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Sometimes what’s there can work

Sometimes looking more and doing less makes for a more satisfying landscape. When a fellow Kent resident asked me to design a garden to screen his work area from family activities, the first thing I asked was what they already had. The reply — “Oh, it’s just the woods” — made me expect the same invasive garlic mustard, Japanese honeysuckle and trees girdled and broken by oriental bittersweet that are taking over more and more of our woods every year. To my surprise, “just the woods” turned out to be an exquisite tapestry of choice native plants, growing in community, despite the hard work of maintenance contractors hired to neaten up the property. I’m afraid that I blurted out, “Do you know how much money people pay to remove the invasive plants you don’t have and plant what is already here?” The answer, a sincere and curious “No, show us; what do we have?” led to a delightful change of direction.Lowbush blueberries, Canada mayflowers, partridge berries, several native sedges, a few ferns, white wood asters and other wildflowers carpeted the forest floor, interspersed with taller huckleberries. They were shaded by oaks, hickories, red maples and more shadblows (so named because they bloom when the shad are running) than I have ever seen in one place. Most of the understory shrubs and small trees — “the brush” — had been hacked back to clear the woods. But cut shadblows were sprouting from the stumps along with maple leaf viburnums (whose berries are favored by thrushes), striped maple and sassafras. Once I pointed out each plant, explained which birds and butterflies depended upon them, showed pictures of their flowers, berries and fall color, I was asked to label the plants and write it all down so they could teach their kids. They were game to learn something new, engage the kids and shuck the high-maintenance suburban landscaping routine.We did plant a dogwood grove and some native understory shrubs, but the biggest change has been in replacing power tools with observation, selective snipping, allowing existing plants to self-seed and letting stumps, leaves and fallen branches remain to nourish the entire plant community from microbes to trees.Now the owners take pleasure in the small vignettes — a jutting rock painted with moss and sedges that catch the afternoon light, Canada mayflowers nestled between exposed roots, the plants that appear on a rotting stump. Ordering and shaping what is already there is a satisfying way to garden. On my last visit I noticed that artfully arranged rotting logs already have plants creeping up their crumbling flanks and that father and son made a path — detouring around plant treasures — by scuffing their feet through the leaf litter. The father commented that, like having a guided tour in a museum rather than just wandering on your own, having someone point out a plant, handle it and say its name makes you appreciate what is right at your feet. Karen Bussolini is an eco-friendly garden coach, a NOFA Accredited Organic Land Care Professional. She can be reached at www.kbgarden@charter.net or 860-927-4122.

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August, one bass at a time

August, one bass at a time

This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.

Patrick L. Sullivan
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.

Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.

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An outdoor festival for Broadway fans

An outdoor festival for Broadway fans
An outdoor festival for Broadway fans
An outdoor festival for Broadway fans

Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.

Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.

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Crandell Theatre celebrates 100 years of film, community and Chatham history

The Crandell Theatre in 1948.

Provided
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.

Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.

The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.

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Arts Connected fundraiser celebrates Northwest Connecticut’s creative community

MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.

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The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.

More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

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At 90, artist Robert Cronin still finds new ways to paint
Falls Village Artist Robert Cronin describes his process, from drawing to painted canvas.
L. Tomaino
Once I get all the colors in, they change. Who knows? I might consider more radical colors and then bring it back a little.
— Robert Cronin

Renowned painter Robert Cronin of Falls Village celebrated his 90th birthday with an exhibition, “Robert Cronin: New Paintings,” at the Hunt Library in Falls Village which opened Aug. 8 and will be on view through Sept. 11.

Cronin paints most days in his home studio. He keeps his work fresh by trying new things and has had different phases of work, including figure paintings, paintings on paper, a modular, circle and enclosure series of paintings, as well as a tinplate sculpture series.

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All aboard the Litchfield County Clipper

All aboard the Litchfield County Clipper

The Litchfield County Clipper runs between Thomaston and Torrington.

Allison Gollenberg

Every Sunday until the end of August, passengers can ride back in time on the Litchfield County Clipper, a scenic train running between Thomaston and Torrington on the county’s only passenger rail line.

The train, operated by the Railroad Museum of New England and the Naugatuck Railroad, follows the Naugatuck River through Mattatuck State Forest and along the Thomaston Dam, making it the only railroad in the country that operates over the face of an active dam. For $26.50 passengers can ride all day, boarding or disembarking at any of the train’s three stops, which include two stops in Torrington and one in Thomaston.

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