Thank you!
Your support is sustaining the future of local news in our communities.

PBS and NPR are leaning right

The tumultuous managerial shake-up at National Public Radio headquarters for trivial verbal miscues once again has highlighted the ludicrous corporatist right-wing charge that public radio and public TV are replete with left-leaning or leftist programming.Ludicrous, that is, unless this criticism’s yardstick is the propaganda regularly exuded by the extreme right-wing Rush Limbaugh and Sean Hannity. These “capitalists” use the public’s airwaves free of charge to make big money.The truth is that the frightened executives at public TV and radio have long been more hospitable to interviews with right-of- center or extreme right-wing and corporatist talking heads than liberal or progressive guests.PBS’s Charlie Rose has had war-loving William Kristol on 31 times, Henry Kissinger, 55 times, Richard Perle, 10 times, the global corporatist cheerleader Tom Friedman, 70. Compare that guest list with Rose’s interviews of widely published left-of-center guests — Noam Chomsky, two times, William Grieder, two times, Jim Hightower, two times, Charlie Peters, two times, Lewis Lapham, three times, Bob Herbert, six times, Paul Krugman, 21 times, Victor Navasky, one time and Mark Green, five times. Sy Hersh, once a frequent guest, has not been on since January 2005.Dr. Sidney Wolfe, the widely quoted super-accurate drug industry critic, who is often featured on the commercial TV network shows, has never been on Rose’s show. Nor has the longtime head of Citizens for Tax Justice and widely respected progressive tax analyst, Robert McIntyre.Far more corporate executives, not known for their leftist inclinations, appear on Rose’s show than do leaders of environmental, consumer, labor and poverty organizations.In case you are wondering, I’ve appeared four times, but not since August 2005, and not once on the Terry Gross radio show.The unabashedly progressive Bill Moyers show is off the air and has not been replaced. No one can charge PBS’s “News Hour” with Jim Lehrer with anything other than very straightforward news delivery, bland opinion exchanges and a troubling inclination to avoid much reporting that upsets the power structures in Congress, the White House, the Pentagon or Wall Street.The longest running show on PBS was hard-line conservative William F. Buckley’s show — “Firing Line” — which came on the air in 1966 and ended in 1999.Sponsorship by large corporations, such as Coca Cola and AT&T, have abounded — a largesse not likely to be continued year after year for a leftist media organization.None of this deters the Far Right that presently has a majority in the House of Representatives to defund the $422 million annual appropriation to the umbrella entity — the Corporation for Public Broadcasting (CPB). About 15 percent of all revenues for all public broadcasting stations comes from this congressional contribution.Though he admits to liking National Public Radio, conservative columnist David Harsanyi said there is no “practical argument” left “in the defense of federal funding … in an era of nearly unlimited choices.”Really? Do commercial radio stations give you much news between the Niagara of advertisements and music? Even the frenetic news, sports, traffic and weather flashes, garnished by ads, are either redundant or made up of soundbytes (apart from the merely two minutes of CBS radio news every half-hour). If you want serious news, features and interviews on the radio, you go to public radio or the few community and Pacifica radio stations.Harsanyi continues: “Something, though, seems awfully wrong with continuing to force taxpayers who disagree with the mission — even if their perceptions are false — to keep giving.”Public radio’s popular “Morning Edition” and “All Things Considered” are the most listened to radio shows after Rush Limbaugh’s, and any taxpayer can turn them off. Compare the relatively small public radio and TV budget allocations with the tens of billions of dollars each year — not counting the Wall Street bailout — to subsidize greedy, mismanaged, corrupt or polluting corporations either directly in handouts, giveaways and guarantees or indirectly in tax escapes, bloated contracts and grants. Can the taxpayer turn them off?Here is a solution that will avoid any need for congressional contributions to CPB. The people own the public airwaves. They are the landlords. The commercial radio and TV stations are the tenants that pay nothing for their 24-hour use of this public property. You pay more for your auto license than the largest television station in New York pays the Federal Communications Commission for its broadcasting license — which is nothing. It has been that way since the 1927 and 1934 communication laws.Why not charge these profitable businesses rent for use of the public airwaves and direct some of the ample proceeds to nonprofit public radio and public TV as well as an assortment of audience controlled TV and radio channels that could broadcast what is going on in our country locally, regionally, nationally and internationally?Now that would be a worthy program for public broadcasting. Get Limbaugh’s and Hannity’s companies off welfare. (Want to guess what their listeners think about corporate welfare?) Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.