Thank you!
Your support is sustaining the future of local news in our communities.

The plan to end homelessness: affordable housing

The homelessness epidemic that first surged in our country following the deinstitutionalization movement has expanded in recent decades with the rising cost of living amid the growing shortage of affordable housing.

A Millbrook resident wrote me following last month’s column on homelessness to tell how a friend remarked during the 1970s that unless eradicated within a generation, homelessness would become a tolerated staple in our society.

Such has been the case as homelessness has not gone away; those who are homeless still suffer losses in their dignity and sense of self-worth, and society pays a hefty cost.

An example of the costs to society is the fact that homeless persons tend to be hospitalized more frequently and, on average, four days longer than non-homeless persons. This, by law, gets absorbed by the taxpayers at an additional cost of $2,414 per hospitalization.

u      u      u

The 2009 Stimulus Act has renewed interest in ending homelessness with an infusion of $13.61 billion to HUD (Department of Housing and Urban Development), which includes $1.5 billion to prevent and re-house the homeless, for which $655,000 is Dutchess County’s share via a grant. A Dyson Foundation-funded committee has been developing “The 10-Year Plan to End Homelessness in Dutchess County†to determine how to spend the county share.

The timing is appropriate. The county’s supply of emergency shelter beds for the homeless has exceeded the demand frequently, resulting in expensive motel stays (at county expense). Our supply of subsidized housing complexes is full and there is a lengthy waiting list ranging from three to six months to three to five years.

Equally alarming is the fact that the 2009 Rental Housing Survey developed by the County Department of Planning found rents in the county up an average of 7 percent from 2008. The balance of the housing market is tipping toward fewer available rental units, threatening to increase the demand for housing services from persons squeezed out of the rental market.

The county’s stimulus funding has earmarked some money as financial assistance to help prevent at-risk families and individuals from going homeless while also quickly re-housing those currently facing housing instability.

u      u      u

Other strategies for preventing homelessness include one-time or short-term rent or mortgage assistance, legal assistance programs, representative payee services and direct payment programs, housing placement services and eliminating inappropriate discharges from institutional settings.

Recommendations for improving housing opportunities for low- to moderate-income households include advocating for inclusionary and incentive zoning to develop opportunities for affordable home ownership, establishment of a local affordable housing trust fund and a community land bank to streamline property reuse activities.

The concept of prevention is to identify those at greatest risk of homelessness prior to entering the system and provide them with the services to maintain housing stability. Services include financial literacy, job training and educational programming as well as developing programs targeted at tenant/landlord relationships. Improvements in quality of life for the homeless should be immediate, whereas fiscal savings to society will be realized over time.

Future column segments will examine strategies for improving housing opportunities, community engagement and strengthening of services.

Michael Kelsey represents the towns of Amenia, Washington, Stanford, Pleasant Valley and the village of Millbrook in the Dutchess County Legislature. Write him at KelseyESQ@yahoo.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.