Fishing the thaw: It's all about the clothes


Fly-fishermen are not always noted for their sturdy common sense, and what little remains of mine was not in evidence this past weekend as a heat wave swept into the Northwest Corner.

By "heat wave," I mean temperatures above freezing. Yes, it rained a bit, and yes, there was still snow and ice everywhere. But there were enough patches of open water on the Housatonic to make fishing in the no-kill, year-round area just barely feasible.

Which meant digging out a lot of gear scientifically heaped — I mean stored — in the fishing closet.

Along the river, the rocks that were not visibly covered in snow or ice had, instead, a sheer, thin patina of ice — the ambulatory equivalent of the black ice beloved of motorists.

There is no substitute for caution; however, I cannot emphasize enough the importance of wading boots with felt soles and studs. Boots so equipped won’t prevent slipping, any more than four-wheel drive means a driver can just charge along when roads are icy.

But some grip is better than none, and having tried every device on the market I keep returning to the felt sole/stud combination.

Socks: a sock liner is a fine thing, followed by a thinner wool blend hiking sock and a regular thick ragg sock over that, providing warmth — and ankle support for those Nijinsky moments when the footing fails.

Underwear — long johns and a thermal shirt are the only way to go. Sure, the ambient temperature might have gotten up into the upper 40s in the intermittent sun, but it’s still cold in the shade. A thick wool shirt and a sweater, and a terrific pair of heavy wool German army pants I found in a surplus store complete the ensemble.

Plus a pair of glove/mitten things that are currently held together with duct tape and a ridiculous wool cowboy hat that has one redeeming feature: pull-down earflaps.

Looking like a dork is just part of the equation, a necessary evil. And since the only people likely to observe this are similarly clad, it’s not a big problem.

With the melting snow and rain, the river was high — making most wading unsafe anyway — and the water was discolored, making the choice of fly easy: something I can see.

If I can see it, my reasoning goes, so can a trout.

I worked my way along the banks, looking for eddies and calmer areas where trout could shelter.

I used a 9-foot rod and spent a lot of time flipping rather than full-bore casting. And here’s a handy tip: Try spraying your guides with cooking oil before you set out. It keeps them from icing up.

I saw two other anglers in four hours Sunday, laboriously making their own dogged path along the banks. It was nice and quiet. And nice and quiet is what it’s all about, anyway. I spent as much time staring into space or looking for signs of spring as I did trying vainly to tempt some shell-shocked trout with a succession of light-colored flies.

At one point I thought I had something going, swinging a white streamer right in front of a piece of shelf ice. A fish was underneath and made a couple of feints, but all I saw was a quick flash of belly in the coffee-colored water.

I finally made contact with a rather bedraggled hatchery rainbow that looked as surprised as I was at our meeting. I didn’t even try to handle him, just pulled him up a non-icy area, snapped a quick photo for verification purposes, and got him back in the water before removing the barbless hook.

He took off with alacrity, and I sat down with a cigar and the last of the tea in the thermos.

There are serious winter fishermen, but I am not one of them. An early season skirmish is enough to hold me for a while.

It’s enough to grab a few blessed hours away from what novelist and ace fisherman John Nichols calls "the human hubbub."

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.