Garden of Atoms: Family’s battle against radioactive dump

Left to right: Matthew L. Myers, Stephen Myers, Betsy Myers, and Shepherd P. Myers.
Jennifer Almquist

Left to right: Matthew L. Myers, Stephen Myers, Betsy Myers, and Shepherd P. Myers.
WINSTED — “It only takes a few people to start something,” began Betsy Myers in her hour-long presentation Aug. 17 at Ralph Nader’s American Museum of Tort Law.
Myers, her husband Stephen Myers, and sons Shepherd and Matthew, who now live in Salisbury, recalled together their epic battle against the siting of a low-level nuclear waste facility (including high-level waste by dilution) by New York state in their rural town of Almond. The New York State Radioactive Waste Siting Commission was under a federal mandate to find a home for nuclear waste.
Allegany County, next to the Pennsylvania border, was one of the possible sites. Almond is an isolated farming community in that county, where the Myers family moved in 1979 with their young sons. They left New York City to have a quieter life. They both taught in the rural central school. When they learned of plans for locating a nuclear waste site 10 miles from their home, they immediately began getting the word out into the community.
Betsy and Stephen started small, sharing the information with the folks that hung out at the local pub, Mulhesian’s Bar. Myers, who resembles artist Georgia O’Keefe, recalled “I worked the crowd in the bar, said we must fight against the dumping of nuclear waste in our county, and they said I was a dreamer.”
Thus began an amazing struggle pitting a rural farm community against the powers of New York State, Governor Mario Cuomo and Congressman Amory Houghton, Jr. Houghton, the wealthiest member of congress at that time, was an heir to the Corning Glass Works fortune. He recognized potential profit for his family business in the siting of the nuclear waste facility. A process called vitrification basically encased the nuclear material in glass (a concept that has since proven flawed), was seen at the time as a means of safely disposing of nuclear waste. If implemented, the process could have meant a fortune to Corning Glass Works, according to Myers.
The Myers duo founded Concerned Citizens of Allegany County (CCAC), a community-based grassroots organization. When the group held their first community meeting in Belfast, New York, on Jan. 26,1989, 5,000 people showed up, out of a population of 16,000 in the county. It was a mixture of hardscrabble farmers and highly educated professors.
Myers explained that it was a complicated group to appeal to. She said, “There were a lot of guns in the county, and some really tough locals. We wanted peaceful protests – no guns, no knives, no violence. It is enduring that everyone bonded against nuclear waste.”

Governor Cuomo, who aspired to become President, came to the area to purportedly to give a grant to the Alfred University’s ceramics school, but his real purpose was to check out the tales of a radical “Bump the Dump” campaign. At that time there were a handful of commercial dump sites proposed for spent reactor fuel up and down both coasts. Congressman Houghton took Steve Myers to Barnwell, South Carolina, to show him a “successful” nuclear site. To Houghton’s chagrin, Myers brought a Geiger counter with him, and came home to Almond stating, “there is no safe storage.” [Note of interest; the current 235-acre low level-radioactive waste disposal site in Barnwell County receives waste from South Carolina, New Jersey, and Connecticut.]
The dire nature of the problem galvanized the people to block all efforts of the State Siting Commission from entering the county. Every vehicle in town — cars, trucks, and farm tractors — parked on both sides of the street blocking access, someone put a dead skunk into the exhaust fan of the Siting Commissioner’s RV. They marched to Albany carrying wooden caskets representing the potential towns under consideration as sites. Two farmers welded shut the bridge to keep them from entering town. Wearing a red arm band meant you were willing to be arrested, a yellow arm band indicated you were a supporter.
Some state official referred to the locals as “people kept in the dark and fed mushrooms.” Thus, was born the paper mushroom masks that all the protestors wore to protect their identity from the recent injunction against them. Anyone recognized by the State Police would receive 30 days in jail and a $1,000. fine.
As the State increased pressure on the people, they began pushing back harder. Men rolled giant snowballs to block the roads, and parked every manner of combine, bailer, and mower across the bridge. During the final site Commission visit, a bunch of elders blocked the Caneadea Camelback Bridge by handcuffing themselves to a chain across the span. They became known as “Grandparents for the Future.”
Some of the protesters had ridden in on their workhorses. An overzealous State Police captain moved in, arrested the men, and ordered his troopers to beat the horses. “We were on our horses and the troopers beat some of our riders into the mud,” recalled Glen Zweygardt. That was the final straw. Myers said to a hushed crowd at the American Tort Museum, “NY State lost, the night they beat the horses.” The next day Cuomo ordered the commission to suspend their surveys.
The activists’ legal challenge questioning the constitutionality of the siting process at the state level, based on the Tenth Amendment concerning state’s rights, moved through the courts, 13,000 residents signed a petition, and their case was eventually heard in 1992 by the Supreme Court, who ruled in favor of the people in New York v. U.S.et al, which determined that “Congress cannot force states to assume ownership and liability of low-level radioactive waste within its borders.” It was a hard-fought victory.
The legal documents, correspondence, newspaper clippings, buttons, posters, tee-shirts, even the mushroom masks, are held in a level II security vault at Cornell University, donated by both Myers’ sons. The Myers Collection is stored alongside a copy of the Gettysburg Address. The legacy of the grassroots movement begun by Stephen and Betsy Myers to protect the safety of their children and their neighbors from nuclear poisoning, still resonates in every small town and city in America.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com