A photojournalist observes ‘the quiet inauguration’

For many Americans, Jan. 20 was a day of celebration and high spirits. This young pair embraced in Washington, D.C., on Inauguration Day.
Photo by Anne Day

WASHINGTON, D.C. — What if they gave an inauguration and nobody came? Or, what if they gave an inauguration and the number of spectators was fewer than the 25,000 National Guard troops, hundreds of Secret Service agents, the entire Metropolitan DC police force, U.S. Park Police, U.S. Capitol Police, U.S. Border Patrol, FBI, police officers from states as far away as Texas, Minnesota, Illinois, Connecticut, New York and Pennsylvania and neighboring states like Maryland, Virginia, New York. They all came to ensure that our democracy could proceed. Makes one realize how significant this event was.
This inauguration of the 46th president, Joe Biden, was my seventh, this time with no credentials. I went as a tourist. I know Washington very well, and I have never seen the city so quiet.
After passing my early Tuesday morning rapid COVID-19 test in Torrington, I drove to D.C. and, that afternoon, I cruised around the city to determine where I would park the following day. The city was shut down. Most of the bridges were closed. All entrances to the Capitol, the Mall and the White House were blocked by huge concrete slabs, chain link fences topped with barbed wire. Police cars with flashing lights and camo-painted jeeps and trucks parked horizontally across the streets.
Undaunted, I set out the following morning walking on nearly empty streets except for police and National Guard. (I met one guardsman from Connecticut whose father manages a Cumberland Farms in Torrington.)
Stores were boarded up and the atmosphere was cold and gray and strange.
Eventually, I was able to find some pockets of people in free speech zones. Next to John Marshall Park, which was zoned for free speech, there was a bar with all of the doors and windows open, a television inside and a few hundred quiet, mask-wearing people gathered outside, to watch the president’s speech.
Mostly the area was filled with journalists, guardsmen, neighbors and police but there were some people from Texas with crosses, and signs that said, “Jesus Saves,” loitering about.
The small crowd watched in awe as Lady Gaga sang the national anthem and we stood quietly listening to the new president’s speech. We all sang our mask-muffled last verse of “Amazing Grace” along with Garth Brooks. The sun came out and the television got hard to see and except for one woman who said that Trump is the true president (she said that he is Jesus’ president) the crowd seemed to whoosh a collective sigh of relief as it sunk in: Biden is President.
After that, I wandered over to Black Lives Matter Plaza, which is a two-block stretch of 16th Street renamed by D.C. Mayor Muriel Bowser after last summer’s protests.
Though the plaza is directly across from the White House there were plenty of barricades between us and the actual White House.
Not much was happening there. Large speakers were blaring Tracy Chapman singing “Talkin’ ’Bout a Revolution,” a pretty blonde shimmied through the crowd on an expensive-looking electric skateboard, journalists seemed to be interviewing each other on their smartphones, lots of Black Lives Matter flags and posters decorated the plaza but it was a calm cheerful crowd of a few hundred people milling about. Through the barricades and the barbed wire and up in the sky on the White House roof I spotted marksmen mixed in with cameramen.
Maybe this was the smallest inauguration in history, but it was one to ponder and remember.
Photographer Anne Day, formerly editor of The Lakeville Journal Co.’s Compass arts and entertainment, has been an official photographer for four presidential inaugurations, including the two inaugurations of Barack Obama, in 2009 and 2013.
For more photos, go to Instagram, @anneday13.

Vehicles and barriers cut off most visitors from the Capitol building during the Jan. 20 inauguration. Photo By Anne Day
There’s an old adage that asks, “How do you get to Carnegie Hall?” The answer is usually “practice, practice, practice.” But for 27 Hotchkiss students, the answer will be boarding a chartered bus from Lakeville to New York City for the Young Artists Concert on Jan. 31.
The concert will be presented by Fabio Witkowski, the Joanne Eastman Sohrweide Chair and director of music at Hotchkiss, alongside Gisele Witkowski, instructor in piano and director of the Hotchkiss Piano Portals summer program. Together, they will showcase a wide range of student performances, highlighting the depth of musical study and artistic excellence cultivated at the school.
“Hotchkiss has a great reputation for strong academics and athletics, but not as many people know about our wonderful music and arts programs,” Witkowski said. “The generosity of Barbara and Amos Hostetter made so much possible here,” he added, referring to a major three-part gift from the couple in 2018 that significantly strengthened Hotchkiss’s music and arts programs.
“One thing that makes me so proud about this type of philanthropy is that people usually spend every dime on the bricks,” Witkowski said. “But we used about half for the building and then half for programming. Now we really operate like a mini conservatory here.” Students who study in the music program have access to two lessons a week, orchestra, music history and theory. “And we have an amazing music series here,” he said. “We’ve had the Guarneri String Quartet, Emerson, Lang Lang and Midori. And the concerts are all free because they’re part of the endowment. That makes me very proud.”

To be chosen to perform at Carnegie Hall, students went through a competition process in December. About 20 students will have the opportunity to perform solo pieces, but to accommodate all the students, Witkowski arranged two pieces for small ensembles. “That way, everyone gets to play,” he said.
Annabelle Chu, from Hong Kong, is studying percussion at Hotchkiss and will be playing “Brazilian Landscape” by Ney Rosauro for solo vibraphone. “Usually, I do a sport. So, during the spring and fall, I do track and cross-country, respectively. Last year I did swimming in the winter, but I switched to music, which was great. Now I’m getting a lot more practice time — like two hours every day, and then on weekends, I get like three or four.”
Chu has only ever been outside Carnegie Hall. “When I was just wandering around the city,” she said. Asked how she will feel when she walks out on stage, she said, “I think I’ll be very nervous, but at the end, hopefully I’ll be very proud of myself.”
Senior Emma Liu is a pianist and is in the process of applying to conservatories that have joint programs. She has been to Carnegie Hall many times during her tenure at Hotchkiss and will be performing “Sonata No. 4” by Scriabin this year. Asked how much she has been practicing, she said, “Probably not as much as I should be, but I try to get in at least two hours a day.” Even though this will not be her first time at Carnegie Hall, when she walks out on the stage, Liu said, “Every time feels like the first time. I love being there with Hotchkiss students because it’s an incredible opportunity. I don’t think there’s any other place like Hotchkiss that does this kind of thing. So, yeah, we’re very, very lucky.”
Figure by Eli Sher, grade 6.
After a November 2025 meeting with Falls Village artist Vincent Incognilios, whose show “Face Time” was on exhibition at the David M. Hunt library, students at Lee H. Kellogg, under the eye of art teacher Madeleine Stern, got busy with their responses.
The results are now on display at the library.
“Lee H. Kellogg Emerging Artists Exhibition 2026” will be on display through Friday, Feb.6, with 71 art works from Kellogg students in grades K through 8.
