Thank you!
Your support is sustaining the future of local news in our communities.

Law should be repealed

Amy Archer Gilligan may have founded the first for-profit nursing home in the United States, an achievement somewhat spoiled when she poisoned five or maybe 48 of her customers in that pioneering Windsor institution nearly a century ago.

The actual number of her victims may or may not be found in the records of Gilligan’s long stay in what is now the Connecticut Valley Hospital in Middletown, where she died in 1962. But no one will be researching these and other details of the Gilligan saga soon, especially Connecticut writer Ron Robillard, who has been denied a look at the records for a book he’s writing on Gilligan.

The Connecticut Department of Mental Health and Addiction Services (DMHAS) is behind a law that bars access to the records of Gilligan and other figures of historic interest whose relationship with doctors and others were protected while they were alive — and even those whose relationships weren’t. That they are long dead doesn’t matter.

As of Oct. 1, thousands of documents could be lost to history, thanks to this legislation, which was sneaked into a bill without the consideration or knowledge of those who passed it.

Among the documents are the historically and medically significant records of Civil War veterans treated in the hospital for what was then called soldier’s heart or sometimes, nostalgia, and is now known as post traumatic stress disorder. As a result, we will know less about these heroes, their illnesses and care.

As first reported by Thomas Scheffey of The Connecticut Law Tribune, the law was passed after the Mental Health Department failed to reverse a Freedom of Information Commission decision requiring the release of the records of Civil War veterans treated in the state’s insane asylum, as it was then known.

The department tried again and was able to get an amendment inserted into one of those last-minute bills that gets through the Legislature when lawmakers traditionally vote for anything put in front of them.

The bill exempts from the Freedom of Information Act privileged records from doctor-patient, marital, clergy-penitent and therapist-patient relationships “or any other privilege established by the common law or the general statutes.” Then, to be sure no bit of history is left unsuppressed, the law applies even to relationships that go back to a time when there were no laws against making them public, even no state of Connecticut.

“It actually impacts everything historians are going to do in terms of looking at the past,” Central Connecticut history professor Matthew Warshauser, author of a new book on Connecticut in the Civil War, told Scheffey.

Warshauer had his first confrontation with the DMHAS when it refused him access to the Civil War era records, after first denying they existed. (When author Robillard first sought Gilligan’s records, the department used a similarly clever tactic, claiming the records were missing and presumably destroyed. It wasn’t true.)

In addition to abetting the censorship of history, the Mental Health Department is mocking its own highly praised effort to remove the stigma associated with mental illness.

Testifying against releasing the information on the Civil War veterans, Commissioner Patricia Rehmer claimed it was the department’s “firm belief that family members of those who have been in state hospitals would not want that information released.”

And so, the department is championing those who believe there is something shameful about having relatives who suffered from mental illness that was the result of fighting for their country 150 years ago.

I guess it’s also shielding any remaining Archers and Gilligans who don’t want to have Great-Great-Aunt Amy back in the news. (The Gilligans probably don’t really care since second husband Michael Gilligan is believed to be the only nonclient Amy poisoned.)

Mitchell Pearlman, who retired as executive director of the Freedom of Information Commission after more than 30 years, generously called the law an act of “thoughtlessness, rather than being pernicious.” Pearlman is a kind man, and the Legislature can confirm his tolerant assessment of their thoughtless, but not pernicious action by repealing the law with all deliberate speed.

 
Simsbury resident Dick Ahles is a retired journalist. Email him at dahles@hotmail.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.