Thank you!
Your support is sustaining the future of local news in our communities.

Lakeville Journal Company mourns Mary Lou Estabrook

SALISBURY — The Lakeville Journal Co. lost a guiding light and source of constant inspiration with the death of Mary Lou Estabrook on May 3 at the age of 89.

A memorial service will be held Friday, May 28, 1 p.m. at the Salisbury Congregational Church. A full obituary is on page A2.

Mary Lou had been weakened by ailments in the past year but she remained vigorous, feisty and active in spite of it, even attending a broadcast of the Metropolitan Opera at the Mahaiwe Theater this spring, with her devoted husband, Robert Estabrook, steering her along in her wheelchair.

“She and Bob represented the very best of the tradition of community journalism,â€� said Conn. state Sen. Andrew Roraback (R-30). “Their work informed the public, engaged their readers in the important issues of the day, celebrated the people and places that make northwest Connecticut special and served as a sounding board for people to share ideas and opinions. 

“But at its core, The Lakeville Journal was always shaped by the values embodied by the Estabrooks’ integrity, compassion and a commitment to serve the community.â€�

“We will all miss Mary Lou deeply,� said Lakeville Journal Co. managing partner A. Whitney Ellsworth. “She had spunk, she made her opinions known, she was a perfect partner to Bob and a great photographer.�

“She was a sweet and gentle soul whose photographs captured the spirit of the Northwest Corner,â€� said William E. Little Jr., chairman of The Lakeville Journal Co. “People had great respect for her and she was  a wonderful partner and support for Bob.â€�

At home, at last,

in Lakeville

A peripatetic traveler, Mary Lou visited all corners of the globe with her husband. But Mary Lou was a small-town girl at heart, who cherished simple but profound treasures: her husband, her children (and their children), music, art and nature.

After Bob retired from a long career at The Washington Post, he brought his bride (as he always referred to her) to the Northwest Corner, where they spent their “retirement� facing the challenges of running small-town papers: The Lakeville Journal and The Millerton News.

Mary Lou was always soft-spoken, kind and gentle but at the same time she expected (and attained) a high level of performance from those around her, in all the many activities that interested her.

An artist’s eye

Anna Mae Kupferer, who has worked for the papers for more than three decades, recalled the meticulous attention Mary Lou would give to shooting images and then selecting just the right one to include in the newspaper, the supplements to the paper and the annual calendars.

“Mary Lou’s photos were painstakingly selected,â€� Kupferer said. “She shot rolls and rolls of black-and-white film, which she would process in the  on-premise darkroom. Hours would be spent selecting just the right photo to accompany each story and making sure each print was perfect.â€�

As a newspaperwoman in the pre-digital age, of course she most often shot in black and white, which could be quickly developed and printed at the newspaper office and then reproduced on the newsprint pages.

Marsden Epworth, who is editor of the Compass arts and entertainment section and The Journal Co. supplements recalled that, “For many years, Mary Lou was The Journal’s chief photographer, which meant, among other things, teaching people who had never had a camera before how to do the job.

“And one way she did this was by example. She had what every shooter needs: patience and tenacity. For an issue that fell near Father’s Day, back in the 1980s, she brought in a photograph of a dad bundling his offspring into a jacket outside Salisbury’s pharmacy. It was just a tender, tiny moment, but she caught it perfectly. That’s because she had stood on the street for more than an hour, waiting for the moment.�

Scott Heth is director of the Audubon Center in Sharon and, like many other nature lovers in the area, he remembers how minutely attentive Mary Lou was to changes in the landscape.

“My earliest recollection of her was through Audubon,� he said. “She was always carrying a camera and always capturing the wonders of nature on film; and the reports to me of what she had seen around town, where the flowers were blooming and what interesting wildlife she had seen, and encouraging me to let others know too.�

But, he said, “When I really got to know Mary Lou was during the years I was the director of the Salisbury Band. I remember the first rehearsal I conducted, not knowing what to expect and quite nervous. Bob and Mary Lou came through the door all smiles and Mary Lou immediately came over and welcomed me and promptly took her place in the flute section. Rehearsal after rehearsal and performance after performance Bob and Mary Lou, together, shared their talents and passion for music with the Salisbury Band, and consistently supported me and the members of the band with compliments and words of encouragement. This I will never forget.�

No false notes

It wasn’t only the Salisbury Band that benefited from Mary Lou’s involvement. She was also a member for several years of the Salisbury Bell Choir, not only for the music but also because of its  complexity.

“She was intrigued by the manner in which bell music is played, since it is so different from reading an orchestral score,� said Mary Davidson. “She was meticulous in marking her music for her assigned notes. On several occasions she accompanied the bell choir with her flute.�

Lee Collins, former director of the Salisbury Band, said that Mary Lou played the piccolo for the local group but played the flute with the Torrington Symphony.

“We alway end our concerts with ‘Stars and Stripes Forever,’ with its famous piccolo obligato,� Collins said. “It’s a demanding piece, a showcase piece. It was Bob who told us that, you know, the Torrington Symphony did ‘Stars and Stripes Forever’ and of course Mary Lou did the obligato.

“I mentioned it to Mary Lou and she commented later that the one the Salisbury Band plays is in B flat and the one that Torrington plays is in A flat. In other words, she had to play the whole thing in a different key. It was a tour de force to be able to play a difficult piece like that in two different keys.

“She was a faithful member and always in good humor and ready for everything.�

No matter what endeavor she was engaged in, she certainly always was ready for anything. And those skills were tested. She and her husband shared an indomitable spirit and a can-do attitude. They traveled often, to distant points of the planet, and coped with whatever circumstances nature and world politics thrust upon them. She and Bob recounted their travels and travails with great modesty, always.  

‘A great woman’

Of all the comments that community members shared about Mary Lou this week, perhaps the one that best sums her up are the words Scott Heth uttered when he heard of her passing: “She was a great woman.�

“Obviously, her photography was fantastic but she was also a very careful, thoughtful person, and a real good friend,� said Salisbury resident Carl Williams.

Conn. state Rep. Roberta Willis (D-64) said, “Mary Lou always greeted you with warmth and a welcoming smile.  She was a soft-spoken, gentle woman who spoke compellingly through her photographs, revealing her affection for her community.â€�

Sen. Roraback also commented that, “While diminutive in stature, she was a giant in every other way. With a twinkle in her eye, her warm smile and gentle way accompanied a drive to achieve and contribute to the life of our community and our state.

“Mary Lou’s hallmark remains her love of life, her love of her husband of so many years and her love of learning and exploration. Her curiosity never subsided and she shared freely of the joy she drew from learning. She and Bob were the best example I know of a couple who complemented one another completely.â€�

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.