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Down County Jump at The Race Brook
Jun 11, 2025
The Down County Jump festival headliners are, from left, Tony Trischka, Bruce Molsky and Michael Daves.
Provided
From Friday, June 13 through Saturday, June 14, The Race Brook Lodge in Sheffield, Massachusetts, presents a weekend long music festival dubbed Down County Jump. Top-notch local and national touring musicians will perform early Americana styles.
On Saturday, festival headliners Michael Daves on guitar, Tony Trischka on banjo, and Bruce Molsky on fiddle will regale audiences with old time and bluegrass styles with enough room for modern interpretation and improvisation.
Trischka, mentor to Bela Fleck, broke the banjo world open by combining traditional Scruggs style with jazz and pop. Molsky is known as the foremost exponent of old time fiddling, while Daves is highly regarded as one of the best proponents of bluegrass guitar.
In a phone interview, Daves distinguished between styles they will play. “Old-time predates bluegrass. There’s very little improvisation, and it’s most often instrumental fiddle tunes. The fiddler leads the melody, plays it repeatedly, and everyone finds this amazing groove.”
“Old-time musicians tend to be more straightforward about the melodies, whereas bluegrass musicians tend to use those traditional melodies as a jumping-off-point for improvisation. Tony and Bruce play at such a high level. There is a musical conversation that encompasses so much musical understanding and finds common ground,” he added.
Down County Jump returns to Race Brook Lodge June 13 and 14.Provided
Scholarly in his knowledge yet down to earth, Daves grew up in Georgia, was raised by musician parents, and attended Hampshire College in the Pioneer Valley of Massachusetts where he studied with jazz maestro Yusef Lateef.
Though he tours the world with high profile musicians like mandolinist Chris Thile, Steve Martin, and The Steep Canyon Rangers, Daves now lives in Adams, Massachusetts, having relocated there with his wife, luthier Jessi Carter from Brooklyn several years ago.
In addition to performing and recording, Daves teaches guitar and bluegrass singing. He’s inspired by the “high lonesome” bluegrass sounds of legendary artists like Del McCoury, Bill Monroe and Ralph Stanley.
“There’s an openness to their sound. It’s intense with mournful bluesy wailing and smearing, sliding notes over a breakneck speed. It borrows from African American traditions like blues and gospel and mixes with Appalachian ballad styles, which has roots in the British Isles. It’s a uniquely American form from people who were listening to one another for centuries.”
The Down County Jump will be his first show at Race Brook Lodge. For tickets and information, go to: rblodge.com
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Tangled early June 2025
Jun 11, 2025
A rock shelf formation on the private stream. This kind of terrain creates excellent cover for trout.
Patrick L. Sullivan
When syndicated columnists get lazy they gather together bits and pieces that never made it out of the notebook, mash them together, and email it in.
Usually they try to unify the disparate items under a catch-all heading, such as “Heard on the Street” or “Things the Cabby Told Me.”
I’m working on that.
A few days before Memorial Day I was whiling away an idle hour or two on the Blackberry.
From the bridge at Beckley Furnace I observed a fellow fly-caster. We acknowledged each other, and after a couple casts he called up “Got any tips?”
I scrambled down. He was Andrew Stone of Illinois, with a teenager at one of the private schools.
I gave him the little mini-bugger I have been using with considerable success in recent years and almost immediately he was on a fish.
This was very good for my ego.
Andrew Stone netted a trout on the Blackberry in May, thanks in part to some stellar advice from yours truly.Patrick L. Sullivan
In the last week of May I went on my first solo trip to the private fishing club water. I had my button proclaiming my status as a paid-up member attached to my hat. On advice from the club president, I also made an enlarged photocopy of said button and left it on the dashboard.
The club has an arrangement with property owners along the medium-sized stream. Three members of this particular family drove by at various times, with much waving and tooting of horns.
Armed with an old Orvis seven and a half foot four weight with a slow action and a 10-foot Tenkara rod tucked in my pack, I slithered downstream along surprisingly slick cobble, swinging a team of traditional winged wet flies below me.
Nothing happened.
Then the stream took a hard left into a long shelf formation, and here I struck gold.
Alertly noticing the casings from a bug called isonychia on the streamside rocks, I changed over to a Leadwing Coachman winged wet fly on a dropper under an iso dry fly.
I like isos. They are big, and their imitations are big too. I can see them to tie on.
Isos are also good swimmers, so instead of obsessing about the perfect drift, I can put some English on them, especially the subsurface versions.
There are typically two rounds of isonychia in the streams I frequent in New York and Connecticut. The first starts around the beginning of June and seems to taper off as July approaches.
Then it all starts again in August, and runs for a couple months. I have caught fish in the Esopus and Housatonic in late October on iso imitations.
The first brown nabbed the wet fly, and a few minutes later another sportingly took the dry.
The first brown trout from the private fishing club stream looks much bigger than it was because I deliberately brought my smallest net.Patrick L. Sullivan
After an unfortunate encounter with some knotweed I switched over to the DragonTail Talon Mini 310, which is a fixed-line rod with a slow action that fishes at 10 feet and packs down to 12 inches when collapsed, which means it can be stuck in a shallow pocket on a vest or in the wader’s handwarming pocket or even in a pants pocket
The extra reach allowed me to simply flick the line back and forth in front of me, thus avoiding a back cast and the dratted knotweed.
Using a team of a yellow soft hackle wet in size 14 and the Leadwing, I rustled up a couple more of the truck fish from the stocking the first week of May. Neither paid any attention to the yellow fly, which I only included because I saw a yellowish bug flying around. This is called “Not Matching the Hatch.”
Back at base I next spent a thoroughly frustrating day failing to catch anything anywhere on a day that should have been perfect — overcast, warmish, drizzly. The kind of day that makes aquatic insects leap from their beds and rejoice in the promise of a new day.
After a solid five hours of fooling around I finally found some wild browns who were willing to play. They weren’t big but they were very wiggly, resulting in many “compassionate releases,” which is a convenient rationalization of the failure to land a fish.
Speaking of failure, I forgot to buy milk. Twice. So on two successive mornings I had to drink my coffee black.
I remembered to buy a quart, figuring I could bring it back to Connecticut in the cooler.
Well…
Let’s just say that as I peck this out on a rainy Saturday morning, May 31, I am enjoying a cup of black coffee.
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Passages #3 by ErickJohnson (oil on paper).
Provided
When the Furnace – Art on Paper Archive opens “Passages,” Erick Johnson’s first solo exhibition at the Falls Village gallery, it won’t just be the art that beckons. The coffee will once again be flowing from the café next door.
“There’s a door right into the café,” said gallery director and artist Kathleen Kucka, walking into the adjoining room. “The opening will spill in there. It always does.” The Falls Village Café closed in October, much to Kucka’s dismay, but is set to reopen as Off the Trail Café.
“Without the café,” Kucka said, “it just didn’t work. Not to mention my own hunger. So Ijust closed for the winter, which actually worked out really well.” With the reopening, there is a revived enthusiasm fueled by art and caffeine.
Johnson’s paintings and works on paper that ripple with color mark a bold step forward for the artist. While his abstractions have long played a quiet presence in group shows and the gallery’s flat files, “Passages” offers the first full spotlight with all eyes on the shifting geometries, the softened edges, the negative space that Kucka called “meandering.”
Johnson, who splits his time between Tribeca and Hillsdale, is steeped in the art world. He was the assistant for landscape painter Wolf Kahn for over a decade. He knew de Kooning. “And the work has only gotten more inventive,” said Kucka. “The stacking. The shapes. Even the way he’s using the brush. It’s like woven fabric.”
Two of the works in the show are paintings in the formal sense — paint on stretched canvas — while the rest are pigment-rich explorations on thick paper. “There really is a distinction,” Kucka explained, and a difference in the impact from the smaller to the larger pieces. And yet, the through-line is unmistakable: color as a portal, form as an exploration.
So come for the conversation, stay for the coffee. But mostly, come for the work — vibrant, unfolding, and, as Kucka put it, “just beautiful.”
The opening reception is Saturday, June 7, from 4 to 6 p.m. The show will be on view through July 6 at Furnace – Art on Paper Archive at 107 Main St., Falls Village.
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A hungry starfish appears in “The Ghost Net: An Environmental Musical of the Sea” at CCS June 3.
Riley Klein
CORNWALL — The Grumbling Gryphons Traveling Children’s Theater transformed the gymnasium of Cornwall Consolidated School into an underwater wonderland Tuesday, June 3.
The troupe performed “The Ghost Net: An Environmental Musical of the Sea” with participation from students in all grades and a few teachers.
The 10-scene musical takes the audience on a journey from land to sea showing the impact of pollution on marine habitats. A girl, Marina, saves wildlife as she is guided underwater by a horseshoe crab with a broken tail, a sea turtle who swallowed plastic, a seagull with a tangled wing, an oil-soaked duck and others. Ultimately, she helps defeat the evil Ghost Net and save her friends.
Students played different roles by grade.
Kindergarten and 1st-graders played clams avoiding a hungry starfish.
2nd- and 3rd-graders played the minnows in a school of fish.
4th- and 5th-graders were tropical fish at a coral reef party.
6th-, 7th- and 8th-graders played trash creatures in the “Slimy Sludge Rap.”
Director Leslie Elias and cast fielded questions from students after the show, like “What is that thing in your pocket?”
“Wireless microphones,” Elias explained.
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