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Historical Society pays tribute to Melva Bucksbaum

SHARON — Even if you claim to know nothing about art, the names in the late Melva Bucksbaum’s collection will perk up your ears. Henri Matisse ring a bell? Or Robert Mapplethorpe? Or Nan Goldin? Jenny Holzer? Marina Abramovic? Andy Warhol?

Bucksbaum was not just a prolific collector of art, she was a champion and patron supporter of emerging artists, and vice chairwoman of the Whitney Museum of American Art. She was also a part-time Sharon resident, with her husband, Raymond Learsy. On their property here, she housed her vast collection in a private gallery space dubbed The Granary. 

Three years ago, Bucksbaum curated her first show at The Granary, called “The Distaff Side.” A distaff is a tool used for spinning wool, but colloquially (and there are many who first read the phrase in Harper Lee’s “To Kill a Mockingbird”) it means the female side — of a family, of society, or of an opinion. True to its title, Bucksbaum’s show featured the works of more than 100 female painters, photographers and sculptors. 

Last year, after battling cancer, Bucksbaum died at the age of 82.

On Saturday evening, Sept. 10, the Sharon Historical Society unveiled a tribute to the life and work and passions of Melva Bucksbaum, by hosting “Distaff in Sharon.” 

The show, on display through the end of October, features work by a reserve of all-female local talent: Catherine Noren, Ellen Moon, Karen LeSage, Tina Chandler, Zelina Blagden, Debra Bilow, Kate Stiassni and Sally Pettus.

“When she told me she wanted to do an exhibition of women artists, I said, ‘Melva, are you OK?’” Raymond Learsy recalled at the SHS show opening, regarding the original “Distaff Side” show. 

“‘Why would you possibly want to do a girly show?’ Well, she never forget that comment, nor had she ever forgiven it. But she was so impassioned by art, and she was somebody who really had a feel for things: for the artist, for the work and for its place in our lives and in our history.” 

He had prepared a very timely example.

“Tomorrow as we all know is Sept. 11, and just yesterday there was an article in the New York Post.” Learsy held the issue in his hand. “The article was about a sculpture that was displayed in Rockefeller Center, Eric Fischl’s ‘Tumbling Woman.’” 

The bronze sculpture was in tribute to those who jumped from the World Trade Center during the 2001 attacks, but it generated so much controversy that the installation was covered and ultimately removed in 2002. Learsy called it “a shameful act.” So he and Bucksbaum gave it a home in Sharon, “where it’s been displayed since the inception of The Granary.” 

The sculpture has now returned to New York and is on displayed at the 9/11 Memorial and Museum as part of its first art exhibition. 

“It’s a very moving work, but that’s Melva. That was the kind of collector she was. It was not only the beauty of things, but the meaning of things. Thank you to the artists tonight for celebrating, in memory, Melva.” 

Learsy also donated to the Historical Society a copy of “The Distaff Side,” a hardcover catalogue of all the works in the original show. The eye-catching cover features an eerie portrait from Colombian photographer Adriana Duque.

“Distaff in Sharon: A Tribute to Melva Bucksbaum” will be shown at The Gallery @ The Sharon Historical Society through Oct. 28. The Gallery is open Wednesday to Friday, noon to 4 p.m. and Saturday, 1 to 5 p.m.

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