Take the A(uto) Train

I’ve always had a thing for trains, and of course for cars as well.  So when the time came for my annual road trip to the south and west, this year with a first stop in northern Florida, I decided to try Amtrak’s Auto Train, which carries you and your car overnight from just south of Washington, D.C., to less than an hour northwest of Orlando.  The trip covers a bit over 800 miles in a scheduled 17.5 hours, though we actually arrived ahead of time — a first in my experience with Amtrak.

Bottom line: It’s a friendly, well-run service that saves more than 12 hours of driving on Interstate 95, which ranks high on the list of everyone’s least favorite — and speed-trap filled — highways. Dinner aboard is good (and included in the price), and, at least for sleeping car passengers, it’s served in an honest to goodness dining car with tablecloths, real china and glassware. When was the last time you saw one of those on an American train? Sleep doesn’t come easily, because the cars shimmy a lot, but on the whole it’s a pretty satisfactory experience.

You can choose a wide range of accommodations, from coach class with reclining seats to roomettes and bedrooms, some complete with private toilet and shower. I opted for a bedroom, which had an upper and a lower bunk perpendicular to the axis of the car; the upper folds out of the way during the day, while the lower converts to a reasonably comfortable couch.  

There’s also a collapsible table; a swiveling chair next to the large window; a small sink with mirror; and a weird combination toilet and shower, functional except for a lack of hot water. (Oddly, there was hot water to shave with.) The overall space was tight, okay for one person but two people would get to know each other awfully well if they didn’t already.

The fare structure is complicated, because what you pay varies with when you go, what type of accommodation you choose and how large your vehicle is (full-size SUVs and minivans pay a surcharge). With a 10 percent AAA discount on only the basic $89 coach fare — understandably, given the route, no senior discounts apply — I paid $80.10 plus $260 for a bedroom and $169 for my SUV, a charge that now seems to have risen to $220 (versus $147 and up for anything shorter than 182 inches). For me that made just over $500 in all, a price I felt justified by what I saved on a motel room, a decent dinner, at least two $60 tankfuls of gasoline — and, a biggie, wear and tear on an aging driver.

I left New York at 8 a.m. to make a 2 p.m. deadline at the northern Auto Train terminus in Lorton, Va., just off I-95 about half an hour south of the Capitol. I was concerned about getting stuck in one of the legendary Beltway traffic jams, as I have before, but this time breezed through and got to Lorton by 12:30. An attendant slapped a magnetized ID number on the side of the car. I took with me the luggage I needed and left the car to be loaded onto one of the enclosed vehicle carriers that would be coupled to the back of the train.

Inside the attractive terminal building, I checked in at the sleeping-car desk, where a helpful Amtrak employee noticed the camera around my neck and told me when and where I could photograph the engines being attached to the front of the train.  By 3 o’clock we were called to board the train. Dennis, the attendant on Car 5340, showed me aboard and, in accents that recalled his native Guyana, explained how things worked in Bedroom E. A few minutes before the daily 4 p.m. scheduled departure, after complex switching maneuvers to couple the loaded vehicle carriers to the passenger cars, we were off.

The Auto Train can carry as many as 650 passengers and 330 cars; with its maximum complement of 18 silver-sided passenger cars and 33 auto carriers, the train stretches more than three-quarters of a mile — making it the longest passenger train in the world. The day I took it in mid-March, the train was less than half full, with 243 passengers and 127 vehicles, including a lone motorcycle.

We enjoyed a complimentary wine and cheese reception in the lounge car before we left, the wines on offer being a chardonnay, a Norton — a grape new to me — and a vidal blanc, all from Rappahannock Cellars in Virginia, all OK but nothing more.  The lounge car stayed open until 11 p.m., with free movies and stronger drink available at $5 a pop.

Dinner was served in two sittings, at 5 and 7 p.m., with welcome sightings of fruit trees in bloom in the late afternoon sunshine.  I joined two Auto Train veterans at the second sitting and followed their recommendation of the 10-ounce New York steak, which was excellent and accompanied by a freely poured Williamsburg red wine. There was a salad, and my dessert was a killer brownie with pecans and chocolate icing on top.

I was awakened around 7 a.m. to a view of the Florida landscape just south of Jacksonville. After a continental breakfast, we arrived in Sanford at 8:40 a.m. The vehicle carriers were uncoupled, divided into several sections, and switched into position next to the unloading ramps. We were off the train by 9 a.m. to wait for our cars.  

Happily for me, the SUVs and minivans were the first vehicles unloaded. My breakfast companions had taken the Auto Train twice before; once they had their car in 15 minutes, but the second time — a full train on New Year’s Eve — it took a full two hours.  I was out of there by 9:15, on the road to lunch with friends in the horse country near Ocala.   

My theory is that the bigger vehicles are offloaded first because they’re more likely to belong to families en route to Disney World with small children — and Amtrak wants to get the kiddies out of there before they start bawling. Or maybe it was just the roll of the dice.  Or whatever.

© 2008 by Keith R. Johnson.  A retired senior editor of Fortune, Johnson lives in Sharon.  Wheels appears monthly.

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.