A Review: Imagining history with a new ‘what if’

HARTFORD — With comic antecedents ranging from Chaucer to Monty Python, rollicking on Hartford Stage is the raucous, bawdy, irreverent new musical KISS MY AZTEC!.  Part farce, part satire, it’s more than a revisionist spoof on Latin American history. It’s the most unwoke, woke theater around, both confronting all kinds of cultural tropes and, at the same time, with self-deprecating rawness, lampooning every social identity; no one gets spared. What’s more, the show celebrates the best of Broadway musical comedy tradition, recalling the giddiest elements of the likes of “A Funny Thing Happened on the Way to the Forum,” “Spamalot” and “Something Rotten.”

KISS MY AZTEC! is the brainchild of actor and comedian John Leguizamo, famous for his comedic work on Latin American culture, with a book by him and Tony Taccone, former artistic director of Berkeley Rep, who also directs. It’s 1540 in Central America. For almost 20 years, the Spaniards have been suppressing the once-dominant Aztec people, who had developed the most sophisticated civilization in Mesoamerica; the opening musical number, “White People on Boats,” skewering the Conquistadors, sets the tone for the whole show.

Aztec rebel leader El Jaguar Negro (Eddie Cooper) plans to infiltrate the citadel where Spanish Viceroy Rodrigo (Matt Salvidar) holds court. El Jaguar’s daughter, feminist Colombina (Krystina Alabado) wants to join the men. Her father tells her to stay home and do the laundry; she sneaks off on her own to fight  anyway. Colombina’s admirer, a clownish, conscientious objector,  puppeteer Pepe (Joel Perez) unenthusiastically joins the rebel warriors. Pepe’s sock puppets are called Machu and Picchu, which says it  all about Leguizamo’s signature humor.   

The Shakespearian plot twists, mistaken identities, family intrigues and coincidences that follow would get eye-rolls from the Bard himself. (The “white” dialogue in the show is in a sort of modern-day Shakespearian-speak; the “brown” in a sort of multi-ethnic rap.)  One scenario involves the closeted affair between the Viceroy’s son, the fey Fernando (scheming to unseat his father) and the Inquisitor Catholic bishop uproariously played out in a number called “Tango in the Closet.”  (The number concludes with the lyric, “God must be gay.”)

Another subplot involves a foppish, coked-up, French  flim-flam artist aptly named Pierre Pierrot, with a glittering codpiece whose identity gets assumed by Pepe. Pilar, the Viceroy’s nympho daughter, trying to avoid a marriage arranged by Pierrot, immediately tries to seduce Pepe when he shows up in Pierre’s revealing costume. Pilar’s intended betrothed, from Old World royalty, ecstatically proclaims in a Las Vegas-style, disco-inspired number “New Girl, New World” that for once he doesn’t have to marry a cousin. And then there’s a musical number, “Make the Impossible Possible,”  about human sacrifice, replete with Pythonesque entrails. (As I noted nothing is sacred in KISS MY AZTEC!) Irony informs it all: The Aztecs gave us pyramids; the Spanish, tapas, which are the subject of the number “No One Compareth to the Spanish.”

Indeed, the plot is busy — very busy. Amazingly, director Taccone holds it together, even while incorporating 22 musical numbers.  The lyrics by David Kamp (See story, Page A1),  Benjamin Velez and Leguizamo come as fast as the plot, filled with sassy wit, play-on-words, pop-culture references, double-entendres and much that is not double-entendre at all. The score by Velez is a wide range of pop and Latinx idioms: hip-hop, rap, boogaloo, salsa, merengue, gospel, funk, and some R&B. The highpoints are “Happy Amigos”  that closes Act 1, as upbeat as any ensemble number to any good musical should be.  My favorite number was “Spooneth Me,” a lovely, bossa nova melody about, well, spooning (but with some kinks). Appropriately, Mayte Natalio’s choreography is as versatile as Velez’s score.

In the real world,  European colonization dismantled civilizations of indigenous cultures in the Americas. KISS MY AZTEC! provocatively imagines a different “what if” history. The show premiered at Berkeley Rep and then had a run at LaJolla Playhouse in 2019 before it got sidetracked by the pandemic. With its Hartford run, KISS MY AZTEC! gets ever closer to Broadway, where, with some streamlining here and there, it belongs, slapping history upside the head with a “kick-az” musical comedy fable.

KISS MY AZTEC! runs about 2 ½ hours, with one intermission at the Hartford Stage.  It closes June 26.

 

Dan Dwyer is a member of the board of The Lakeville Journal Foundation.

Latest News

Tangled tackle fondling 2026

Tangled tackle fondling 2026
Tangled tackle fondling 2026
Tangled tackle fondling 2026

The snow is mostly gone, the mud is flowing, the stocking trucks are rolling and that means only one thing: it’s tackle fondling time!

Yes, it’s that happy time of year when we dig out all the gear we carefully cleaned and stowed away back in November.

Keep ReadingShow less

The Pasquale Grasso Trio

The Pasquale Grasso Trio
Provided

The Pasquale Grasso Trio performs at 7:30 p.m. April 4 at The Stissing Center in Pine Plains. The Italian-born guitarist, a rising jazz star and winner of the Wes Montgomery International Jazz Guitar Competition, is known for his virtuosic, piano-like style. A frequent collaborator with vocalist Samara Joy, he has performed at major festivals worldwide and is supporting his 2025 release “Fervency.” Tickets at thestissingcenter.org

Salisbury budgets head to hearing with 4%–5% increases
Salisbury Town Hall
Aled Linden

SALISBURY — At a special meeting Thursday, March 26, the Board of Finance voted to send the proposed spending plans for 2026-27 to a public hearing Monday, April 27, at 7:30 p.m. at Town Hall.

Salisbury Central School principal Stephanie Magyar said “this is the easiest update I’ve ever given.” She said the final number came in some $23,000 less than the initial presentation, bringing the increase down from$339,528 (4.92%) to $316,367 (4.59%) for a total budget of $7,213,515.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

/
The Salisbury-Sharon transfer station.
Patrick L. Sullivan

SHARON — Residents will be asked at a town meeting on April 16 to decide whether to join a nascent regional waste authority, as towns across the Northwest Corner consider a coordinated response to uncertainty over the future of a key disposal facility.

The proposal centers on the Torrington Transfer Station, where Sharon and other municipalities send household waste for consolidation and shipment to disposal sites.

Keep ReadingShow less
Falls Village student recognized for academic excellence in Wheaton nursing program

Crystal Palmer Andrade, left, is congratulated on her induction to the Sigma Theta Tau honor society by Lori Martone-Roberts, professor of the practice of nursing at Wheaton College.

Provided

FALLS VILLAGE — Crystal Palmer Andrade of Falls Village, a member of the Class of 2027 at Wheaton College in Massachusetts, has been inducted into the college’s chapter of Sigma Theta Tau, the international honor society recognizing excellence in nursing.

Palmer Andrade, who is pursuing a Bachelor of Science in Nursing, earned membership in the honor society through outstanding academic achievement and a demonstrated commitment to the nursing profession.

Keep ReadingShow less
Author Russell Shorto discusses ‘Revolution Song’ at Salisbury Forum

From left, Peter Vermilyea, Russell Shorto and Rhonan Mokriski on March 27.

Patrick L. Sullivan

FALLS VILLAGE — Russell Shorto, author of “Revolution Song,” said his goal in writing the book was to tell the stories of the “lived experience” of six individuals from marginalized groups in the context of the American Revolution.

Shorto appeared with history teachers and fellow authors Peter Vermilyea of Housatonic Valley Regional High School and Rhonan Mokriski of Salisbury School at the Salisbury Forum on Friday, March 27, at HVRHS.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.