Thank you!
Your support is sustaining the future of local news in our communities.

Obama rebukes Supreme Court

It was a stunning moment, a president using his State of the Union address to condemn a Supreme Court decision, as six — or make that five — expressionless justices looked on.

“Last week, the Supreme Court reversed a century of law to open the floodgates — including foreign corporations — to spend without limit in our elections,†said President Obama as he served notice that this was a bad decision that could take future elections out of the hands of the voters.

The president’s words inspired Justice Samuel Alito to perform a judicial, if not judicious, version of that Republican Congressman shouting “you lie†during a previous Obama speech to the Congress. Shaking his head sadly, Alito looked at the president and mouthed, but didn’t utter, “not true.†It was not a particularly wise performance by a judge supposed to be above all of that.

His colleagues, Chief Justice John Roberts and Justice William Kennedy, who had voted to open the floodgates, and Justices Ginsberg, Sotomayor and Breyer, who had dissented, sat stony-faced, unaware of their colleague’s inburst, I guess you could call it.

Justices Antonin Scalia, Clarence Thomas and John Paul Stevens, who wrote the dissent, were absent and Alito probably wishes he had been.

u      u      u

The week before the State of the Union, the court had decided 5-4 that corporations and labor unions were people who had the same free speech rights as living, breathing voters to contribute to political campaigns. It was the court at its judicially activist worst, producing the most politically motivated decision since Bush v. Gore, and certainly worthy of a presidential comment during a report on the State of the Union.

Granted, this sort of thing doesn’t happen every day and never in a State of the Union address with members of the court occupying the best seats in the House. (Bush the Younger was unhappy with “activist judges†on the Massachusetts Supreme Court for advancing gay marriage in his 2004 SOTU, but those judges hadn’t been invited to sit in the first two rows of the orchestra.)

The Supreme Court is at best an awkward participant in what has become essentially a pep rally, albeit a pep rally attended by supporters of both teams. One of two costumed groups, the other being the uniformed Joint Chiefs of Staff, the court sits stoically while all those around them, except the chiefs, cheer and jeer.

“I do not expect to see justices at the next State of the Union,†Lucas Powe, a Supreme Court expert, told The Washington Post. He may be right.

u      u      u

In the history of presidential battles with the Supreme Court, Franklin Roosevelt’s attempt to purge the court of New Deal opponents in his second term remains the most memorable. The “nine old men,†as he accurately described them in a speech, were mostly appointees of FDR’s immediate predecessors, Republicans Herbert Hoover, Calvin Coolidge and Warren G. Harding, and a reactionary bunch who had a habit of declaring Roosevelt’s legislation unconstitutional.

Roosevelt saw packing the court with friendly judges as a solution and proposed to help the aged, overworked judges with their caseloads by adding new justices up to a maximum of six for every sitting justice over 70. By an odd coincidence, six of the nine old men had surpassed 70.

Congress didn’t buy Roosevelt’s outrageous power play but the justices got the message. One conservative justice began voting for New Deal acts, including the bill establishing Social Security, and another retired.

By the end of his second term, FDR had filled five vacancies on the court the old-fashioned way as the old men began to retire. Obama has a similar opportunity as five of the present justices, including Kennedy and Scalia, are over 70.

To rebuild the court in his image, all Obama needs to do is get re-elected.

Dick Ahles is a retired journalist from Simsbury. E-mail him at dahles@hotmail.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.