Thank you!
Your support is sustaining the future of local news in our communities.

Seeking the Greed Cure, Sort Of

Yes, we’ve heard lately about the 47 percent of Americans said to pay no federal income taxes (the elderly, the unemployed, the college bound, the afflicted, the impoverished and the very, very wealthy with sharp accountants). But we have ignored the outliers, that 2 percent of the population that is successful, wealthy and incapable of minding the rules most people follow, most of the time. James Sheldon gives us an entertaining look at them in his new play “The Bonus Room,” (that something-for-nothing useless space realtors push). He introduces us to three members of this notable corps who, deep in their hearts, are convinced the rules are not for them. The rules are for the other 98 percent. The chumps. Of course these men (women can be outliers, too, Sheldon makes clear) are cooling their Gucci loafers in federal prison as the play opens: Sen. Bob Graboczek (Gary Cookson) got nailed for skimming state pension funds; mortgage banker Ben Bancroft (Andrew Joffe) is in the big house for security fraud and insider trading and the disappearance of $42 million. And baseball pitcher Dale Cannon (Charlie Tirrell), an almost Hall-of-Famer as known for chasing skirts as he was for his awesome fast ball, is serving time for denying he used performance enhancing drugs and for refusing to rat on others who did as well. But wait. Bancroft can get back into his Armani suits (cut a bit snugger in the shoulders than Graboczek’s $1,490 Ermenegildo Zegnas), and Graboczek can work his way back to the public trough and Cannon can play again or maybe coach, before Christmas. All they have to do is take part in a federal study aimed at subduing psychopathic behavior with a snort of oxytocin. This is the hormone that speeds childbirth, promotes breast feeding, and engenders, it is said, cooperative behavior. Might it turn outliers into righteous citizens, and terrorists into pussycats? That’s what researcher Dr. Connie Stroheim (Diedre Bollinger) wants to prove (thus spinning her into the upper echelons of government research and a nice apartment in Georgetown). And so it goes for close to two hours, and aside from a discussion of oxytocin that comes off as Wikipedia at its giddiest, this is a neat, if sometimes talky, play about American hopes and dreams, particularly the larcenous ones. It is very funny in spots, but I get the feeling that director Thomas Gruenewald played down the humor in this piece. And that is too bad, because this “Bonus Room” lectures us on the dark leanings in our culture. What it really wants is to show how risible, how unserious, our efforts to curb these leanings have been. “The Bonus Room” plays at the Copake Grange, 628 Empire Empire Road in Copake, NY, through Oct. 7. For tickets, call 518-329-3151.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.