President Obama’s entry into Libya’s civil war can be criticized on many levels: The mission as explained is incoherent; Congress was not asked for a declaration of war as the Constitution requires; events in Libya do not affect the security of the American people; bombing another oil-rich Muslim country aggravates the conditions that create anti-American terrorism; killing innocent civilians is nearly inevitable; the rebels’ motives are unclear; mission creep happens; war unleashes unforeseen, uncontrollable forces; the government is already deep in debt, and more. All these objections are valid — and any one of them should have been enough to scotch the plan. Defense Secretary Robert Gates was right when he expressed reluctance to intervene in Libya.Consider the operation’s incoherence. Obama originally said this strictly aerial engagement would last a matter of days and is aimed only at saving civilians from Col. Moammar Gadhafi’s air attacks, but is not intended to drive him from power, although the president says he “has to go.” But won’t Gadhafi simply resume his attacks when the Americans and their allies leave?The obvious illogic masks lies and a hidden agenda. The U.S.-led force has not only attacked the Libyan air force and air defenses; it has also struck ground forces and military facilities. Even Gadhafi’s compound was hit. We were told this would be a no-fly zone only, but it is so much more.Are we being lulled into another open-ended war?The humanitarian rationalization for intervention is tissue-thin anyway. Innocent civilians and resisters of oppression are under siege in many countries all around the world. Why single out Libya, whose head of state has been a U.S.-financed ally for the last several years? Obama’s defenders dismiss that question, saying that the U.S. government’s inability to intervene everywhere is no argument that it shouldn’t intervene anywhere. But that misses the point. Where the government chooses to intervene is revealing. Oil might have something to do with it.It should also be noted that the man who launched this “humanitarian” operation is the same man who for more than two years has been bombing civilians in Afghanistan, Pakistan, Yemen and Somalia, as well as claiming the authority to order the assassination of American citizens and to hold prisoners indefinitely without charge or trial. In this topsy-turvy world, Obama won the Nobel Peace Prize.The president and his advisors of course are not as scatterbrained as this operation suggests. They have more in mind than they are telling the American people, whom they fear are suffering war fatigue. That would explain the emphasis placed on the approval of the Arab League, the U.N. Security Council, and NATO, which is an American tool. NATO’s Supreme Commander, Europe, Adm. James Stavridis, is an American. Make no mistake: Despite participation by Britain and France, this is a U.S. operation. Nor should we be impressed that a group of Arab countries run by autocrats beholden to the U.S. government asked for intervention against an erratic head of state they have never liked. It should be noted that Saudi Arabia has troops in Bahrain defending the dictator-king against rebels there.A U.S. military intervention dressed up as a humanitarian action by the “community of nations” is nonetheless a U.S. intervention. Obama should not be able to get away with this exercise in militarism.And what’s behind it all? It’s the same old story of American global hegemony. As George H.W. Bush put it, “What we say goes.”What Americans should worry about is a U.S. government free to roam the world, carrying out the ruling elite’s agenda of political and economic aggrandizement. Americans pay homage to freedom, but they cannot be free under these circumstances. When Washington, Jefferson and John Quincy Adams warned against an imperial foreign policy, they understood that it would require a government of unlimited power beyond the scrutiny and control of the people. (That’s why WikiLeaks scares the hell out of the imperial overlords.) If Americans mean what they say about liberty, they will insist on a dismantling of the U.S. empire.Decent people of course do not want to see dictators killing people. However, expecting the U.S. government to right all wrongs will not only fail; it will also create a whole new set of wrongs at home and abroad. Sheldon Richman is senior fellow at The Future of Freedom Foundation (www.fff.org).
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Greg Fricke and James Boehmer, co-owners of Peggy Mercury in Kent, recently launched their first fashion line, “Imaginary Concerts.”
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Fricke and Boehmer are not there to stock their shelves with the same products customers find at standard makeup retailers. They’re there to help customers find what works for them. That usually means asking customers about themselves and learning about their beauty habits, skin, style and the way they like to present themselves. Fricke and Boehmer believe it’s their job to help customers bring out the qualities that suit them and determine what works best for their look.
So much of the Peggy Mercury world is about emboldening people to become more creative, and possibly bolder, versions of themselves. Some of this comes through the store’s creative collaborations with artists, designers and stylists.
It’s part of an ethos that encourages them and their friends to use the shop as a kind of laboratory, trying out new creative experiments without knowing how they might turn out. Whether in fashion, painting, fiber arts or photography, the projects almost always turn out marvelously.
A line of sterling silver charms they sell started as a small project by their friend Nolan Percival. In the beginning, the pieces were for close friends and loved ones. But Boehmer and Fricke encouraged Percival to get a little more serious about the project and create a whole line for the store. Today, it’s one of their top-selling collections.
Classic styles, bold colors, and creative concerts make up the “Imaginary Concerts” line at Peggy Mercury.Provided
“Imaginary Concerts” has the duo taking their own advice.
The project started as a way for Boehmer to connect with his mother, who had been diagnosed with Alzheimer’s disease. Taking old concert shirts from his own collection, Boehmer and his mother began cutting out the graphics with the idea that they would make a quilt together. Unfortunately, she died before they could complete the project in 2025. The pieces, which were ready for production, were put on the back burner as Boehmer and Fricke dealt with their loss and the whirlwind of projects that never seemed to cease at Peggy Mercury.
But the harsh winter of 2026 presented an opportunity to take some time and focus on themselves. Part of that meant revisiting and redefining the concert T-shirt project. This time, instead of looking to the warmth and comfort of a quilt, they turned to another passion — fashion.
Taking a page from their own book, they wanted to create something that felt comfortable to them. They took two disparate loves — one rooted in simple preppy style, with clean lines and classic silhouettes, and the other in the nitty gritty worlds of punk rock and pop — and blended them together to create something entirely new. Pulling from the staples of vintage Brooks Brothers and Charvet collections, they applied the graphic elements with bold stitching reminiscent of punk jackets of the ‘70s and ‘80s, but with a much more sophisticated air.
But the remixing isn’t just the pairing of prep and punk. The pieces are not canon. They take liberties with the realities of concert tours, combining one band’s dates with another band’s logos, mixing them all up until the reality is lost and imagination is the only truth.
Shirts from Peggy Mercury’s first fashion line, “Imaginary Concerts,” hang on display.Provided
Adding to the mix is an element of perpetual creativity. Art can be messy, both figuratively and literally, and many of Fricke and Boehmer’s artist friends carry evidence of their work on them at all times. As a nod to these tireless creatives, the duo added haphazard splashes of bright color, giving the line an even more distinctive feel.
For them, “Imaginary Concerts” passes the “Peggy Test.” The mythical Peggy Mercury is a fictional figurehead for the company, a character who thrives on creativity and change. The name, much like the clothing line, is a mixture of interests: Mercury is a planet, a deity and an elusive, transformative element, while Peggy is the wonderfully stylish and boundary-pushing Peggy Guggenheim.
Everything Fricke and Boehmer put in their store has to pass this test: Would Peggy Mercury approve? For their first collection, the answer is a resounding yes.
Peggy Mercury is at 9 Maple St., Unit 2, Kent.
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