I went up to the Eastern States Exposition, or the Big E, for the first time last month. The Big E is a conglomeration of the New England states’ state fairs, with all of the attractions and trappings of such events. I enjoy fair visits.I remember many trips as a child to the Michigan State Fair. State fairs typically display and promote agricultural produce and farm animals. The Michigan State Fairgrounds were located at 8 Mile and Woodward: the staples of rural farm life simply seemed out of place in the decaying (even back then) urban setting of Detroit. Sadly, the Michigan State Fair, started in 1849 and claimed to be the oldest state fair in the country, lost its state funding in 2009 and attracted only 200,000 visitors (attendance peaked at 1.2 million in 1966 — interestingly, the year before the 1967 race riots in Detroit). The fair was not held in the following two years, and was resurrected in a different suburban location this year. I am not aware how successful the new event was.While stationed in Germany in the early 1990s, all of the German towns, big and small, had their annual volksfests. Munich’s Oktoberfest is the world’s largest fair, drawing 6 million visitors over its 16 days of celebration. Those visitors drink nearly 10 million liters of beer. For a few years, I contributed to that total (and, with some Army buddies, spent a few nights sleeping on benches in the bahnhof train station). Those Germans could drink a whole heck of a lot of beer — no way could us lightweight Americans keep pace. I didn’t even try, so I can at least remember my Oktoberfest days!So much of a fair visit involves food. Most of it isn’t very healthy. The German festivals had plenty of brats, ham hocks, sausages, cheeses, potato pancakes, and pretzels (and did I mention the beer?). Many German towns also had winter festivals, and the food at those events also included waffles and gluhwien, a hot, spicy wine drink that warmed you all over.With true German volksfests now an ocean and continent away, I was introduced several years ago to an incredible replica volksfest in northern Ohio, the annual German American Friendship Festival (held the weekend before Labor Day weekend in suburban Toledo). The atmosphere, beer, wine, food, music and dancing was wonderfully reminiscent of my time in Germany. Now living here, Ohio might as well be Germany with regard to distance, so I haven’t returned to Toledo for a couple years. Great time and highly recommended, though, if you ever have the opportunity to visit.So, with all those fair memories and gastronomic anticipation, we headed north to Springfield. As a Big E rookie, I simply followed the directions recommended by the Big E’s web site: over to I-91 north to Massachusetts Route 5. The traffic was atrocious on Route 5 — we sat pretty much motionless for nearly two hours in traffic lined for miles. I sent an email from my Blackberry to the fair organizers complaining about the lack of traffic control. The response I received basically said don’t come on the weekend because it’s less crowded during the week. I’ll take a different path next year.Once we made it through the gates (parking at an off-site lot), the fair atmosphere was everything that I enjoy: the people, the smells of food and animals, the music, the various hawkers, the overall “buzz.” We ate lobster rolls, chili cheese fries, gyros and fried dough. We could have eaten worse — we steered clear of the fried cheesecake, fried Twinkies, funnel cakes, and fried whoopee pies. They probably would have tasted good, though!I was a little disappointed in the farm animals. Not being familiar with the fair schedule, I didn’t realize that many animals are only at the fair for a short time. We got to see plenty of cows and a few horses, but didn’t see many of the smaller animals: pigs, goats, chickens and rabbits. I’ll look more closely at the schedule for next year.The huge vendor halls were interesting, mainly because of the variety of goods and people. I found a tie vendor and bought new Halloween and Christmas ties. I had been looking all over for those specialty ties!Fairs are fun, but can be expensive for families (but isn’t everything these days?). I look forward to exploring other area fairs next year. If you have any recommendations, please let me know. Dale Martin is the town manager of Winchester.
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Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.
“I was always drawing as a child,” Justine recalled. Victor dreamed of illustrating magazine covers like those of the “Saturday Evening Post.”
Victor studied design and illustration at Rochester Institute of Technology, then received a fellowship to study painting and printmaking at the University of Illinois at Urbana-Champaigne. He graduated in 1967. The following year, he received a grant from the Tiffany Foundation to study printmaking in Paris at Atelier 17, an experimental graphic arts workshop founded in 1927.
“What a great experience that was!” he recalled.
Returning home after the Paris uprisings of 1968, he discovered that the magazine covers he’d hoped to paint had largely given way to photography. His agent suggested trying record covers, which he pursued along with illustration and graphic design.
He also began teaching at Kean University in New Jersey.
“Kean had a wonderful graphic design and illustration department. I loved teaching Graphic Design, even though I never thought I would.”
He later taught at Syracuse University and Pennsylvania College of Art and Design.
In the late 1980s, he decided to stop teaching and concentrate on his own art. He moved to Falls Village, to a house on the corner of Minor and Prospect Streets.
“I used to call the studio ‘Minor Prospects Atelier,’” he said.
He continued working in illustration and graphic design, creating book covers for stories by H.P. Lovecraft and other authors, along with magazine covers, logos, advertising and murals.
Justine and Victor Valla in their studio with a painting of Victor’s,”Jonah and the Whale.” Robin Roraback
His local commissions include the green and gold Noble Horizons signage and wall murals for the Stockbridge Inn, the Spa at Norwich Inn, Orchards Hotel in Williamstown and the David M. Hunt Library’s children’s section.
Justine grew up in the Bronx and studied at the Fashion Institute of Technology. After graduating, she took on whatever work she could find, including designing toys and novelty items for Russ Berrie. But her true calling was textile design.
She moved to Los Angeles to pursue that calling, where she learned silkscreen printing from 1960s design icon Corita Kent.
“I was in her program at Immaculate Heart College. All fabric design at that time was silk screen. My first job in textile design was in L.A., creating wallpaper for Bob Mitchell Design.”
Justine returned to New York City, where the advent of computers required her to learn new design techniques. She enrolled at Parsons School of Design, studying Photoshop, Illustrator, Lectra U4ia and Kaledo.
Around this time, she met Victor online and moved to Falls Village.
A recruiter found her a job in Arkansas at Dillard’s, a department store chain operating in 30 states and known for its exclusive designer collections.
“They had the best equipment I’d ever seen,” she said.
She became a senior computer-aided design designer there, designing fabric and preparing purchased designs for production.
The Vallas left Falls Village for Little Rock.
“It was a big move,” she said. “It was a different culture, but Little Rock was very progressive.”
The originally planned to stay in Arkansas for five years but ended up remaining for nearly 10.
Then Justine was hit by a car. She suffered injuries to her leg and head and required four years of rehabilitation.
“I lost the ability to paint after the accident. I struggled to paint again.”
The Vallas returned to Connecticut, this time settling in Salisbury, where they’ve lived since 2013.
After leaving Dillard’s, Justine had planned to sell her work through Printsource in New York City, an international showcase for surface and textile design. But after the accident, she no longer had the mobility or energy to travel back and forth to the city.
Instead, she began selling her work locally at craft shows, including clothing, hand-printed tea towels and floorcloths.
She is currently working on selling her collection of textile designs.
In December, Justine will have a show of her tea-themed watercolors at the NorthEast-Millerton Library.
Victor recently exhibited “The American West: A Pictural History” at the NorthEast-Millerton Library. The series, created in the early 1990s, was part of a commission from the Postal Commemorative Society for which he completed 100 paintings in two years.
He hopes to place the series in a museum and has created books from its images, complete with text. Over the years, he has designed many other books that are ready for publication, including “Looking In, Looking Out,” a cosmic view of the universe.
Reflecting on his career, Victor said, “It’s about doing what you love”.
Justine agreed.
To see, purchase or commission work, contact Justine at justinevalla@gmail.com or Victor at victorvalla@comcast.net, or call 860-596-4282.
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Jane Herold’s beautifully simple dinnerware.
Cornwall ceramicist Jane Herold explained that there’s quite a lot of enthusiasm for Clay Way among the region’s ceramic artists.
“We all need work space, which is hard to find or afford in urban areas. The wood-fire crowd needs lots of wood and outdoor space. This area is great because it’s rural enough for us, but has a wonderfully enthusiastic and supportive population of pottery [patrons].”
While many of the artists are returning from previous years, the loose collection of unofficial organizers likes to keep the event manageable for the public, limiting the number of artists and studios each year. A direct drive from the southernmost point at Ann Heywood’s studio in Wingdale to Herold’s big barn in Cornwall is under 40 minutes. But if you want to catch it all, plan for a full day’s worth of art exploration along some of the most beautiful roads in New England.
Starting at its northernmost point, Herold’s studio will host Matin Malikzada of Afghanistan, whose polished, modern interpretations of traditional forms are instantly recognizable. They’ll be joined by wood-fired ceramicists Steve Johnson, with his raw, organic forms, and Harry Levenstein, whose works relate closely to Johnson’s while making even more direct references to nature.
Herold herself creates work that is both beautiful and utilitarian. Her prolific output of objects is intended to be used by everyday people as part of their daily lives.
Moving south is Todd Piker of Cornwall Bridge Pottery. Piker has been making pots in his giant wood-fired kiln since 1971. The kiln looks more like an ancient blast furnace than something designed to transform clay into ceramics, but over the years, he’s mastered its intricacies and produces an impressive amount of fine work.
A ceramic vase by Kathleen Heidemann.Provided
Piker will host Sanah Peterson, who works at Cornwall Bridge Pottery and draws inspiration from both her time with Piker and her time traveling the globe as a child. They’ll be joined by Stephanie Haines, whose vibrant, eye-catching work features underglaze illustrations of birds, fruit and the bounty of nature.
Further along in Warren, Jessica Dubin’s pieces will be on display at the studio of Christine Owen. Both artists seem to appreciate the chaos and unpredictable nature of clay but find ways to refine it all using their own unique methods.
Heading east to Washington, Conn., Will Talbot’s creates intricate work while allowing for the unpredictable nature of clay to play a role. His studio will house Tom Knox and his wide variety of textures and forms, as well as New York City-based Alex Lebedev, who lets music and the nature of improvisation guide his work.
There will be two studios participating in South Kent. Alison Palmner, whose page on the Clay Way website states she “strives to achieve a lighthearted meld of human forms, animals and the vessel.” Her studio will host Ben Eberle, who trained under the guidance of legendary potter Toshiko Takaezu; James Guggina, whose intricate work can appear both deliberate and whimsical; and Paula Shalan, who blends rough, unrefined surfaces with polished precision in individual pieces.
Joy Brown’s delightful ceramic sculptures.Provided
Nearby is Joy Brown, whose work have become a staple of the area, with her figurative sculptures dotting the Northwest Corner. Brown’s studio will also feature Bonnie Levine, who taps into the beauty of chaos and destruction in her work, and Brendan Moore, whose more utilitarian forms are perfect for everyday use.
Finally, the tour crosses the border into Wingdale, New York, where the studios of Drew Montgomery, Ann Heywood and Amy Brenner will host Jackie Sedlock, Lynn Behrendt,and Kathleen Heidemann.
Brenner creates some of the most colorful and vibrant pieces on the tour, while Behrendt’s work is among the most studied and precise. Heywood creates carefully considered, intuitive forms, while Heidemann moves from simple minimalism to intricate textures. Montgomery and Sedlock both find new ways of playing with traditional forms, producing delightfully distinctive pieces.
To learn more about the artists and download a map of participating studios, visit clayway.net
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