Thank you!
Your support is sustaining the future of local news in our communities.

A holiday treat that's good for you

Normally we talk about Thanksgiving as a meal that is a blip on the overall health and nutrition chart of our culinary year. Sure, we say, there are a lot of rich, buttery, sugary, carb-laden foods; but how often do you eat them? Just indulge and enjoy.

But this week we have excellent news about the nutritional benefits of two stalwarts of the holiday season: red wine and cranberries.

Cranberries are a bit like blueberries: They’re small, but they’re full of cancer-fighting antioxidants, more so than most other fruits. They also have a lot of vitamin C and apparently they are endowed with the power to rush unwelcome bacteria out of your mouth and digestive system. They function like alimentary policemen, shooing teenagers away from the street corner or the gas station parking lot.

They are also apparently a rich source of something called proanthocyanidins, which help keep your heart healthy and contribute to overall longevity.

These same proanthocyanidins are also among the ingredients that make red wine especially good for you (better even than white wine, which also has some health benefits; however, always drink alcoholic beverages in moderation). Originally, it was thought that it was resveratrol that made red wine so good for you, but new studies are indicating that in fact it’s these proanthocyanidins.

Whatever the reason, it’s nice to know that these two holiday treats will also contribute to your well being.

Marsden Epworth, editor of Compass and supplements such as this week’s Holiday Gift Guide, is also a cook. She developed a recipe that features both red wine and cranberries. The taste and texture are astonishing; you’ll wonder why you ever wasted your time with the canned versions. The new Café Giulia in Lakeville serves a version of this topping with its custard-like panna cotta for dessert, but this recipe also works exceedingly well with savory dishes, including turkey and turkey pot pie.

Cranberries in red wine

2 cups red wine (such as Argentinian Malbec); 12 tablespoons sugar;

3 strips of orange rind, pith removed; 1 bay leaf; 1/4 cup fresh cranberries;

a speck of Maldon or other coarse salt;  a pinch of cayenne.

Combine the wine, sugar, orange rind and bay leaf. Simmer until reduced to one cup. Stir in the cranberries. Continue to cook until they “pop,� just a minute or two. Remove from heat and add cayenne and coarse salt.

Panna cotta

Adapted from “The All New Good Housekeeping Cookbook�

Makes eight servings

1 envelope unflavored gelatin; 1 cup milk; 1 1/2 teaspoons vanilla extract;

1 3/4 cups heavy cream; 1/4 cup sugar; 1 cinnamon stick.

Evenly sprinkle the gelatin over the milk and let it stand for two minutes.

In a deep saucepan, combine the cream, sugar, cinnamon stick; heat to boiling over high heat, stirring occasionally.

Reduce heat and simmer, stirring occasionally, 5 minutes. Stir in the milk and gelatin. Cook over low heat, stirring frequently, until the gelatin has completely dissolved, 2 to 3 minutes.

Discard the cinnamon stick and stir in the vanilla extract.

Pour the cream mixture into a medium bowl set in a large bowl of ice water. With a rubber spatula, stir the mixture until it just begins to set, 10 to 12 minutes.

Pour into eight 4-ounce ramekins. Cover and refrigerate them until they are well chilled and set, four hours or overnight.

To unmold the panna cotta, run the tip of a knife around the edges. Tap the side of each ramekin sharply to break the seal. Invert onto individual serving plates and serve with cranberries in red wine.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.