Thank you!
Your support is sustaining the future of local news in our communities.

Sometimes what’s there can work

Sometimes looking more and doing less makes for a more satisfying landscape. When a fellow Kent resident asked me to design a garden to screen his work area from family activities, the first thing I asked was what they already had. The reply — “Oh, it’s just the woods” — made me expect the same invasive garlic mustard, Japanese honeysuckle and trees girdled and broken by oriental bittersweet that are taking over more and more of our woods every year. To my surprise, “just the woods” turned out to be an exquisite tapestry of choice native plants, growing in community, despite the hard work of maintenance contractors hired to neaten up the property. I’m afraid that I blurted out, “Do you know how much money people pay to remove the invasive plants you don’t have and plant what is already here?” The answer, a sincere and curious “No, show us; what do we have?” led to a delightful change of direction.Lowbush blueberries, Canada mayflowers, partridge berries, several native sedges, a few ferns, white wood asters and other wildflowers carpeted the forest floor, interspersed with taller huckleberries. They were shaded by oaks, hickories, red maples and more shadblows (so named because they bloom when the shad are running) than I have ever seen in one place. Most of the understory shrubs and small trees — “the brush” — had been hacked back to clear the woods. But cut shadblows were sprouting from the stumps along with maple leaf viburnums (whose berries are favored by thrushes), striped maple and sassafras. Once I pointed out each plant, explained which birds and butterflies depended upon them, showed pictures of their flowers, berries and fall color, I was asked to label the plants and write it all down so they could teach their kids. They were game to learn something new, engage the kids and shuck the high-maintenance suburban landscaping routine.We did plant a dogwood grove and some native understory shrubs, but the biggest change has been in replacing power tools with observation, selective snipping, allowing existing plants to self-seed and letting stumps, leaves and fallen branches remain to nourish the entire plant community from microbes to trees.Now the owners take pleasure in the small vignettes — a jutting rock painted with moss and sedges that catch the afternoon light, Canada mayflowers nestled between exposed roots, the plants that appear on a rotting stump. Ordering and shaping what is already there is a satisfying way to garden. On my last visit I noticed that artfully arranged rotting logs already have plants creeping up their crumbling flanks and that father and son made a path — detouring around plant treasures — by scuffing their feet through the leaf litter. The father commented that, like having a guided tour in a museum rather than just wandering on your own, having someone point out a plant, handle it and say its name makes you appreciate what is right at your feet. Karen Bussolini is an eco-friendly garden coach, a NOFA Accredited Organic Land Care Professional. She can be reached at www.kbgarden@charter.net or 860-927-4122.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.