Thank you!
Your support is sustaining the future of local news in our communities.

Please DON'T ‘Give me your tired, your poor, your huddled masses ...’

A few years ago, during a project on Russian Jewish immigrants, I came upon Malka Chavanowa, who in 1905 had arrived at Ellis Island with her 10-year-old son. Beside her name were initials, LPC, which turned out to stand for, “likely to become a public charge.” Although Malka was allowed to pass through Ellis Island (she would become matriarch of Arnoff’s Moving and Storage), women who arrived without a husband either at their side or waiting on the pier were labeled LPC, and many were put back on steerage to be returned to Europe.  

At the time, I was outraged at U.S. Immigration’s assumption that a woman was incapable of sustaining herself. It never occurred to me that becoming a “public charge,” was part of the web of obstacles that immigrants still face — that is, until President Trump’s recent executive decision to deny green cards to any immigrant who has applied for one of a range of federal public assistance programs. 

The fact is, U.S. Immigration has long used “public charge” to refer to someone primarily dependent on the government for subsistence, either through income maintenance or institutionalization for long term care. Nor is the 21st century version of the term “inadmissibility on public charge grounds” new with the Trump administration. Though rarely used, government statistics show that, in 2016, 164 visas were denied on the grounds that the applicant could become a “public charge.” What is noteworthy is the enormous increase in the use of the hardhearted term under Trump: in fiscal year 2018, 5,518 immigrants were denied visas “on public charge grounds.” 

Trump’s executive decision, intended as a “clarification” of current policy, denies green cards to those who have applied for any of various public assistance programs, from food stamps, housing vouchers, SSI and Medicaid to purchasing subsidized or unsubsidized healthcare under the Affordable Care Act. Needless to say, most of these programs offer far less than primary dependency on the government. Although there are already several court challenges to the decision, the suggestion that poor immigrants are taking undue advantage of federal benefit programs needs to be critiqued.

First, the 11 million undocumented immigrants in the U.S., including DACA recipients, who contribute an estimated $11.74 billion to state and local economies each year, have never been eligible for the federal benefit programs mentioned in the executive order. Second, legal immigrants — those with lawful permanent resident (LPR) status — are barred from full access to public benefit programs until they have been here for five years and/or have worked here for 40 quarters. Even social security benefits, which all workers pay into, are not available to legal immigrants until they have completed 40 quarters of work, in addition to having maintained LPR status for five years.

The Trump administration claims that it is simply looking to ensure self-sufficiency from immigrants and to prevent them from becoming a drain on U.S. taxpayers. Yet, immigrants pay more in taxes than they receive in government services and benefits, and legal immigrants use federal public benefit programs at lower rates than U.S.-born citizens. According to the Cato Institute, 32.5% of native-born citizen adults received SNAP benefits in 2012, compared to 25.4% of naturalized citizen adults and 29% of noncitizen adults. The Cato Institute also found that immigrants received lower benefit values, costing the program less than native-born citizens. 

While immigrants with serious medical conditions, along with their families, have until recently been allowed to remain in the United States while receiving life-saving medical treatment, without warning the Trump administration has also axed the “medical deferred action program.” Letters are being sent to thousands of immigrants here under this program, notifying them that they will have to leave within 33 days. The media have already reported stories of immigrant children for whom this may prove a death sentence. 

Those of us who want to live in a country that “cares for the stranger” are looking on in horror at the new rulings. More important, they must send a chill throughout our immigrant population, who see their choices being narrowed almost daily.  

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.