CORNWALL — Town and school budgets for 2011-12 were approved May 20 at a town meeting at Cornwall Consolidated School that brought out about 40 people.Five agenda items were dispatched in less than 30 minutes. There was no discussion on most items.The $6.1 million budget for town and local school expenses received two dissenting votes, including one from Board of Finance member Anne Ingvertson, who later voted against a small mill rate increase.“I don’t want my taxes to go up,” Ingvertson explained following the town and finance meetings. She added that she was disappointed there were not more objections to spending plans that should reflect the anticipated aggressive cuts in state funding.In the very quick finance board meeting that followed the town meeting, Chairman Ralph Gold made a motion for a mill rate increase, from 12.32 to 12.50, explaining it was aimed at covering the yet unknown amount of state aid cuts. The change equals 18 cents in additional taxes per every $1,000 in assessed property value.2 percent pay raises get OKThere was no discussion on the much-debated issue of raises for Town Hall employees. The selectmen originally proposed 2 percent. The response from finance board members was mixed. First they suggested a salary freeze. The selectmen came back with suggested 1 percent pay increases. Following input from voters at the public hearing, the finance board approved a final proposal that included 2 percent raises.Receiving the 2 percent pay hikes are the assessor, assessor’s clerk, selectmen, selectmen’s secretary, town treasurer, finance director, social worker, tax collector and town clerk, as well as the recreation director and Hammond Beach employees, for a total of $4,512. The land use administrator’s pay will rise by 7.5 percent to $7,946, reflecting more activity in that office.The contract for highway department’s ASFME union employees has yet to be negotiated for the coming year. For budgeting purposes, the approved spending proposal includes a 2.765 percent increase — the same increase they received for this year.Capital projectsApproved unanimously with no discussion was a plan to use insurance money received for a destroyed equipment shed at the town garage for a new shed, and to spend up to $150,000 for a new facade grant and traffic calming measures, to be reimbursed at 100-percent by a state Small Town Economic Assistance Program (STEAP) grant.The proposed Great Hill Road improvement project, which would be partially reimbursed, was tabled until firmer grant numbers are received. That matter is expected to come back to a town meeting this summer. Gates bequestHow and when to spend a $251,000 bequest from Judy and Larry Gates was discussed. There are no restriction on how the money can be used; but the money has been held in a bank account since it was received in July 2009, earning only a little more than $1,000 in interest since then.There was a consensus that a revocable trust, with a board of trustees, created with the advice of the town attorney, should be formed. That would allow the money to be invested.First Selectman Gordon Ridgway said his board is leaning toward spending only the earnings on an annual basis.Finance board member Celia Senzer advocated using all of the money now for something the town can use, especially if earnings cannot be increased significantly.Paul Baron said he recalled hearing that the selectmen favored using the trust money for scholarships. He suggested putting at least some of it toward helping the town’s college students.The idea of scholarships had come up at last year’s town meeting, where a majority in attendance suggested the money be used for scholarships.Ridgway said his board favors recreational uses for the funds, as that was the primary focus of the Gates’ community service. He also noted that there are already numerous scholarships available for Cornwall students.Phil Hart offered a well-accepted idea to keep older citizens in mind while planning how to spend the money.“Absolutely,” Ridgway agreed. “We can cover a lot of things under recreation.”Barton Jones suggested giving the trustees broader discretion by designating the funds for cultural uses.The matter will go to a future town meeting to establish a trust.
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David Ruchman’s “Acquired Taste”
D.H. Callahan
Filmmaker David Ruchman
In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.
In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.
On Sunday, Oct. 18, the film will act as the dessert course in an afternoon of culinary programming, when it will be paired with award-winning documentary “Jiro Dreams of Sushi” at the Moviehouse in Millerton.
Alongside the two food films will be Ruchman, who wrote, directed and produced “Acquired Taste,” and actor Richard Mover. Mover stars as chef Jamison Gellar, who takes a liking to young Nick and decides to help him see the forest for the trees.
Ruchman, who acts as quizmaster at the Moviehouse’s monthly trivia night, grew up in Washington, Conn., close enough to the Mayflower Inn to have experienced some incredible meals right in his own hometown. The next wrung down on the culinary ladder, however, wasn’t exactly what many consider gourmet. In addition to those rare meals at the Mayflower, Ruchman had the opportunity to travel and get a sense of what was out there in the wide world of dining delights. It gave him a stark understanding of what it could be like to execute a creative vision in an otherwise utilitarian environment.
The screening is part of a Repertory Spotlight at the Moviehouse, ahead of Hudson Valley Restaurant Week, which runs from Nov. 4-16. But there’s more food programming coming after the “Acquired Taste” and “Jiro” event.
On Oct. 24, the Moviehouse will screen “Julie & Julia,” starring Meryl Streep and Amy Adams, about the life and food of Julia Child. After the film, audience members will be treated to a discussion with former Food & Wine editor-in-chief Dana Cowin, celebrated Brooklyn-based cookbook author Jessie Sheehan and Chefs Table founding member Kristen Essig. While at Food & Wine, Cowin would assign work to Julie Powell, who wrote the story the movie is based on.
Two days later, on Oct. 26, a showing of “Babbette’s Feast” will precede a Q&A with film and television executive and local teacher and mentor Paul Wagner, who worked at the film’s studio, Orion Pictures while it was being produced.
For tickets, visit themoviehouse.net
Follow the Clay Way for ceramic delights
D.H. Callahan
Jane Herold’s beautifully simple dinnerware.
As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.
The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.
Cornwall ceramicist Jane Herold explained that there’s quite a lot of enthusiasm for Clay Way among the region’s ceramic artists.
“We all need work space, which is hard to find or afford in urban areas. The wood-fire crowd needs lots of wood and outdoor space. This area is great because it’s rural enough for us, but has a wonderfully enthusiastic and supportive population of pottery [patrons].”
While many of the artists are returning from previous years, the loose collection of unofficial organizers likes to keep the event manageable for the public, limiting the number of artists and studios each year. A direct drive from the southernmost point at Ann Heywood’s studio in Wingdale to Herold’s big barn in Cornwall is under 40 minutes. But if you want to catch it all, plan for a full day’s worth of art exploration along some of the most beautiful roads in New England.
Starting at its northernmost point, Herold’s studio will host Matin Malikzada of Afghanistan, whose polished, modern interpretations of traditional forms are instantly recognizable. They’ll be joined by wood-fired ceramicists Steve Johnson, with his raw, organic forms, and Harry Levenstein, whose works relate closely to Johnson’s while making even more direct references to nature.
Herold herself creates work that is both beautiful and utilitarian. Her prolific output of objects is intended to be used by everyday people as part of their daily lives.
Moving south is Todd Piker of Cornwall Bridge Pottery. Piker has been making pots in his giant wood-fired kiln since 1971. The kiln looks more like an ancient blast furnace than something designed to transform clay into ceramics, but over the years, he’s mastered its intricacies and produces an impressive amount of fine work.

Piker will host Sanah Peterson, who works at Cornwall Bridge Pottery and draws inspiration from both her time with Piker and her time traveling the globe as a child. They’ll be joined by Stephanie Haines, whose vibrant, eye-catching work features underglaze illustrations of birds, fruit and the bounty of nature.
Further along in Warren, Jessica Dubin’s pieces will be on display at the studio of Christine Owen. Both artists seem to appreciate the chaos and unpredictable nature of clay but find ways to refine it all using their own unique methods.
Heading east to Washington, Conn., Will Talbot’s creates intricate work while allowing for the unpredictable nature of clay to play a role. His studio will house Tom Knox and his wide variety of textures and forms, as well as New York City-based Alex Lebedev, who lets music and the nature of improvisation guide his work.
There will be two studios participating in South Kent. Alison Palmner, whose page on the Clay Way website states she “strives to achieve a lighthearted meld of human forms, animals and the vessel.” Her studio will host Ben Eberle, who trained under the guidance of legendary potter Toshiko Takaezu; James Guggina, whose intricate work can appear both deliberate and whimsical; and Paula Shalan, who blends rough, unrefined surfaces with polished precision in individual pieces.

Nearby is Joy Brown, whose work have become a staple of the area, with her figurative sculptures dotting the Northwest Corner. Brown’s studio will also feature Bonnie Levine, who taps into the beauty of chaos and destruction in her work, and Brendan Moore, whose more utilitarian forms are perfect for everyday use.
Finally, the tour crosses the border into Wingdale, New York, where the studios of Drew Montgomery, Ann Heywood and Amy Brenner will host Jackie Sedlock, Lynn Behrendt,and Kathleen Heidemann.
Brenner creates some of the most colorful and vibrant pieces on the tour, while Behrendt’s work is among the most studied and precise. Heywood creates carefully considered, intuitive forms, while Heidemann moves from simple minimalism to intricate textures. Montgomery and Sedlock both find new ways of playing with traditional forms, producing delightfully distinctive pieces.
To learn more about the artists and download a map of participating studios, visit clayway.net
A new home for the unexpected at Kent Fine Art
Natalia Zukerman
CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.
Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.
Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.
Born in 1922, Cameron was a gifted draftsman whose intricate drawings explored spirituality, sexuality, mythology and the mysteries of the subconscious. Her work occupied a world somewhere between surrealism and the occult, informed by her interest in theosophy and the possibility of unseen forces shaping human experience.
Cameron also appeared in experimental films, including Kenneth Anger’s “Inauguration of the Pleasure Dome” and Curtis Harrington’s “The Wormwood Star” and “Night Tide,” the latter starring Dennis Hopper.
Her reputation was as unconventional as her art. In 1957, her drawing “Peyote Vision” appeared in an exhibition at Los Angeles’ legendary Ferus Gallery. The work was considered so provocative that police shut down the exhibition and arrested artist Wallace Berman, who had included it in his show.
Both Cameron and Berman subsequently vowed never to exhibit in commercial galleries again.
Although she continued making art throughout her life, much of it remained largely unseen for decades. Her work resurfaced in major exhibitions, including a 2015 retrospective at the Museum of Contemporary Art in Los Angeles. Curator Philippe Vergne described it as existing on “the edge of surrealism and psychedelia.”
For Walla, bringing Cameron’s work to Pine Plains reflects a larger desire to return to the experience of looking at art rather than treating it primarily as a commodity.
“I wanted to get back to looking at art and to get away from the finance, get away from the asset class, get away from the branding, get away from the fashion, get away from the celebrity status,” he said during a recent visit to the gallery.
Instead, he wants to encourage a more personal encounter with individual works.
“Here, getting to live with it, there’s an opportunity to have a more intimate way with the work,” he said.
Walla began his career as a curator in California, organizing Alex Katz’s first retrospective in 1975. He subsequently joined Marlborough Gallery, where he worked with artists including Francis Bacon, Larry Rivers, Katz and Frank Auerbach.
In 1985, he established Kent Fine Art at Madison Avenue and 57th Street in Manhattan. Over the following decades, the gallery moved through SoHo and Chelsea, presenting hundreds of exhibitions and publishing more than 70 scholarly books on artists ranging from surrealists Dorothea Tanning and Meret Oppenheim to contemporary figures including Chris Burden and Antoni Muntadas.
After the COVID-19 pandemic disrupted the gallery business, Walla returned to Marlborough in an executive role. But with the couple’s two daughters heading off to college and many of their artist friends already living in the Hudson Valley, Walla and his wife, painter Nicole Pilorge, decided to make the move north.
They wanted a live-work arrangement, somewhere they could be surrounded by art without the demands of operating a conventional commercial gallery.
The Pine Plains property offered that possibility, although the building that would become Kent Fine Art required a substantial transformation.
When Walla first entered the space, it was essentially a raw woodworking shop, with unfinished walls and a single light operated by a pull chain. Electrical service was rudimentary, and the building needed insulation, windows and proper wiring.
“We had to trench and electrify the building, and then we insulated the whole thing,” he said.
For someone accustomed to pristine gallery walls, the transformation was particularly satisfying. The ability to install Sheetrock and create proper surfaces for hanging art was, in itself, a revelation.
Walla opened the space with an exhibition of Japanese artist Teruko Yokoi, whose work he has long admired. The Cameron exhibition is only the second presentation in the newly completed gallery.
“I don’t run a gallery per se,” he explained.
Instead, he envisions a more flexible approach, mounting exhibitions when there is an artist or body of work he particularly wants to share.
He also writes a weekly newsletter for a mailing list of approximately 3,000 people, generally focusing on a single work of art. The essays are gradually being added to the Kent Fine Art website, creating a growing collection of observations and reflections drawn from decades of experience.
“Maybe they’re more like memories,” he said.
The property also accommodates Pilorge’s studio upstairs, adding another dimension to the couple’s live-work vision, a reminder that the property is as much about making art as presenting it.
Walla said the arrangement allows them to remain connected to the creative community while working at a different pace.
That spirit of discovery seems especially appropriate for an exhibition devoted to Cameron, an artist who resisted easy categorization and whose work remained outside the mainstream for much of her lifetime.
The exhibition offers a chance to encounter her drawings in a setting far removed from the commercial pressures of the New York art world but informed by someone who has spent decades working at its center.
After a career devoted to exhibitions, publications and the business of art, Walla is interested in something both simpler and more elusive: spending time with the work itself.
“It’s a very modest proposal,” he said.
“CAMERON (1922–1995)” is on view at Kent Fine Art in Pine Plains through Nov. 14. The gallery is open Saturdays and Sundays from 11 a.m. to 5 p.m. For more information, visit kentfineart.net.

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A new home for Stateline Auctions
D.H. Callahan
If you’ve driven through North Canaan in the last month, you may have noticed that the big storefront windows at the intersection of Main and Railroad Streets, usually packed with antiques and art, are empty. Stateline Auctions has moved.
Stateline was started by Tommy Matteo and Bruce Kolbacher in 2011. Matteo had already been in the auction world for 15 years and had worked with Kalbacher, an antiques store owner, before they set up shop in North Canaan.
Matteo works as the ever-enthusiastic auctioneer, and he puts on a real show. In just a few hours, he presents and sells hundreds of items, from antique furniture and rugs to art and decorative items, even taxidermy, jewelry and other odds and ends you probably wouldn’t expect. Community is part of the show, with Matteo joking around with regulars. Attendees congratulate each other on their purchases, and even educate each other about the items as matteo keeps the momentum going. If items aren’t moving, Matteo will remind the room that he’s got alimony to pay, and it’s up to everybody in the room to help him raise the funds.
For the past 15 years, this has all happened in that highly visible building at the main intersection in North Canaan. Now, Mattea, Kolbacher and their Stateline Auctions crew have moved off the beaten path. For some frugal bidders, this might seem like a good thing. After all, the fewer people who know about the auction, the fewer people they have to bid against when their lots come up.

Unfortunately for those who consistently show up, the competition these days is less in the room and more online. Stateline has been running simultaneous auctions through the real-time auction website and app LiveAuctioneers.com, where the entire event is streamed live. Throughout the eight-hour event, the online viewership rarely, if ever, dips below 600 individual users. This technological development creates more potential buyers for Stateline and also allows busy bidders to keep an eye on their lots while out and about.
The new space, still in North Canaan, just barely south of the Massachusetts border, is a sizable warehouse packed to the ceiling with precious finds. It’s bigger, brighter and has ample parking.
The auction on Oct. 11 featured all kinds of lots, including three cars. A candy-apple-red Crosley pickup truck grabbed every eye in the room and even more attention online. Amid all the enthusiasm, it was heartwarming to witness the entire audience erupt in applause as young bidder Molly Seitz burst into tears after winning the truck. The beautiful vintage vehicle had belonged to her grandfather, who had given her driving lessons in it before he died.
Between resellers, collectors and the casually curious, the performance that is a Sunday at Stateline Auctions is a delightful way to breathe new life into old items. There’s rarely a set date for the next auction, but it generally takes about six weeks before they’re ready with their next round of goods. This time, Matteo predicts a sale after Thanksgiving, but if you want to be safe, follow their auction on liveauctioneers.com.
Lena Dunham is feeling “Famesick” in Cornwall
D.H. Callahan
Lena Dunham in conversation with Robert Becker in Cornwall.
Lena Dunham is an unstoppable creative force. She’s been releasing critically acclaimed projects since graduating from Oberlin College in Ohio in 2008. Her new memoir, “Famesick,” about her career, success and the unexpected side effects that accompanied her rise to household-name status, is yet another critical darling.
On Saturday, Oct. 10, Dunham sat down with writer Robert Becker to discuss the book in front of a packed house at the Cornwall Congregational Church in Cornwall Village. The event was sponsored by the Cornwall Library, which, due to unprecedented demand, chose the church as the venue in order to fit more members of the curious community.
Dunham, whose parents are local in the Cornwall area, is settling into town, splitting time between the Northwest Corner and London with her husband, musician Luis Felber, and their first child, a baby girl. Due to her new role as mother, Dunham has not spent much time promoting “Famesick” in person. Despite her lack of public appearances, the book has topped the New York Times bestseller list at No. 1.
Becker boasts a storied résumé himself, with stints at The Paris Review and Andy Warhol’s Interview Magazine. There was an intimate, natural feel to their rapport, grabbing and retaining the attention of everyone in attendance, from millennials to baby boomers, along with a few recognizable celebrities who blended right in with the local population. Both writers landed off-the-cuff jokes with expert timing, often drawing uproarious laughter and applause. The hourlong event felt casually effortless, funny, honest and sincere
Among other topics, they talked about Dunham’s career and family, writer’s block, fame, health, sobriety, communism and the art of filmmaking. Dunham also offered a thoughtful reflection on her generational-defining HBO series, “Girls,” which she admitted she has not revisited since the show’s finale nine years ago. She showed appreciation for the unique circumstances surrounding her artistic rise, regaling the audience stories of producer Judd Apatow going to bat for her ideas and explaining to her that things don’t usually work out so well for young artists.
By her own account, Dunham watches a lot of TV and realizes that a show with a premise as loose as “Girls’” would have a hard time getting made today. It’s “four friends, they’re having some issues, they’re not even really friends, they don’t really like each other, they’re mean to each other, and to other people. That’s the story.”
She went on to suggest, “There’s no way that ‘Girls’ would be greenlit today because now, virtually every show has to be like: she’s a girl … but she’s a ghost … also she’s a lawyer.”
After the talk, the delighted audience strolled across the Cornwall Village green to the library, where a book signing and reception kept everyone in good spirits long after dark.
“Famesick” is available now wherever books are sold.
A new chapter for Oblong Books and Stissing Center
Natalia Zukerman
Murray Hill and Bridget Everett shared the stage at Stissing Center in Pine Plains on Thursday, Oct. 8, for an evening celebrating Hill’s new memoir and the launch of a literary partnership between Oblong Books and Stissing Center.
When Oblong Books co-owner Suzanna Hermans ran into comedian Murray Hill in New York City, she saw an opportunity.
Hill, the self-described “hardest-working middle-aged man in show business,” had a new memoir, “Showbiz! My Life as a Middle-Aged Man,” coming out, and Hermans was eager to bring him to the Hudson Valley for an author event.
She approached him and suggested a visit to “an independent bookstore in the Hudson Valley.” Hill asked where the bookstore was located.
“Millerton,” Hermans replied.
“Oh my God, Oblong?” Hill exclaimed.
As it turned out, Hill already knew of Oblong with its locations in Millerton and Rhinebeck. His friendship with actor and comedian Bridget Everett had brought him to the region, and he had visited the shop before.
“It was a marriage made in heaven,” said Helen Seslowsky, Oblong’s events director.
The chance encounter led to an evening of laughter, storytelling and an exuberant conversation between Hill and Everett on Thursday, Oct. 8, at Stissing Center in Pine Plains.
The event also marked the beginning of a promising collaboration between Oblong Books and Stissing Center, bringing together two regional cultural institutions with a shared interest in connecting artists and audiences.
For Seslowsky, the partnership has been a long time coming.
“One of the things that we really were missing was a midsize venue for author events for Oblong,” she said.
The bookstore has long hosted literary events at its Rhinebeck location, which can accommodate about 50 people, and at The White Hart Inn in Salisbury, where audiences of roughly 100 can gather. But a venue that could accommodate larger crowds while retaining an intimate atmosphere had remained elusive.
Seslowsky had been discussing the possibilities at Stissing Center with Executive Director Patrick Trettenero for some time, waiting for the right opportunity to emerge as the venue’s renovations progressed.
“It’s just taken until now for something that really was a good fit to pop up,” she said.
That something turned out to be Murray Hill.
“It came about quite by chance and was a perfect fit,” Seslowsky said. “We couldn’t have wished for better.”
The conversation between Hill and Everett, long-time friends and co-stars in the acclaimed HBO series “Somebody Somewhere,” brought a lively mix of show business stories, friendship and irreverent humor to Banning Hall, The Stissing Center’s upstairs performance space.
The evening also demonstrated how well the theater could accommodate literary programming. Although the event was initially considered for The Grace Note, the center’s intimate downstairs performance space, Banning Hall offered the seating capacity and sightlines needed for a larger audience without sacrificing a sense of closeness.
Seslowsky said the experience opened up possibilities for future events in both rooms.
“Now we know how it works,” she said. “Banning Hall is such a great, very versatile space to have. And then we’ve got the coziness of The Grace Note.”
Geography is another advantage. Pine Plains sits conveniently between Oblong’s two bookstores, making Stissing Center a natural gathering place for readers from both sides of the Hudson Valley and the Northwest Corner.
The collaboration also introduces audiences to cultural offerings they might not otherwise discover.
Seslowsky noticed familiar faces from Oblong and The Moviehouse in Millerton, along with patrons of Stissing Center and people she hadn’t encountered before.
That kind of audience sharing is central to the partnership’s appeal. A reader who arrives for an author conversation might return for a concert or theatrical performance, while regular Stissing Center patrons may discover a new favorite author or bookstore.
The financial arrangement is similarly collaborative. For the Murray Hill event, the ticket price included a copy of the book. Oblong handled the book purchases, author arrangements and promotion, while The Stissing Center supplied the venue, technical staff and volunteers. The partners shared the proceeds.
“We do all our end of it and the promotion, and Stissing Center has their volunteers and Patrick and the tech staff,” Seslowsky explained. “And then we just split whatever we make.”
While no additional jointly produced events have been announced, Seslowsky is already looking ahead to the spring publishing season. She is reviewing publishers’ catalogs, identifying authors with forthcoming books and submitting requests for potential appearances.
“We’ve got a lot of irons in the fire,” she said.
She expects the next round of programming to take shape after the holiday season, with events potentially beginning in February, March and April.
The timing of the first collaboration, she believes, was particularly fortunate. With Stissing Center’s renovations nearing completion and both organizations eager to expand their reach, the right event arrived at the right moment.
“I don’t believe in pushing things or trying to make things happen before they’re organically ready to do so,” Seslowsky said. “I just think things fell into place. The timing was perfect.”
And if the Murray Hill evening offered any indication of what’s possible, the partnership has plenty of room to grow.
“When we pool our collective resources, it always ends up being a better event,” Seslowsky said.
For more information about upcoming literary events, visit oblongbooks.com and thestissingcenter.org.

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