Thank you!
Your support is sustaining the future of local news in our communities.

Ghost story

The scariest stories I know about our woods are seldom told around the campfire. There are waves of tree-killers advancing toward us, some that are already here and others — incipient invaders — that only vigilance at the point of introduction manages to contain. 

The free and global movement of goods and people makes new introductions inevitable. The forests of our future may well consist of hickories and red maples and not much else.

When I walk in the woodlands at this time of year, in places where the oaks and hickories are rooted deep, I am haunted by ghosts. There used to be giants in these forests. I feel their long shadows cast from that long-abandoned canopy. I see their lingering remnant, in shrouds of golden brown, lurking down below, among the witch hazel and hornbeam. I sense their connection to other shades from the time of my grandfather’s grandfather that once filled these skies in unfathomable numbers, slaughtered in their abundance to utter extinction. 

The American chestnut has not yet gone the way of the passenger pigeon, but it is a pale shadow of its former glory. Chestnut roots have survived in our woodlands for more than a century since their trunks and branches succumbed. They reach with Sisyphean shoots for the sun, only to be blighted anew by the old killer. 

Some see hope and renewal in this unequal contest. Others see a metaphor for human folly. Here is a fit subject for a good poet, and indeed there is one named William Heyen who wrote a book-length poem back in the mid-1980s called “A Chestnut Rain” that manages to evoke Walt Whitman and Wendell Berry in a voice of his own. 

The loss of the chestnuts is an epic tale but no fable. At the time of European settlement, woodlands along the Appalachian spine from northern Mississippi to southern Maine were the heart of chestnut country. Chestnuts prefer well-drained soils that are deep enough to accommodate their thirsty roots. This may help explain why they were not a significant tree species in northern New England except in the deeper soils of the Connecticut River Valley. Under the right conditions these trees grew to prodigious size, rivaling in scale and stature the old-growth firs of the Pacific Northwest. Such valuable timber was aggressively harvested, but there were still large chestnuts during the 19th century, and forest stands where American chestnut comprised 25 to 33 percent of the canopy species. 

They were formerly in the southeast Piedmont country too, but here they encountered a deadly threat long before the knock-out blow of Chestnut Blight. Phytophthora root rot is thought to have arrived in the United States in the late 1770s or early 1800s and is now considered invasive in more than 70 countries worldwide. The American Chestnut Foundation believes this fungal disease was responsible for eradicating this tree from the lower elevations of the southeastern woodlands more than a century before the unintentional introduction of the better-known chestnut blight. Both the blight and the root rot persist in the former range of this species, complicating efforts to re-establish disease-resistant chestnut hybrids.

Salvage logging in the first decades of the 20th century removed living as well as blighted chestnuts from our upland forests. We won’t know whether any of those harvested trees had better resistance to the blight unless some of their re-sprouts manage to set viable seeds, which they very rarely do. 

Back in 1875, the naturalist and explorer Alfred Russell Wallace concluded, “We live in a zoologically impoverished world, from which the hugest  and fiercest and strangest forms have recently disappeared.” Perhaps it helps to remember that beyond our span of years, not centuries but millennia before our time in this place, there were other giants here. Creatures of the tundra and the taiga, they browsed in forests now fathoms deep on the continental shelf. They were here as well, before the chestnuts reclaimed the land that the ice abandoned. 

Science has not settled the role that over-exploitation by paleo-hunters might have played in the loss of the mastodon, or what that loss may have meant to the ecology of the landscape that formerly supported them both. 

For all our creativity and adaptation, humanity is deeply connected to our environment, and all our actions have consequences. It is important not to close our eyes to the ghosts of forest past as we contemplate the future. How much of it we pass on depends on how much of it we see and understand, and ultimately how much of it we value, and love.

Tim Abbott is program director of Housatonic Valley Association’s Litchfield Hills Greenprint. His blog is at www.greensleeves.typepad.com. 

 

Latest News

Fallen tree downs power lines, blocks Route 112

Eversource crews work to repair damaged power lines after a tree fell near onto Route 112 just north of the Interlaken Inn on Monday, June 22.

Photo by Nathan Miller

LAKEVILLE — A tree fell on Route 112 Monday, June 22, downing power lines and blocking traffic north of Route 41 near the Hotchkiss Four Corners.

Eversource crews on scene at 4:45 p.m. said power lines were being repaired and utility service had been restored to customers in the area.

Keep ReadingShow less

Francis Lynehan

Francis Lynehan

DOVER PLAINS — Francis “Butch” Lynehan, 75, a twenty-year resident of Dover Plains, New York, formerly of Sharon, passed away unexpectedly on Thursday, May 7, 2026 at Vassar Bros. Medical Center in Poughkeepsie, New York.

Born Aug. 29, 1950, in Sharon, he was the son of the late William W. and Nellie (Kluun) Lynehan.

Keep ReadingShow less

Richard McGriff

Richard McGriff

TACONIC — Richard McGriff died unexpectedly on May 16, 2026. This is a collection of loving reminiscences.

With a smile like that and a laugh like that and a soul like that, how could you not love him? Macey Levin and Gloria Miller

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Juneteenth graduation celebrates Berkshire’s next generation of leaders

Cohort 2026 members Abigail Horace, Adam Liccardi, Adrian Lynch, Cameo Brown, Chauncey Dozier, Claudette Grant, Erline Saintilet, Harmony Edwards, Kamayue Gomes, Mackenzie Colvin, Otis West, Shadre Domingo, TJ West and Tyeesha Keele-Kedroe and Blackshires’ leadership team John Lewis, Patrick Danahey, Dubois Thomas and Julie Haagenson gather at the Blackshires City Hall Fishbowl alongside Mayor Peter Marchetti and city officials Michael Obasohan, Brandon Gill, Katherine VanBramer, Heather Brazeau, Justine Dodds and Jesse Tobin McCauley.

Provided

When designer Abigail Horace joined the Blackshires Leadership Accelerator, she was looking for support for her business, Casa Marcelo, which was founded in Salisbury in 2019. Through the Accelerator, she created the Black Berkshires Social Club, which creates culturally grounded social spaces for Black and BIPOC residents in the region. Throughout her experience, Horace found a community of peers invested in one another’s success.

“Finding Blackshires has been transformative,” Horace said. “Being a BIPOC founder in this region can feel isolating, and this community has changed that. They see my work, champion my business and have opened doors I couldn’t have opened alone.”

Keep ReadingShow less
Forged by curiosity: Art, craftsmanship and big fun with Izzy Fitch

Izzy Fitch at Battle Hill Forge in Wassaic.

Madi Long
I’m not really inventing anything new. I just tweak it a little bit.— Izzy Fitch

A steel praying mantis stands among garden accents at Battle Hill Forge in Wassaic, its folded forelegs ready for prayer and mischief in equal measure.

“She’s very nice,” said blacksmith, sculptor and Battle Hill Forge owner Izzy Fitch, patting the giant insect affectionately. Then he added, “Just don’t go out to dinner with her.”

Keep ReadingShow less
Unexpected subjects, familiar beauty in new Kent exhibits
Millerton-based artist Alexis England with her flamingo and mandrill portraits at Peggy Mercury in Kent.
D.H. Callahan

Kent Barns was alive with art on Saturday, June 13, as three new shows opened at Peggy Mercury and Kenise Barnes Fine Art, featuring a variety of fascinating paintings and drawings from four local artists.

Peggy Mercury, which in just two years has earned a reputation for curating remarkable collections of fine beauty products and accessories, continues to find exciting art to complement its offerings. The new show, “Portraits,” features four pairs of paintings by Millerton-based artist Alexis England. The “portraits” she paints, however, feature some pretty unexpected sitters.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.