then served as the founding director of The Orion Society, the nonprofit that now publishes the magazine. While there, he co-developed and coined the term “place-based education,” an approach that prioritizes local community and landscape as primary resources for learning.
He has never left the area, despite several professional opportunities.
“I couldn’t do it. I couldn’t leave this place. I had too many roots here. My kids all went to Great Barrington public schools at different points. My older son Liam went to the Salisbury School and still lives in the area and my daughter Anna went to the Waldorf School. I just love this place so much.”
Determined to forge his career here, Lane-Zucker set out on his own entrepreneurial path. He started the Triad Institute, an international think tank focused on sustainability. One of his projects was a digital media initiative called Hotfrog, which became a founding Certified B Corporation, with verified standards for social and environmental accountability.
These professional experiences and his passion for the region all come together in his work. In 2011, he coined the term “impact entrepreneur,” giving a name to the hopes and actions of a growing community of social innovators and practitioners — a new archetype of changemaker, who understands the need to reinvent the way we engage with the world through business and finance.
“Impact Entrepreneur is more than a brand or description,” Lane-Zucker said. “It is an identity that people increasingly embrace. It is who they are. The term is now widely used in the media and in conversation at every conference I go to. It is one of the great successes of this project.”
Lane-Zucker’s book celebrates the movement toward a regenerative economy and makes the case for security that rests on investments in ecological stability, public health, equity and community cohesion. He shines a light on business models and practices that marry profit with purpose and are inspired by the region’s special sense of place — this “landscape of deep memory where the earth itself seems to speak in whispers.”
He also includes 36 beautiful original watercolor images in which colors flow and form one continuous gesture. They offer a visual interpretation of the book’s call for a unified economic system in which human intention guidescomplex systems rather than dominating them.

Lane-Zucker also sees the book, in part, as his own memoir.
“One of the things that I am happiest about is that my grandchild, if I am lucky enough to have one, or anyone, will know what I did with my work.”
Lane-Zucker is doing something new and needed — giving voice and leadership to transformative change and providing a roadmap for others to join in and take action.
As he said, “There are a lot of models and tools that exist now. This is not a pipe dream or niche thing. This is the next step; the next stage of the economy; a rightful human evolution that’s happening.”
For more information and to order a copy of the book, visit impactentrepreneur.com
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