Thank you!
Your support is sustaining the future of local news in our communities.

Ghost story

The scariest stories I know about our woods are seldom told around the campfire. There are waves of tree-killers advancing toward us, some that are already here and others — incipient invaders — that only vigilance at the point of introduction manages to contain. 

The free and global movement of goods and people makes new introductions inevitable. The forests of our future may well consist of hickories and red maples and not much else.

When I walk in the woodlands at this time of year, in places where the oaks and hickories are rooted deep, I am haunted by ghosts. There used to be giants in these forests. I feel their long shadows cast from that long-abandoned canopy. I see their lingering remnant, in shrouds of golden brown, lurking down below, among the witch hazel and hornbeam. I sense their connection to other shades from the time of my grandfather’s grandfather that once filled these skies in unfathomable numbers, slaughtered in their abundance to utter extinction. 

The American chestnut has not yet gone the way of the passenger pigeon, but it is a pale shadow of its former glory. Chestnut roots have survived in our woodlands for more than a century since their trunks and branches succumbed. They reach with Sisyphean shoots for the sun, only to be blighted anew by the old killer. 

Some see hope and renewal in this unequal contest. Others see a metaphor for human folly. Here is a fit subject for a good poet, and indeed there is one named William Heyen who wrote a book-length poem back in the mid-1980s called “A Chestnut Rain” that manages to evoke Walt Whitman and Wendell Berry in a voice of his own. 

The loss of the chestnuts is an epic tale but no fable. At the time of European settlement, woodlands along the Appalachian spine from northern Mississippi to southern Maine were the heart of chestnut country. Chestnuts prefer well-drained soils that are deep enough to accommodate their thirsty roots. This may help explain why they were not a significant tree species in northern New England except in the deeper soils of the Connecticut River Valley. Under the right conditions these trees grew to prodigious size, rivaling in scale and stature the old-growth firs of the Pacific Northwest. Such valuable timber was aggressively harvested, but there were still large chestnuts during the 19th century, and forest stands where American chestnut comprised 25 to 33 percent of the canopy species. 

They were formerly in the southeast Piedmont country too, but here they encountered a deadly threat long before the knock-out blow of Chestnut Blight. Phytophthora root rot is thought to have arrived in the United States in the late 1770s or early 1800s and is now considered invasive in more than 70 countries worldwide. The American Chestnut Foundation believes this fungal disease was responsible for eradicating this tree from the lower elevations of the southeastern woodlands more than a century before the unintentional introduction of the better-known chestnut blight. Both the blight and the root rot persist in the former range of this species, complicating efforts to re-establish disease-resistant chestnut hybrids.

Salvage logging in the first decades of the 20th century removed living as well as blighted chestnuts from our upland forests. We won’t know whether any of those harvested trees had better resistance to the blight unless some of their re-sprouts manage to set viable seeds, which they very rarely do. 

Back in 1875, the naturalist and explorer Alfred Russell Wallace concluded, “We live in a zoologically impoverished world, from which the hugest  and fiercest and strangest forms have recently disappeared.” Perhaps it helps to remember that beyond our span of years, not centuries but millennia before our time in this place, there were other giants here. Creatures of the tundra and the taiga, they browsed in forests now fathoms deep on the continental shelf. They were here as well, before the chestnuts reclaimed the land that the ice abandoned. 

Science has not settled the role that over-exploitation by paleo-hunters might have played in the loss of the mastodon, or what that loss may have meant to the ecology of the landscape that formerly supported them both. 

For all our creativity and adaptation, humanity is deeply connected to our environment, and all our actions have consequences. It is important not to close our eyes to the ghosts of forest past as we contemplate the future. How much of it we pass on depends on how much of it we see and understand, and ultimately how much of it we value, and love.

Tim Abbott is program director of Housatonic Valley Association’s Litchfield Hills Greenprint. His blog is at www.greensleeves.typepad.com. 

 

Latest News

Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

Keep ReadingShow less
Celebrating Dick Hermans’ life built around community

Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.

Provided
No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans

When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.

The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.

Keep ReadingShow less
Tending the Fire: Homelands PowWow brings Mohican culture home to the Berkshires

Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.

Joeseph Plante New Media Storytellers
Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands.


For the Stockbridge-Munsee Mohican people, the Berkshires are not simply a place to visit. They are ancestral homelands.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Ancram Center’s “A Number” doubles questions of identity
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
Jeff Mousseau

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

Keep ReadingShow less

Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

Keep ReadingShow less
Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.