Thank you!
Your support is sustaining the future of local news in our communities.

One man's effort to make a better postal system

“I never felt there was any

great risk in starting new ventures.

The greatest risk was missing an

opportunity.â€�                                                                                                                        — Robert Noyce

As a high school student, I became interested in postage stamps from all over the world and from ancient times. I collected them, bought them and sold them. And after several years I wondered when postage stamps were introduced into society and what happened before they were introduced. The research was most interesting and it continues to make my mind wiggle when I think about the invention of the postage stamp.

Before the postage stamp came into use, English post offices handled the delivery of letters and packages in a rather unusual way. A letter, for example, would be in an envelope and the post office would measure its weight and assign a cost for its weight and distance of transportation. Then they would deliver it to the addressee.

The addressee, not the sender, was asked to pay for the delivery. And the costs were very high. It made many recipients worry and some refused to accept the mail.

Rowland Hill was the man who changed this completely. He was born in 1795 in a small town in western England. His father was a teacher in Birmingham. When he was 12 years old, Hill became a student-teacher in his father’s school. He taught astronomy. He earned money fixing scientific instruments.  

u           u           u

At the age of 24, Hill set up the Hazelwood School in a town named Edgbaston and he equipped the school with a swimming pool, a science laboratory, a library, and a series of gas-powered lights. Most other schools had nothing similar in their operation. He proposed making science a required course for schools. It did not take much time for students to come to the school from several other countries, and the school prospered. Several years later Hill moved the school to London, where it was even more successful.

Around this time, Hill was reported to have witnessed the attempted delivery of mail to a young woman. She did not have enough money to accept the mail and when the postmaster left with the mail in his hand she started to cry.

Hill asked her what had happened and why she was crying. She said she did not have enough money to pay for the letter, and she told him that the letter was from her fiancé, whom she had not seen for several months.

u           u           u

Hill’s mind responded to that event rather quickly, as it opened his eyes to a basic problem in the postal system structure. He wrote an article titled, “Postal  Reform, Its Importance and Practicability.â€� He passed it on to Lord Melbourne in 1837. The plan called for the post office to use pre-printed envelopes and adhesive postage stamps, a very big difference from how they worked at that time. The following is what his article focused on.

“Perhaps this difficulty for using stamped envelopes in certain cases might be obviated by using a bit of paper just large enough to bear the stamp and covered at the back with a glutinous wash, which the user might, by the application of a little moisture, attach to the back of the letter to avoid the necessity of re-directing it.�

A very important part of Hill’s article focused on setting up a uniform rate of one penny for each half-ounce of the letter. What this idea did was to make letters affordable for everyone and easy to transmit from sender to recipient. The idea also cut the accounting costs of the Royal Mail organization. They no longer had to keep records of each individual letter. And the back of the penny stamp could be licked to soften the sticky material there to allow the stamp to be attached easily to the envelope. This was a drastic change and it helped to enormously increase the number of letters sent each day.

u           u           u

When Hill appeared before the government with his postal reform plan, including penny stamps and printed envelopes, it was adopted and included in the Parliamentary budget in 1839. Printing started the following year and the stamps went on sale May 8, 1840. The “Penny Black� stamp was used for half-ounce letters, and full ounce letters used the “Two Penny Blue� stamp.

Originally stamps were printed in quantities on a large sheet of paper. There were no holes between the stamps to make it easy to tear the individual stamps apart. The stamps were cut apart by scissors, or torn apart by hand. It was not convenient.

Hill’s design provided that there be small holes lined up between the stamps in each direction. That made it much easier to tear the stamps apart without damaging them. That simple design has continued to this day.

In 1860 Queen Victoria knighted Hill as Knight Commander of Bath for his service to the British Empire, and he was also made a Fellow of the Royal Society. Hill died at his home in 1879.

Other countries began to imitate Hill’s designs. Here in the United States, you can now buy a sheet with 20 stamps on it, 10 on each side. You just peel off one stamp and stick it on your envelope. The stamp has glue on it and you don’t have to lick it. Very nice!

Sidney X. Shore is a scientist, inventor and educator who lives in Sharon and holds more than 30 U.S. patents.

Latest News

Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

Keep ReadingShow less
Celebrating Dick Hermans’ life built around community

Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.

Provided
No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans

When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.

The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.

Keep ReadingShow less
Tending the Fire: Homelands PowWow brings Mohican culture home to the Berkshires

Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.

Joeseph Plante New Media Storytellers
Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands.


For the Stockbridge-Munsee Mohican people, the Berkshires are not simply a place to visit. They are ancestral homelands.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Ancram Center’s “A Number” doubles questions of identity
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
Jeff Mousseau

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

Keep ReadingShow less

Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

Keep ReadingShow less
Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.