Thank you!
Your support is sustaining the future of local news in our communities.

On road to major improvements

SHARON — With the multi-million dollar Sharon road repair project completed and the municipal elections past, it seemed like a good time to catch up with First Selectman Robert Loucks.Loucks was unopposed in this year’s election and now begins his second term in office.“We have 54 miles of paved roads in Sharon,” he said, summarzing the recently completed roadwork. “Of that, 36 or 37 miles have been completed. There are some roads that are in good shape and do not need fixing. But there are still 8 to 10 miles of roads in dire need of repair.”Loucks said he hopes that in the spring of 2012 the town will be able to find some money to repair the roads that still need attention. He shed some light on road maintenance. “For years they used a product called Cold Mix, sold by the Gorham company. That would go underneath, then the crews would ‘chip seal’ [with stone and oil] over that. The Cold Mix just did not stand up. Even patching it does not work because the Cold Mix underneath crumbles. It has not proved to be a good product.” The manufacturer claims to have improved the product, “but I’m not going to take a chance on that. I like the old-time proven hot mix that we are getting out of Amenia Sand and Gravel.”By now, he said, “It’s starting to get too late in the year to do any more repairs.” The weather can’t be too hot or too cold or the mixture won’t set. Most plants that make materials close down in winter.“The plant should be open until the first week of December,” Loucks said. “At this point, we’ll still be getting some blacktop from the plant. Town crews will use that for filling potholes on Cary Hill Road, Knibloe Hill Road and nearby places. There are potholes on these roads that need to be fixed, but we were hampered by the recent major storms.”In addition to its 54 miles of paved road, Sharon has 27.7 miles of dirt roads. Maintaining dirt roads is more costly to the town than maintaining paved ones, Loucks said.“People build their houses on these dirt roads and think the roads are fixed once and then remain in good condition. That is not the case. A number of dirt roads are anywhere from 4 to 6 feet below the banks on each side. That makes it difficult to drain out after storms.”During Tropical Storm Irene, Loucks said, “We lost some culverts, plus it washed out the area around the culverts. We had three storms, one right after the other doing the same damage, but Irene brought the most water. Because of Irene, we have six or seven places we are going to have to put in additional culvert pipes. There was no bridge damage from Irene. There was a little damage on River Road, on the Sharon side of the Housatonic River, near Cornwall Bridge.”Of the response from town residents to the work, he said,“I think 99 percent of the people are happy with the roads. I’ve been getting a lot of good comments, letters from residents and press about the road project. There are always some people who are unhappy with anything.” As for other projects going on around town, Loucks said he did not know when the refurbished Sharon Motor Lodge would reopen. But he did say, “I have admiration for people who come to town and fix things up. Just before I came to office, that place was a drug den. The State Police were watching it. I saw cars with New Jersey license plates going there. I called the police, they monitored the situation and came back to me telling me there was a lot of drug dealing going on.”Happily, things are looking up in town.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.