Thank you!
Your support is sustaining the future of local news in our communities.

Opening a World of Picture Books


Last Saturday morning, Becky Hurlburt pulled up to the Cornwall Free Library on Pine Street in a very large, tan Suburban bearing dozens of illustrations for Art Works, a month-long exhibit and sale of drawings and paintings created for children’s books, which runs at the library through June 30.

 

For Hurlburt, this idea is a natural. The woods in these hills, and in the hills beyond, have been thick with illustrators for generations — James Thurber, Mark Simont, Maurice Sendak, Sandra Boynton, Carl Chaiet, Etienne Delessert and many more. Why not organize the library’s annual exhibition and fundraiser around such gifted artists?

And Hurlburt, who worked with children’s book illustrators in New York for more than a decade, helped the library committee reel them in.

She is a pleasant, no-nonsense sort, turning up for the morning’s work in a T-shirt, shorts and sandals.

She has chosen country life and family life. But in that other world of New York publishing, she was an art director for Penguin Putnam. Her job, put simply, was to take the book chosen by editors and pair it with the right illustrator.

"It was the best job ever. But I knew it was the job or family, and I wanted a family." So she returned to Cornwall, where she grew up, and to her roots, "I’m a Scoville," she says, married, had children, volunteers now and considers public office some distant day after a bruising loss in the race for first selectman against Gordon Ridgway a while back.

Right now, though, she is reliving some of her heady past, calling people she used to work with and others whom she knows by their names and by their work to exhibit at the library.

Some of the work is riveting, like the spiraling yellow ghost in Dirk Zimmer’s "A Dark, Dark Room." Some is clever, like Sandra Boynton’s cat drawing itself, and some of it is just plain hilarious, like Elwood Smith’s drawings of animals and their leavings in the ever-popular "The Truth About Poop."

All of the illustrations are for sale (with half the amount going to the library), with prices ranging from $50 to $4,000 — that last for James Ransome’s "Red Barn," a large, frigid, scene in black and red and white.

"What I want people to see is the tremendous variation in children’s book illustrations," Hurlburt says.

This exhibit says it all.

 

 

style="font-size: 10pt; font-family: arial"saturday morning, becky hurlburt pulled up to the cornwall free library on pine street in a very large, tan suburban bearing dozens of illustrations for art works, a month-long exhibit and sale of drawings and paintings created for children’s books, which runs at the library through june 30.>

June 2 is Art Works’ Festival Day, which includes the exhibit, sale of books by participating artists and book signings. A panel discussion titled "Connecting Art and Story in Children’s Books," led by Davyne Verstandig, is scheduled from 11 a.m. to 12:30 p.m.; lunch, prepared by Girl Scout Troup #418, is scheduled from noon to 1:30 p.m.; storytelling at Town Hall and at the United Congregational Church Parish House runs from 1:30 to 2:30 p.m.; and a workshop led by illustrator Michael Chesworth, aimed at children aged 5 to 10 years old, runs at the the Parish House from 2:30 to 3:30 p.m.

 

Authors Mary Pope Osborne and Will Osborne will speak from 4 to 5 p.m. — for tickets and information, call 860-672-6874; and, finally, a reception for the artists is scheduled at the library from 5 to 6 p.m. The exhibit runs through June 30.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.