My schlumpy raincoat inspired Columbo

Now that the official eulogies have been paid to the late actor Peter Falk, it’s time to clear up one serious matter: the signature schlumpy raincoat he wore when playing the off-beat detective, Columbo.In the past few years I have heard several people claim it was their raincoat that inspired him to adopt it as his never-ending article of clothing when tracking down bad guys — and an occasional female.Not true. As anyone who knows me can testify, I am a paragon of un-neatness.I wear sneakers that are two decades old with holes in the front; my pants rarely fit my expanding tum tum; I get a haircut every six months whether I need it or not.But this is about raincoats. Let’s cut to the quick.Many years ago, give or take 60, after college and the Army, I got a job as a reporter on the late lamented Hartford Times, at the time the biggest and most important newspaper in Connecticut.But in my last year at the University of Michigan I took a course in playwriting—and got an A! That set me thinking that maybe dramatics, not newspapering, should and/or would become my life’s work.But I married a beautiful freckled-faced co-ed with auburn hair after I returned to Ann Arbor on the GI Bill. When we graduated together, sitting in a garret writing a Tony Award-winning play wasn’t going to feed my new wife.I put off playwriting for the nonce but not my interest in the live theater. In an abandoned building in Hartford a lively group of actors had formed the Mark Twain Masquers. (Why not Mark Twain? When he came to live in Hartford, he called it “The most beautiful city I have ever seen.”)I joined the Masquers and while I was never chosen for the lead role, I and a worker in the state capitol who was managing the finances had fun playing character roles.My salary at the Times is not worth discussing. After all I was a reporter; I had a glamour job.But there was hardly enough extra money to buy clothes. So I worked the schlumpy raincoat I had brought back with me from Ann Arbor.Aha, are you getting the message? I wore that raincoat to the Mark Twain Masquers as a raincoat, but just as often as my topcoat.One of the most memorable plays I appeared in was Thornton Wilders’ “Our Town,” later made into a movie and still staged annually throughout the country by amateur groups like the Masquers.In “Our Town,” I played the drunken Methodist minister. I forget Peter Falk’s role, but he sat next to me in the final cemetery scene, a scene that to this day brings tears to my eyes.Falk acted in a number of other important plays we put on, “The Caine Mutiny,” the “Crucible” et al. Then he left Hartford and started acting in theaters in Fairfield County which segued to New York and then Hollywood and the TV show, “Columbo,” the detective with the schlumpy raincoat that ran for 30 years plus or minus.I contend to his dying day he would agree that the inspiration for his famous raincoat, which should be hung in the Smithsonian Museum, was inspired by the old rag that I wore to the popular Masquer’s group that has passed into oblivion. Prove me wrong. Freelance writer Barnett Laschever lives in Simsbury and is working on a play about Joshua and the walls of Jericho.

Latest News

Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

Keep ReadingShow less
Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

Keep ReadingShow less
Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.