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Unsilent Night is an original composition by Phil Kline, written specifically to be heard outdoors in the month of December. Since its debut in 1992, the piece has been performed in cities around the world.
Taylor Davidson
In the spirit of community and creativity, Kingston will host its sixth annual Unsilent Night on Dec. 19, an immersive, musical walking experience created by composer Phil Kline. The event transforms the streets into a moving soundscape, inviting participants to become part of a living, breathing musical composition.
Kline, a veteran of New York City’s downtown scene with a résumé that zigzags from rock clubs to revered museums, has long delighted in blurring the boundaries between public art and public ritual. Raised in Akron, Ohio, he came to New York to study English literature and music at Columbia University, then embedded himself in the unruly creative ferment of the early 1980s East Village. He co-founded the post-punk band the Del-Byzanteens with Jim Jarmusch and James Nares, collaborated with Nan Goldin on the soundtrack to “The Ballad of Sexual Dependency,” and played guitar in Glenn Branca’s cacophonous ensemble, allexperiences that shaped his appetite for art that is social, subversive and never quite where most expect it to land.
Unsilent Night debuted in Greenwich Village in 1992 and has since traveled to more than 175 cities on five continents. The premise is simple: Participants walk a set route while playing one of four prerecorded tracks on phones, speakers or whatever portable device they can wrangle. The piece lasts 45 minutes, “the length of one side of a cassette,” Kline likes to remind people, and the format he originally composed for.
In practice, Unsilent Night is far more than a clever technological conceit. Its chiming, layered textures refract through streets and buildings, creating what one Wall Street Journal critic described as “bell sounds [that] lap up against buildings and ricochet all around,” warming “even the coldest of hearts.”
That sense of immersion has resonated with critics over the years. Jon Pareles ofThe New York Times called the experience “suspended wonderment.”
For Kevin Muth, the organizer of the Kingston event, that feeling was immediate and personal.
“I went to my first Unsilent Night in Manhattan in 2002,” Muth said. “I was new in town, hadn’t quite found my people yet, but braved the cold and took the subway with my boombox to Washington Square Park. It was snowing. There were hundreds of people gathered around the fountain and volunteers handing out cassette tapes. There was a countdown, and we all pressed play at the same time and started walking. The music was sparkling and shimmering, and the crowd felt like a funny mix of solemn and festive. As the procession slowly made its way east, the sounds changed from chimes, to choruses, to church bells, bouncing off the buildings and mixing with the honking horns of traffic waiting for us to pass. When the crowd reached the Christmas tree in Tompkins Square Park, the music faded except for one warbling boombox with dying batteries that made everybody laugh. The crowd cheered and dispersed, and it became one of my favorite annual holiday traditions.”
This year’s walk will begin at Frog Alley Park in Kingston’s Uptown/Stockade District at 6 p.m. Participants are encouraged to download the track or the Unsilent Night app in advance and bring Bluetooth speakers if possible. The route takes about 45 minutes and is, as Muth describes it, “a moving boombox parade.”
Kline has likened the experience to a contemporary twist on a familiar holiday tradition. “I always thought of it as being sort of a variation on Christmas caroling,” Kline said, “a combination of my own work and memories of caroling back in Ohio.”
For Muth, the event’s enduring appeal lies in its openness and emotional range. “I really love this event because the holiday season can mean different things to different people,” he said. “For some, it’s a time of celebration and joy, and for others, it may be a time of reflection, or sadness. This event allows us to come together and experience the season however we need to.”
On Dec. 19, residents are invited to come as they are and take part in the transformation of Kingston’s streets. As Kline put it, “Sometimes the only way to escape is to use your imagination.”
For more information, visit unsilentnight.com.
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Every January, the design world waits with the same anticipation fashion lovers reserve for runway week. Pantone announces its Color of the Year, something it has been doing for more than two decades. Suddenly, our social feeds fill with mood boards, swatches and breathless predictions about what we’ll all be painting our living rooms.
For 2026, the palette designers were buzzing about ranged from Sunlit Citrine (a soft, optimistic yellow), to Quill Blue (a dusty, serene blue-green), to Verdant Drift (an herbal, grounding green). All beautiful. All fresh. And they would photograph beautifully on Instagram.
But around here — where the landscape itself offers a centuries-old palette of neutrals like pine, granite and sky — clients often ask:
“Should I jump on a color trend?”
And the answer?
Maybe… but carefully.
As an interior designer, I see the same pattern every year. A new color lands, and clients begin to wonder whether their red Shaker cabinets or their beloved Hale Navy office suddenly feel “out.” After all, we’re surrounded by inspiration here — from the quiet sophistication of Salisbury’s historic homes to the newly renovated estates near the shores of the Grove.
Trends bring a spark. They keep design exciting. They remind us that a refresh is always possible, even in spaces we’ve lived in for years. There is nothing wrong with loving what’s new.
But there’s a flip side designers talk about quietly — especially when we chat at design centers while flipping through samples.
Here’s the truth: What’s “in” will always go out. Always. Often faster than we expect.
Chasing trends year after year can leave your home feeling disconnected — a collection of quick fixes instead of a story. And in the Northwest Corner where many homes carry histories and families carry traditions, constant reinvention can be exhausting (and expensive).
When everything changes every year, nothing feels settled. Your home should be a sanctuary, not a revolving door of what’s new and next.
New throw pillows are one thing. New furniture? A new backsplash? Those decisions add up quickly — especially as the trend cycle accelerates.
If your choices hinge on what designers say is hot, you risk losing what you actually love. Your home becomes a showroom, not a reflection of the people who live there.
And authenticity is everything. Our homes don’t need to look like every city apartment or every online mood board. They should look like us — rooted in the natural textures, calm silhouettes and lived-in beauty we are surrounded by.

So… How Do You Stay Current Without Redecorating Every Year? This is where the fun begins.
You can touch on trends without committing to a full remodel. In fact, the most stylish homes blend timeless bones with fresh seasonal energy.
Here’s how:
Your big pieces — sofas, cabinets, rugs, built-ins, lighting — should be neutral, well-made and enduring. Think warm whites, natural woods and the slate blues and greens that mirror our surroundings.
Introduce Pantone-inspired colors through art that can rotate, pillows and throws, small side tables or vases, seasonal florals, even a painted back-of-bookshelf or interior door. These changes give you the hit of “new” without major commitment.
Nature always sets the palette better than Pantone ever could. Mossy greens, stone walls and honey-gold fields — those hues are forever. If a trend aligns with the colors we already see outside our windows, it will never truly feel dated.
If a color or style speaks to you emotionally, it’s less likely to feel temporary. When a trend resonates with your taste, it becomes part of your home’s narrative, not a passing phase.
In the end, trends are fun — a gentle nudge, a fresh lens, a reason to reimagine. But your home anywhere in the Northwest Corner should feel like you every day of the year.
So enjoy the Pantone buzz, pull in a touch of Sunlit Citrine or a whisper of Quill Blue or Cloud Dancer if it calls to you, but let the bones of your home remain beautifully, confidently timeless. Design, after all, isn’t a moment. It’s your best way of living.
Kerri-Lee Mayland is an Emmy award-winning news anchor and designer. She lives in Lakeville.
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South Kent School outscored Team Maryland 16-9 in the three-game series.
Lans Christensen
KENT — South Kent School hosted a weekend of hockey when Team Maryland visited for a three-game stretch Dec. 12 to 14.
The Cardinals’ 18U prep team cleaned up with decisive victories in the series and advanced to a season record of 22-11-1. Team Maryland’s 18U team, a youth hockey development program based in Rockville, Maryland, moved to a season record of 8-10-2.
Action began Friday night with an 8 p.m. puck drop. South Kent came out strong and earned a 6-4 win against Team Maryland.

Game two was played Saturday afternoon. Maryland scored first about five minutes into the game on a fine shot by forward Channing Kai. It would be their only lead as the Cardinals quickly responded with a goal by forward Svit Ravnik. South Kent went up 2-1 in the second period with a slap shot by Kagen Langlois. The final period was all South Kent; the puck rarely left Maryland’s end of the ice. Both Rowan McCord and Alexander Sokolov scored, giving South Kent a 4-1 victory.
The series concluded Sunday morning with South Kent winning 6-4 and Team Maryland loading up on the bus for a long drive home.
Both teams are part of the Tier 1 Hockey Federation, a USA Hockey-sanctioned league that provides a competitive environment for youth hockey players across the United States.

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Sharon gathers to light menorah
Dec 17, 2025
A group joins together to share in the lighting of the menorah on the first night of Hanukkah on the Sharon town Green Sunday, Dec. 14.
Ruth Epstein
SHARON — In an ecumenical atmosphere, the menorah on the Town Green was lit Sunday evening, Dec. 14, for the start of Hanukkah.
Carl Chaiet, who has been marking the Jewish holiday for several years, noted the candelabra used to observe the Festival of Lights, stands between the town’s Christmas tree and the creche, the latter sharing an electrical connection with it.
During the lighting ceremony, attended by close to 30 people, Chaiet lit the first candle. He had found the pieces of a candelabra about 20 years ago in his father’s basement, saved from a closed synagogue. As an artist, he saw the opportunity to reconstruct the disassembled piece of brass and bronze and erect it on the Green, with the approval of the then-Board of Selectmen.
Since then, he and his wife, Selectman Lynn Kearcher, lead a ceremony on the first night of Hanukkah. An additional light goes on each following night.

“The celebration of Hanukkah is a celebration of strength, determination and resilience,” he said. “Each year the message seems pertinent to all of us and we invite all faiths to join in the lighting.” One woman noted the importance of that message more so this year because of the mass shooting that took place in Australia that weekend with the killing of several people celebrating Hanukkah.
Chaiet recited some prayers and led the group in singing holiday songs. Since the Hanukkah miracle involved oil, it is customary to eat foods fried in oil. A favorite is the potato latke. Kearcher gave out their version—bags of potato chips—along with samples of circular pieces of chocolate wrapped in gold, known as Hannukah gelt, another holiday treat.
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