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PBS and NPR are leaning right

The tumultuous managerial shake-up at National Public Radio headquarters for trivial verbal miscues once again has highlighted the ludicrous corporatist right-wing charge that public radio and public TV are replete with left-leaning or leftist programming.Ludicrous, that is, unless this criticism’s yardstick is the propaganda regularly exuded by the extreme right-wing Rush Limbaugh and Sean Hannity. These “capitalists” use the public’s airwaves free of charge to make big money.The truth is that the frightened executives at public TV and radio have long been more hospitable to interviews with right-of- center or extreme right-wing and corporatist talking heads than liberal or progressive guests.PBS’s Charlie Rose has had war-loving William Kristol on 31 times, Henry Kissinger, 55 times, Richard Perle, 10 times, the global corporatist cheerleader Tom Friedman, 70. Compare that guest list with Rose’s interviews of widely published left-of-center guests — Noam Chomsky, two times, William Grieder, two times, Jim Hightower, two times, Charlie Peters, two times, Lewis Lapham, three times, Bob Herbert, six times, Paul Krugman, 21 times, Victor Navasky, one time and Mark Green, five times. Sy Hersh, once a frequent guest, has not been on since January 2005.Dr. Sidney Wolfe, the widely quoted super-accurate drug industry critic, who is often featured on the commercial TV network shows, has never been on Rose’s show. Nor has the longtime head of Citizens for Tax Justice and widely respected progressive tax analyst, Robert McIntyre.Far more corporate executives, not known for their leftist inclinations, appear on Rose’s show than do leaders of environmental, consumer, labor and poverty organizations.In case you are wondering, I’ve appeared four times, but not since August 2005, and not once on the Terry Gross radio show.The unabashedly progressive Bill Moyers show is off the air and has not been replaced. No one can charge PBS’s “News Hour” with Jim Lehrer with anything other than very straightforward news delivery, bland opinion exchanges and a troubling inclination to avoid much reporting that upsets the power structures in Congress, the White House, the Pentagon or Wall Street.The longest running show on PBS was hard-line conservative William F. Buckley’s show — “Firing Line” — which came on the air in 1966 and ended in 1999.Sponsorship by large corporations, such as Coca Cola and AT&T, have abounded — a largesse not likely to be continued year after year for a leftist media organization.None of this deters the Far Right that presently has a majority in the House of Representatives to defund the $422 million annual appropriation to the umbrella entity — the Corporation for Public Broadcasting (CPB). About 15 percent of all revenues for all public broadcasting stations comes from this congressional contribution.Though he admits to liking National Public Radio, conservative columnist David Harsanyi said there is no “practical argument” left “in the defense of federal funding … in an era of nearly unlimited choices.”Really? Do commercial radio stations give you much news between the Niagara of advertisements and music? Even the frenetic news, sports, traffic and weather flashes, garnished by ads, are either redundant or made up of soundbytes (apart from the merely two minutes of CBS radio news every half-hour). If you want serious news, features and interviews on the radio, you go to public radio or the few community and Pacifica radio stations.Harsanyi continues: “Something, though, seems awfully wrong with continuing to force taxpayers who disagree with the mission — even if their perceptions are false — to keep giving.”Public radio’s popular “Morning Edition” and “All Things Considered” are the most listened to radio shows after Rush Limbaugh’s, and any taxpayer can turn them off. Compare the relatively small public radio and TV budget allocations with the tens of billions of dollars each year — not counting the Wall Street bailout — to subsidize greedy, mismanaged, corrupt or polluting corporations either directly in handouts, giveaways and guarantees or indirectly in tax escapes, bloated contracts and grants. Can the taxpayer turn them off?Here is a solution that will avoid any need for congressional contributions to CPB. The people own the public airwaves. They are the landlords. The commercial radio and TV stations are the tenants that pay nothing for their 24-hour use of this public property. You pay more for your auto license than the largest television station in New York pays the Federal Communications Commission for its broadcasting license — which is nothing. It has been that way since the 1927 and 1934 communication laws.Why not charge these profitable businesses rent for use of the public airwaves and direct some of the ample proceeds to nonprofit public radio and public TV as well as an assortment of audience controlled TV and radio channels that could broadcast what is going on in our country locally, regionally, nationally and internationally?Now that would be a worthy program for public broadcasting. Get Limbaugh’s and Hannity’s companies off welfare. (Want to guess what their listeners think about corporate welfare?) Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School.

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Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

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Celebrating Dick Hermans’ life built around community

Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.

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No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans

When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.

The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.

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Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.

Joeseph Plante New Media Storytellers
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Ancram Center’s “A Number” doubles questions of identity
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
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How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

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Dispatches from the Farm

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Adamah Farm crew members planning out the day’s tasks on a late September day.

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“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

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Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

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The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

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