On the question of ‘stockie bashing’

Bears are coming down to the Housatonic River, as spotted by column author Patrick L. Sullivan two weeks ago.
Photo by Patrick L. Sullivan
It is a sad but undeniable truth that many if not most of our trout streams in the Northeastern U.S. require stocking of trout.
That means trucks from state hatcheries occasionally appear and put large numbers of hatchery-raised trout in the rivers.
And that often means that anglers armed with a variety of fishing gear are poised, ready to catch them — and, quite often, keep them and eat them.
It is also true that catching recently stocked fish is not enormously challenging.
Hence the term “stockie bashing.”
I was bemused last week, on Tuesday and Wednesday, Sept. 22-23, to see the hatchery truck along the Housatonic River.
The river is so low (97 cubic feet per second as of this writing, Saturday, Sept. 26) that the river resembles an ornamental rock garden with a little trickle through it.
Nonetheless, the water has cooled off to the point where the fisheries people thought they could safely plant the brown and rainbow trout — about 9,000 of them, in fact.
So they did.
Trouble is, it is hard to find spots where there is enough water for these bewildered freshmen fish to hold.
So anglers, who have a sixth sense for this sort of thing, were all around the Trout Management Area (from Lime Rock to the north, downstream to Cornwall Bridge) in the ensuing days, trying to find a bit of water in which there might be a few stockies to bash.
I was no exception.
I would rather fish for wary, wild trout. But that is not what we’ve got here.
So rather than allowing the perfect to be the enemy of the good, I imposed these rules on myself:
• Make it as difficult as possible. That means using light rods and, often, itty bitty flies that I can’t see to tie on without serious visual aids.
• Keep moving. I do this anyway, but when you’ve got half a dozen anglers all flogging the same 50 feet of stream, moving along and searching for that overlooked pocket or hole is an easy tactical decision.
• Experiment. With a slow-action 8 foot 2 weight rod far more suited to a stream in a distant alpine meadow, I flicked all manner of dry flies around in water that didn’t look like it would support a crayfish, never mind a trout. And whaddya know — most of the time, it didn’t.
• Know when to call it a day.
• Wait for rain, which is coming in the next few days, according to the internet. And the internet is never wrong.
In the trout management area, you’re not allowed to keep trout. Period. But once the streams come up a little, popular spots like the Blackberry River will get their share of stockies and people will keep them.
I have no problem with this either. That’s what the fishing license fees are for. And I don’t even like eating trout. So there.
By the way, the bears are coming down to the river. They heard about the stocked fish too. Or maybe they are thirsty. In any event, I had to beat it across the (thankfully) low Housatonic the other day, when Mr. Bear casually sauntered down the same path the anglers use.
Once on the other side, I managed to get a crummy photo with the point-and-shoot camera.
He ambled along downstream for a bit. Then something alarmed him and he crashed back into the woods.
The sound of bad singing you might have heard along River Road in Cornwall last Thursday was me, informing the bear that I was coming.
My theory is the worse the singing, the more scared the bear. So I was yowling away, conceding nothing to famous atonalists like Arnold Schoenberg. Matter of fact, I bet my bear song would have sent ol’ Arnold back to the drawing board.
Aradev LLC’s plans to redevelop Wake Robin Inn include four 2,000-square-foot cabins, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool. If approved, guest room numbers would increase from 38 to 57.
LAKEVILLE — The public hearing for the redevelopment of Wake Robin Inn is over. Salisbury Planning and Zoning Commission now has two months to make a decision.
The hearing closed on Tuesday, Sept. 9, after its seventh session.
Michael Klemens, chair of P&Z, had warned at the opening of the proceedings that “this might be a long night” due to a last-minute influx of material from experts hired by Wells Hill Road residents William and Angela Cruger to oppose the project, but this turned out not to be the case.
These 11th hour submissions set a sour tone to the start of the meeting, with commissioner Robert Riva stating that it was “not very professional to pull this stunt on this Commission.” Riva said he had diligently reviewed the already substantial documentation provided by both the applicant and the opposing experts, and was surprised to find a “dump” of additional information submitted just hours before the meeting’s start time at 6 p.m.
Tensions were quickly eased, however, when William Cruger offered his concise summation of his platform’s opposition to the expansion, which is the second iteration of the project after an earlier version was withdrawn late last year.
“It’s important for you all to hear from me that there was never any disrespect intended to the Commission, the commissioners, and to the process,” Cruger said. He defended the last-minute submissions as an effort on the part of the experts to be thorough in their analysis: “Our intention… has been and remains to do our best to get whatever we think will be helpful in your deliberations into the record.”
The Crugers formally entered the hearing process as intervenors for the first application from Aradev LLC, the applicant, in the fall of 2024, meaning they and their hired consultants had full party status in the hearing proceedings. During this cycle, however, they chose not to petition for intervenor status, yet during this round of hearings their role has been similar. Klemens described them as having “almost intervenor status — not quite.”
William Cruger summarized the consultant’s findings for Aradev’s revised application, noting they found it to be “virtually identical in scale to the previous proposal.”
“Our position is that the proposed expansion would absolutely negatively impact the usefulness, enjoyment and value of the surrounding properties,” he said.
Aradev’s attorney Joshua Mackey countered by saying that the special permit conditions would elevate the currently non-conforming hotel in the zone, describing it as a “community asset that is improved, regulated, and safeguarded for generations to come.” He characterized Aradev as “the next steward of this storied property.”
After Mackey and Aradev co-founder Steven Cohen concluded their remarks, Klemens closed the hearing with no public comment, which he had stated would be the case at last week’s hearing session on Thursday, Sept. 4. Klemens said that P&Z will begin deliberating the proposal in early October after the commissioners have had the chance to review the information in the record.
A total of 45 letters, including the Crugers’ experts’ testimony, were submitted since the Sept. 4 meeting alone, alongside hundreds of pages of application materials and additional testimony.
As the Commission deliberates and reviews, all of this information is available for public viewing on the “Meeting Documents” subpage under P&Z’s section on the town website, www.salisburyct.us.
The Commission must issue a decision on the application by Nov. 13, the end of the statutorily defined deliberation window.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.