Seeking the Greed Cure, Sort Of

Yes, we’ve heard lately about the 47 percent of Americans said to pay no federal income taxes (the elderly, the unemployed, the college bound, the afflicted, the impoverished and the very, very wealthy with sharp accountants). But we have ignored the outliers, that 2 percent of the population that is successful, wealthy and incapable of minding the rules most people follow, most of the time. James Sheldon gives us an entertaining look at them in his new play “The Bonus Room,” (that something-for-nothing useless space realtors push). He introduces us to three members of this notable corps who, deep in their hearts, are convinced the rules are not for them. The rules are for the other 98 percent. The chumps. Of course these men (women can be outliers, too, Sheldon makes clear) are cooling their Gucci loafers in federal prison as the play opens: Sen. Bob Graboczek (Gary Cookson) got nailed for skimming state pension funds; mortgage banker Ben Bancroft (Andrew Joffe) is in the big house for security fraud and insider trading and the disappearance of $42 million. And baseball pitcher Dale Cannon (Charlie Tirrell), an almost Hall-of-Famer as known for chasing skirts as he was for his awesome fast ball, is serving time for denying he used performance enhancing drugs and for refusing to rat on others who did as well. But wait. Bancroft can get back into his Armani suits (cut a bit snugger in the shoulders than Graboczek’s $1,490 Ermenegildo Zegnas), and Graboczek can work his way back to the public trough and Cannon can play again or maybe coach, before Christmas. All they have to do is take part in a federal study aimed at subduing psychopathic behavior with a snort of oxytocin. This is the hormone that speeds childbirth, promotes breast feeding, and engenders, it is said, cooperative behavior. Might it turn outliers into righteous citizens, and terrorists into pussycats? That’s what researcher Dr. Connie Stroheim (Diedre Bollinger) wants to prove (thus spinning her into the upper echelons of government research and a nice apartment in Georgetown). And so it goes for close to two hours, and aside from a discussion of oxytocin that comes off as Wikipedia at its giddiest, this is a neat, if sometimes talky, play about American hopes and dreams, particularly the larcenous ones. It is very funny in spots, but I get the feeling that director Thomas Gruenewald played down the humor in this piece. And that is too bad, because this “Bonus Room” lectures us on the dark leanings in our culture. What it really wants is to show how risible, how unserious, our efforts to curb these leanings have been. “The Bonus Room” plays at the Copake Grange, 628 Empire Empire Road in Copake, NY, through Oct. 7. For tickets, call 518-329-3151.

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We seek to help readers make more informed decisions through comprehensive news coverage of communities in Northwest Connecticut and Eastern Dutchess County in New York.

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Selectmen suspend town clerk’s salary during absence

North Canaan Town Hall

Photo by Riley Klein

NORTH CANAAN — “If you’re not coming to work, why would you get paid?”

Selectman Craig Whiting asked his fellow selectmen this pointed question during a special meeting of the Board on March 12 discussing Town Clerk Jean Jacquier, who has been absent from work for more than a month. She was not present at the meeting.

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Dan Howe’s time machine
Dan Howe at the Kearcher-Monsell Gallery at Housatonic Valley Regional High School.
Natalia Zukerman

“Every picture begins with just a collection of good shapes,” said painter and illustrator Dan Howe, standing amid his paintings and drawings at the Kearcher-Monsell Gallery at Housatonic Valley Regional High School. The exhibit, which opened on Friday, March 7, and runs through April 10, spans decades and influences, from magazine illustration to portrait commissions to imagined worlds pulled from childhood nostalgia. The works — some luminous and grand, others intimate and quiet — show an artist whose technique is steeped in history, but whose sensibility is wholly his own.

Born in Madison, Wisconsin, and trained at the American Academy of Art in Chicago, Howe’s artistic foundation was built on rigorous, old-school principles. “Back then, art school was like boot camp,” he recalled. “You took figure drawing five days a week, three hours a day. They tried to weed people out, but it was good training.” That discipline led him to study under Tom Lovell, a renowned illustrator from the golden age of magazine art. “Lovell always said, ‘No amount of detail can save a picture that’s commonplace in design.’”

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